In Memoriam: P.F. Sloan (1945-2015)

P.F. Sloan - Child of Our TimesTake a moment to consider a number of the songs written or co-written by Philip “P.F.” Sloan: “Secret Agent Man,” “Eve of Destruction,” “Let Me Be,” “Where Were You When I Needed You,” “You Baby,” “A Must to Avoid,” “Another Day, Another Heartache.”  Yet the songwriter, who died on November 15 at the age of 70, may be best known for the bittersweet, elegiac ode penned by his colleague and admirer, Jimmy Webb.  “I have been seeking P.F. Sloan,” Webb’s song begins.  “But no one knows where he has gone…”

In an impressionistic fantasia and meditation on fleeting pop stardom, the cost of breaking creative ground and remaining true to oneself, Webb admonished, “Don’t sing this song…it belongs to P.F. Sloan.”  The Association – earlier, the recipients of Sloan’s ravishing “On a Quiet Night” – picked up Webb’s song.  So did Jennifer Warnes, the band Unicorn, and much later, Rumer.  P.F. Sloan became a mythical figure as acclaimed for a song about him as for the hits he penned for Barry McGuire, Herman’s Hermits, The Turtles, The Searchers, Johnny Rivers and the Grass Roots.  As for Sloan, he recalled roughly two decades ago, “I first heard it at a hot dog stand on Sunset Boulevard.  The Association were singing it. It was 1971. I had borrowed some coins for coffee…I was away from music and living on someone’s couch. I thought to myself, ‘God is still alive, and remembers and loves me.'”  A return to recording with 1972’s Epic/Mums release Raised on Records was short-lived.

Happily, we will always remember and love the words and music of P.F. Sloan.  Though his absence from the grind of the music business inspired Jimmy Webb’s incredibly poignant composition, recording artists and younger musicians whom he influenced never forgot P.F. Sloan.  Years later, he was to receive the credit he deserved.  In the compact disc era, Sloan emerged for 1994’s new album Serenade of the Seven Sisters.  His past work was paid homage by Ace Records with Here’s Where I Belong: The Best of the Dunhill Years collecting Sloan’s solo sides for Lou Adler’s record label, as well as with You Baby: Words and Music by P.F. Sloan and Steve Barri, an overview of the team’s best work encompassing ebullient pop, surf, and groundbreaking folk-rock.  In 2001, Varese Sarabande compiled Child of Our Time: The Trousdale Demo Sessions 1965-1967, and in 2007, Collectors’ Choice Music revisited his Atco solo album Measure of Pleasure on CD.  Sloan periodically ventured to create new music, too, with albums including Sailover (2006) and My Beethoven (2014).  Just last year, he penned his long-awaited memoir entitled What’s Exactly the Matter with Me?.

Those seeking P.F. Sloan will be rewarded with some of his era’s most diverse and richly rewarding music.  Please do sing his songs; they belong to everybody.

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Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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4 thoughts on “In Memoriam: P.F. Sloan (1945-2015)”

  1. Thanks for the tribute, Joe. PF Sloan was a remarkably talented songwriter and performer who was unfairly dismissed in the 60s as a Dylan copycat and cruelly jettisoned by the very executives of the label for which he made a LOT of money. In truth, even at this late date, his body of work rewards close listening, particularly the Ace British collection. If any performer’s body of work cries out for a comprehensive boxed set, it’s PF Sloan. His autobiography is never less that entertaining, and often thought provoking. Long may his music live.

  2. What a great song writer! My first album was the Grass Roots’ “Let’s Live For Today”. As I collected more GR records I had trouble finding the same elements that I enjoyed on that first album that I had. It took years to learn and realize that Sloan, along with Steve Barri, essentially created the Grass Roots to support ‘Where Were You When I Need You”. I highly suggest the Grass Roots album (cd edition) of the GR album of the same name. Technically the ‘band’s’ first album, it has a lot of Slian/Barri goodness. Not the entire Sloan ‘ s contributions to the Mamas and Papas. But read his book for lots more great info about this pivotal figure in 1960’s west coast music!

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