Marlena Shaw is “Acting Up” Again

Whether recording jazz, pop or funk, the soulful Marlena Shaw has made her mark. The first female vocalist signed to Blue Note Records, Shaw has had an impressive career with tenures not only at the venerable jazz imprint but also Chess’ Cadet subsidiary, Columbia, Verve and Concord. Included in her outstanding discography are searing takes on Goffin and King’s “Go Away, Little Girl” (as “Go Away, Little Boy”), Ashford and Simpson’s “California Soul” and a discofied “Touch Me in the Morning.” Big Break Records continues its exploration of Shaw’s Columbia catalogue with the April 25 (U.K.)/May 3 (U.S.) release of Shaw’s second album for the label, 1978’s Acting Up. This is just one of Big Break’s stellar line-up scheduled for April/May.

The follow-up to Sweet Beginnings, Acting Up was once again helmed by producer Bert De Coteaux, while Abe Laboriel (bass) and Quentin Dennard (drums) made significant musical contributions. Shaw contributed a couple of songs herself while other notable tracks came from the pens of Billy Tragesser, Ken Stover and the team of Kathy Wakefield and Ken Hirsch. Like many of Shaw’s recordings, Acting Up features her in musical settings ranging from the romantic to the deeply funky. Big Break’s new edition features two bonus tracks, the single version of “Places” and the rare original soundtrack version of “Don’t Ask to Stay Until Tomorrow,” from the film Looking for Mr. Goodbar. Connors, of course, co-wrote the famous theme from Rocky, “Gonna Fly Now,” and under her given name of Annette Kleinbard was the voice of Phil Spector’s “To Know Him is to Love Him” for The Teddy Bears.  Hit the jump for pre-order link and track listing, with discographical information!

Acting Up also includes a deluxe booklet with liner notes based on a new interview with Marlena Shaw. It arrives in stores April 25 in the U.K. and one week later in the U.S.

Marlena Shaw, Acting Up: Expanded Edition (Columbia JC 35073, 1978 – reissued Big Break Records BBR 0046, 2011)

  1. More
  2. Moonrise
  3. Rhythm of Love
  4. Places
  5. I Wonder
  6. You Bring Out the Best in Me
  7. Dreamin’
  8. I’m Back for More
  9. Mamma Tried
  10. Theme from “Looking for Mr. Goodbar” (Don’t Ask to Stay Until Tomorrow)
  11. Places (Single Version) (Columbia 10746, 1978)
  12. Theme from “Looking for Mr. Goodbar” (Don’t Ask to Stay Until Tomorrow) (Original Soundtrack Mix) (from Columbia LP JS 5029, 1977)
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Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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