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/ News

A(nother) Man and a Woman: Vintage Francis Lai Coming From Kritzerland

August 29, 2011 By Joe Marchese Leave a Comment

Had Francis Lai only composed the immortal (and for a time, ubiquitous) themes to Un Homme et Une Femme (A Man and a Woman) and Love Story, his name would have gone down in the annals of both film and popular music.  Thankfully, Lai – born in 1932 in Nice, France – has offered us much, much more.

Un Autre Homme, Une Autre Chance (Another Man, Another Chance) arrived from director Claude Lelouch (the director of A Man and a Woman, and the director with whom Lai has had one of the longest-lasting director/composer teamings in film) in 1977.  Like so many other films released that year, it languished in the shadow of George Lucas’ game-changing Star Wars, with the year an altogether stellar one for the movies: Saturday Night Fever, Close Encounters of the Third Kind, The Goodbye Girl and Annie Hall all arrived during that fruitful 12-month period.

The melodic, hypnotic score to Another Man, Another Chance is arriving on CD for the very first time courtesy the fine folks at Kritzerland.  Lai’s score, much of which was arranged by Gabriel Yared (Academy Award winning composer of The English Patient), beautifully illustrates Lelouch’s Old West story starring Genevieve Bujold as a French baker’s daughter who leaves her homeland at the end of the Franco-Prussian War and travels by sea with her husband to America.  There, she meets a widowed veterinarian, portrayed by James Caan, in the frontier town.  After a distressing prophesy comes true, he and she are brought together.  In The New York Times, Janet Maslin wrote, “The plot sounds like vintage James Michener, give or take a couple of generations, and indeed it has the makings of a good yarn.”  Maslin had kind words for both Bujold and Caan even if she was harder on the film itself, and questioned why Beethoven’s Fifth Symphony punctuated so many scenes.  Perhaps she would have preferred more of Lai’s delicious original score!

Kritzerland’s Another Man, Another Chance follows the original import LP program, though the track titles have been renamed to correspond with the actual titles found on the original French two-track stereo tape boxes.   The fully remastered, 1,000-unit limited edition soundtrack is available for pre-order now at Kritzerland for $19.98 plus shipping, and although officially scheduled for the second week of October, pre-orders usually average arrival of four weeks early.  Hit the jump for the press release and track listing! 

Fate.  Chance.  Destiny.  These three themes recur constantly in the work of Claude Lelouch, one of the most distinctive and interesting filmmakers in French cinema.  In 1966, Lelouch burst on the scene with Un Homme et Une Femme (A Man and a Woman), which became an international sensation and a hugely influential film, style-wise, music-wise, and every otherwise-wise, Lelouch never quite achieved success like that again – but he continued and continues to make interesting, intriguing, occasionally brilliant, moving, funny, thought-provoking and wildly enjoyable films.

Another Man, Another Chance is a wonderful film, much maligned at the time of its release (Star Wars had just come out and that’s all anyone wanted to see and/or talk about, although it was a very strong year for films and there were many other hits – they certainly didn’t want to see a slow-moving, adult art film set in the old West), and the film disappeared quickly after tepid reviews and no business.  But time has been kind to Another Man, Another Chance and seeing it today simply makes one appreciate what a fine film it is.   The photography, the acting, the style, the leisurely pace, the way you find out certain key information as almost an afterthought – it’s unique filmmaking and storytelling and no one does this sort of thing better than Lelouch, not that many people have tried.  And his partner in crime for so many of his films has been composer Francis Lai – it’s one of the longest composer/director relationships in cinema and Lai’s music has helped give Lelouch’s films their unique quality.

Like Lelouch, Lai burst on the scene with A Man and a Woman – the soundtrack album was a major seller, and Lai’s memorable theme was recorded over and over again, with lyrics, without lyrics, and several other themes from the film were also oft recorded.  Then Lai struck gold doing the score to Love Story in 1970.   Once again, he created a theme that could be hummed by everyone and was, with many cover versions and a best-selling soundtrack album – and it garnered him his first and only Oscar nomination and his first and only Oscar win for Best Score.  In addition to the Lelouch films, all of which contain wonderful and melodic scores, Lai also wrote masterful scores for such films as Mayerling, The Bobo (another delectably memorable theme), Hannibal Brooks, Rider On The Rain, The Games, Hello-Goodbye, Bilitis, International Velvet, Oliver’s Story, My New Partner, Marie, just to name a few.

Lai’s score for Another Man, Another Chance is absolutely gorgeous, with only a handful of themes, but as always with Lai, they are memorably melodic and give the film a dreamlike quality.  There are a few short snippets of Beethoven’s Fifth and a lot of Lai, used in all sorts of interesting and different ways in the film.  No one else’s film music sounds quite like Francis Lai’s – and this score is one of his finest.

Another Man, Another Chance was released on LP, but only as a hard-to-find import.   For this first ever CD release, we’ve gone back to the original French two-track stereo tapes housed in the MGM vaults.  The cues were in slightly different order due to time constraints for LPs, but we’ve left them in their original order.  The track titles on the LP were weird, with most of the titles listing as “Un Autre Homme, Une Autre Chance” over and over again.  We’ve opted to use the titles listed exactly as they were on the tape boxes.  Another interesting thing about this score is that Gabriel Yared did most of the musical arrangements.

We’re very happy to bring this wonderful Francis Lai score to CD for the first time.  His name may not be first on a film score fan’s lips, but Lai has created some great scores and it’s great to know that he’s alive and well and regularly composing music for films.

This release is limited to 1,000 copies only.  The price is $19.98, plus shipping.  Go to the item page and click on the link to find out about it.

Francis Lai, Another Man, Another Chance (United Artists LP UAP-25017, 1977 – reissued Kritzerland, 2011)

  1. Theme A
  2. Theme B
  3. Panache
  4. Theme B
  5. Theme A
  6. Theme # 1
  7. Chanson
  8. Theme # 1 Course
  9. Panache
  10. Theme # 1

Categories: News Genre: Soundtracks

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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