Do Not See “Lady in a Cage” Alone! Thrills and Chills Come From Kritzerland On New Soundtrack

The name of Paul Glass isn’t nearly as well-known as that of many of his contemporaries, but the Los Angeles-born composer (b. 1934) has carved out a distinguished career writing for the concert stage and the big screen.  Yet none of his soundtracks have ever been released on CD until now.  Kritzerland is offering the first-ever release in any format of Glass’ score to the 1964 thriller Lady in a Cage.  Directed by Walter Grauman (television’s The Fugitive, The Twilight Zone, Streets of San Francisco) and written by Luther Davis (Broadway’s Kismet, Grand Hotel), Lady in a Cage was one of the films to arrive in the wake of 1962’s then-shocking Whatever Happened to Baby Jane? with Olivia De Havilland filling the requisite “aging screen legend” role.  De Havilland had lensed the suspenseful Hush, Hush Sweet Charlotte just the year before, but in the words of Kritzerland producer Bruce Kimmel, “Lady in a Cage was something wholly other – as nasty as Baby Jane and Charlotte could be, Lady in a Cage was in a whole other universe.”

Glass matched the outré nature of the movie with a score that Kimmel describes as “dissonant, creepy, jagged and perfectly suited to the film.”  That’s befitting a picture now considered a cult classic.  The film, which also featured James Caan, Ann Sothern and Scatman Crothers, concerns itself with Mrs. Cornelia Hilyard, a moneyed widow with a broken hip who becomes trapped between floors of the elevator cage she has installed in her home.  She places a distress call via the elevator’s emergency alarm, but the only response comes from a derelict wino played by Jeff Corey.  He becomes fascinated by the treasures that are his for the taking with Hilyard trapped.  He brings a prostitute friend (Ann Sothern) back to the house, but they are followed by a trio of unsavory characters.  Needless to say, violence breaks out. Will the “trapped, defenseless” lady in a cage survive?  The movie poster indicated, “What happens in this elevator is not for the weak.  It is, perhaps, not even for the strong!”

Hit the jump for more, including the track listing (spoilers ahead!) and pre-order link!

Glass went on to compose scores for Otto Preminger’s Bunny Lake is Missing as well as several episodes of Rod Serling’s Night Gallery.  Kritzerland’s world premiere compact disc release has been mastered from the original three-track scoring sessions housed at Paramount Pictures, and is a limited edition of 1,000 copies.  CDs are due to ship the second week of June, but pre-orders made at the label’s own website usually ship an average of four weeks early.  The price is just $19.98 plus shipping, and you can take Lady in a Cage home at the link below!  In addition, you can find details on a specially-priced combo including Lady in a Cage here!

Paul Glass, Lady in a Cage: Original Motion Picture Soundtrack (Kritzerland KR 20022-0, 2012)

  1. Main Title / Letter for Darling / Don’t Shout Love
  2. Pozegnanie Malcolma
  3. Empty House / Montage
  4. The Wino Approaches
  5. Wino Cuts Hand / The Wine Rack
  6. Call Your Mummy / Opened and Closed
  7. Off the Hook / The Beating in the Bedroom
  8. Men of Tomorrow / Music Box
  9. We’re Gonna Kill Ya
  10. Essie Kills the Wino
  11. Malcolm’s Letter
  12. Fall from the Cage
  13. The Landing
  14. Crawl to Freedom
  15. Finale
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Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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