Supremes Funny Girl Banner Ad Now Available

The Second Disc

Expanded and Remastered Music News

  • Home
  • News
    • Classic Rock
    • Rock
    • Pop
    • Jazz
    • Popular Standards/Vocal
    • R&B/Soul
    • Country
    • Folk
    • Cast Recordings
    • Soundtracks
    • Everything Else
      • Classical/Opera
      • Disco/Dance
      • Funk
      • Gospel
      • Rap/Hip-Hop
  • Features
    • Release Round-Up
    • Giveaways!
    • Interviews
  • Reviews
    • Classic Rock
    • Rock
    • Pop
    • Jazz
    • Popular Standards/Vocal
    • R&B/Soul
    • Country
    • Folk
    • Cast Recordings
    • Soundtracks
    • Everything Else
      • Classical/Opera
      • Disco/Dance
      • Funk
      • Gospel
      • Rap/Hip-Hop
  • Release Calendar
    • Coming Soon
    • Now Available
  • About
  • Second Disc Records
    • Full Catalog
  • Contact

/ News

Review: “A&M 50: The Anniversary Collection”

September 6, 2012 By Mike Duquette 4 Comments

On its surface, it seems kind of crazy to make a compilation of tunes from A&M Records. There are plenty of labels with clearer narrative arcs: Columbia was a hotbed for melodic singer-songwriters in the ’60s and ’70s, from Dylan and Simon & Garfunkel to Springsteen and Billy Joel. Burgeoning soul fans started with Motown and graduated to Stax or Atlantic, depending on their region. ZTT was the place for avant-garde dance-pop/rock in the ’80s, much like Elektra was the source for dreamy West Coast folk-pop.

A&M, on the other hand, was an artist, trumpeter Herb Alpert, and a record promoter, Jerry Moss. Two guys working out of a garage. That’s the kind of narrative fit for Apple, not a label that facilitated everything from jazz-pop, British rock and New Wave to polished R&B and even a smidgen of grunge. In a weird way, the lack of narrative is almost a worthy narrative in and of itself – and it’s what makes A&M 50: The Anniversary Collection (A&M/UMe B0016884-02) a potentially vital compilation for your library.

And yet, the set misses the mark, obscuring that free-form narrative with a presentation that suggests uncertainty, as if this whole “A&M 50” venture was even worth it in the first place.

That’s not to say the set is bad. Remember, A&M doesn’t have the kind of market share a Motown might, so the deck is already stacked against the concept. But from a content perspective, A&M 50 excels. The three themed discs – “From AM to FM,” “A Mission to Rock” and “Soul, Jazz and More” – bring some sort of cohesion to the proceedings.

Disc One focuses mostly on the early years of the label, when Alpert’s Tijuana Brass, Sergio Mendes & Brasil ’66 and the Carpenters were the stars of the A&M roster. Gradually, while the demeanor and ideology of pop artists would change, going from earthy (Cat Stevens, Joan Baez) to ineffectual (The Captain & Tennille, Chris de Burgh) to a mix of both (Amy Grant, Suzanne Vega, Sheryl Crow), that devotion to pop hooks and inoffensive, of-the-moment production was always there.

Disc Two is where things get interesting. The (mostly British) rock scene A&M tapped into not only yielded some of the biggest hits on the label (The Police, Styx, Bryan Adams, Peter Frampton) but kept that smorgasbord mentality of A&M alive. This was a label that hosted guitar-heavy hitters like Procol Harum and Free alongside electronically influenced, wordplay-loving tunesmiths like Joe Jackson, Squeeze and Split Enz (all among the era’s most criminally underappreciated acts!). The two-song transition that closes this disc, Soundgarden‘s “Black Hole Sun” and Sting‘s “If You Love Somebody Set Them Free,” are whiplash-inducing in their dissimilarity, and easily the point where you might agree with this point of view – that variety was the whole point of A&M Records.

The third disc amps up the eclecticism even more. A&M wasn’t content to just give you “soul music.” There were your classics old (the Phil Spector-produced “Black Pearl” by Sonny Charles & The Checkmates, Ltd.) and new (a 1991 cover of The Main Ingredient’s “Everybody Plays the Fool” by Aaron Neville); real jazz (Jobim, Getz, Quincy Jones); some funky stuff (Billy Preston, The Brothers Johnson) and a few heaping helpings of poppy R&B (Jeffrey Osbourne, Janet Jackson, late-period Barry White). The disc earns its “and more” distinction by offering danceable tracks like “Crazay” by Jesse Johnson (formerly of The Time) and “Finally” by CeCe Peniston (unusually presented in its original album version, one of the few idiosyncratic decisions as far as which versions of songs appear on the compilation).

A&M 50 offers some fun discs, which is great. So what’s the problem? The set comes in a four-panel digipak, with a picture of Alpert and Moss and a brief essay (which nobody is credited with writing). The writer and producer credits are consigned to the inner panels, with little information outside of that. It’s very plain, and altogether a bit lacking. While a full-on box set approach might have been a tough sell, a double-sized digipak with a nicely-designed booklet should be less of a luxury and more of a commonality with sets like these.

Ultimately, it’s that lack of “luxury” which fails to elevate A&M 50 past a “Now That’s What I Call Three Sampler CDs from a Particular Label!” level. This was a fun idea that demanded better execution. Alpert and Moss may not have had a unifying goal when they founded that label out of their garage, but they had something worth showing off. It’s a shame that this concept didn’t quite get its due here.

Categories: News Tags: Bryan Adams, Peter Frampton, Squeeze, Styx, The Police

Mike Duquette

Michael Duquette (Founder) was fascinated with catalog music ever since he discovered there was more than one version of John Williams' soundtrack to E.T. The Extra-Terrestrial. A 2009 graduate of Seton Hall University with a B.A. in journalism, Mike paired his profession with his passion through The Second Disc, one of the first sites to focus on all reissue labels great and small. His passion for reissues turned into a career, with bylines on catalog at Discogs, City Pages and Ultimate Prince and credits on titles including the Grammy-winning 'Squeeze Box: The Complete Works of "Weird Al" Yankovic.' Born and raised in New Jersey, Mike lives in Astoria, Queens with an ever-expanding collection of music.

Connect With Mike:

You Might Also Like

  • EricClapton Crossroads2019 plFell Down On My Knees: “Eric Clapton’s Crossroads Guitar Festival 2019” Gets CD, LP, Blu-ray, and DVD Release
  • Hackers 25Varese Boots Up Expanded ‘Hackers’ Soundtrack
  • RSDBF19 logoThe Second Disc’s Picks for Record Store Day Black Friday 2019
  • Sting My Songs Special EditionShape Of His Heart: Sting To Expand This Year’s ‘My Songs’ With Live Bonus Disc

Comments

  1. Joe Marchese says

    September 6, 2012 at 4:17 pm

    Hey Mike, thanks for this! I couldn’t agree more that this set could have been a heck of a lot more than it turned out to be!

    I also think it’s worth mentioning that the set is mastered so loudly that even a non-audiophile might be inclined to turn the volume down!

    I can’t help but be inclined to defend some of the choices, though, particularly on that first disc. I’d hardly characterize the Captain and Tennille as “ineffectual,” if not for their six Top 10 hits in a four-year period, then for their splendid songwriting (courtesy some of the greats – Neil Sedaka and Howard Greenfield, Bruce Johnston, and even Toni herself) and production. And it’s doing a disservice to Carpenters, Brasil 66, Chris Montez, Burt Bacharach, the TJB and We Five to call those early, seminal acts merely “inoffensive,” when the A&M “AM radio” sound was an influential, much-imitated-but-never-duplicated one.

    All that said, there’s no doubt that A&M’s legacy deserved a more effective celebratory compilation. Ah well, maybe in another 50 years. But for now, who else was grooving on Lani Hall’s thankfully-back-on-CD “Sun Down” with those sublime backing vocals from Herb Alpert himself? The reappearance of this gorgeously-sung, lyrical rewrite of “Muskrat Love” ALMOST justifies the rest of the 3-CD set! 🙂

    Reply
  2. Mike Williams says

    September 6, 2012 at 4:24 pm

    Mike
    Couldn’t have said it better myself – A & M was consciously or unconsciously part of many people’s lives in the last century and really deserved better – the lack of annotation makes it less interesting to collectors – while the package makes it really a 3-disc sampler. A piece of important music history relegated to K-Tel status.
    This reply also allows me to bring up another topic – the incredible advances in remastering by the gurus at Universal, Sony, Ace, Bear Family etc. (but not Demon Group) which provide timeless classics (and obscurities) with unheard of advances in dynamics and transparency – in some instances comparable with moving from mono to stereo. Overall a major advance but with the downside of making other items in one’s CD collection decidedly stale. First I replaced my vinyl LPs with CDs that were not properly equalized. Then I went through HDCD, SuperAudio, 24 bit remasters and SHM-CD and gold versions and these new remasters, particularly from Nick Robbins and Duncan Cowell at Sound Mastering, Vic Anesini at Sony and Jurgen Crasser at BF, sound better than any previous versions.

    Reply
  3. Gregg Alley (@Galley99) says

    September 6, 2012 at 5:50 pm

    When I popped in these discs, Gracenote came up with no results. I spent nearly two hours researching info that should’ve been in the liner notes!

    Reply
  4. JG says

    September 7, 2012 at 3:08 pm

    ” ‘Two guys working out of a garage’ is a narrative fit for the Beatles?”

    …….

    “Ohh. THAT Apple.” 🙂

    Reply

Leave a Reply to JG Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Upcoming Releases

  • NeilYoung NeilYoungArchivesVol2 RETAILEDITION pl
    Archives, Volume 2: 1973-1976
    Neil Young
    March 05, 2021
  • Zappa BD
    Zappa [DVD and Blu-ray]
    Frank Zappa
    March 05, 2021
  • Rebecca Luker and Sally Wilfert All the Girls
    All the Girls
    Rebecca Luker and Sally Wilfert
    March 05, 2021
See Full Calendar

Connect

  • Facebook
  • RSS
  • Twitter

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 4,101 other subscribers

Popular

  • TheWho TheWhoSellOut box pk
    I Can See For Miles: The Who Announce Rarities-Filled Deluxe Reissue of “The Who Sell Out” Due April 23 posted on February 26, 2021 | under News
  • BobDylan 1970Collection
    Release Round-Up: Week of February 26 posted on February 26, 2021 | under Release Round-Up
  • Peter Cetera Love Glory Honor and Heart
    Glory of Love: Cherry Pop Collects Peter Cetera’s Full Moon-Warner Bros. Discography On New Box Set posted on February 23, 2021 | under News

Comments

  • small faces here come the nice2
    Return To Itchycoo Park: Small Faces’ “Here Come The Nice” Deluxe Box Set Arrives In January [UPDATED 12/3] 79 comments | by Joe Marchese | posted on December 3, 2013 | under News
  • the beatles u s albums box2
    British Invasion! The Beatles Unveil “The U.S. Albums” Box Set in January 69 comments | by Joe Marchese | posted on December 12, 2013 | under News
  • Rolling Stones in Mono
    Out of Their Heads: Stones Plan Mono Box Set 47 comments | by Mike Duquette | posted on August 10, 2016 | under News

Music Resources

  • Addicted to Vinyl
  • Crap from the Past
  • Discogs
  • Film Score Monthly
  • IMWAN Forum – From the Vaults
  • MusicTAP
  • Musoscribe
  • Pause & Play
  • Popblerd
  • Popdose
  • Record Racks
  • Slicing Up Eyeballs
  • Steve Hoffman Music Forums
  • Ultimate Classic Rock
  • Vintage Vinyl News
  • Viva La Mainstream
  • Wolfgang’s Vault

Labels of Note

  • Ace Records
  • Analog Spark
  • Bear Family
  • BGO Records
  • Big Break Records
  • Blixa Sounds
  • Cherry Red Label Group
  • Demon Music Group
  • Friday Music
  • Funky Town Grooves
  • Iconoclassic Records
  • Intervention Records
  • Intrada
  • Kritzerland
  • La La Land Records
  • Legacy Recordings
  • Masterworks Broadway
  • Now Sounds
  • Omnivore Recordings
  • Raven Records
  • Real Gone Music
  • Resonance Records
  • Rhino Entertainment
  • Rock Candy Records
  • Sunset Blvd. Records
  • Supermegabot
  • Varese Sarabande
  • Wounded Bird
Copyright © 2021 The Second Disc. All rights reserved. · Site by Metaglyphics

The Second Disc is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com, amazon.ca and amazon.co.uk.

Terms and Conditions - Privacy Policy