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Mister Remember Me: Esoteric Reissues Joan Armatrading’s Debut

May 19, 2015 By Joe Marchese 2 Comments

Joan Armatrading - Whatever'sSinger/songwriter Joan Armatrading first burst onto the scene in 1972 with the Cube Records release of Whatever’s for Us.   In the 40+ years since, the Caribbean-born British artist has released eighteen studio albums, scored three U.K. and two U.S. Top 40 singles, and netted three Grammy nominations in an enduring and rich career.  Cherry Red’s Esoteric Recordings imprint has just returned to Whatever’s for Us for a newly remastered reissue.

An early break came for Joan Armatrading when she was cast in a touring company of the musical Hair; the original production of Hair was a fertile proving ground for many young musical talents worldwide, from Meat Loaf to Donna Summer.  While a member of the Hair tribe, Armatrading met another rising young talent, Pam Nestor.  With Armatrading primarily setting Nestor’s lyrics to music, the pair came to the attention of Gus Dudgeon, by that point already well-known for his productions of David Bowie’s “Space Oddity” and a stunning string of albums for Elton John.  Dudgeon brought on board the crème of Britain’s pop session talent including guitarist Davey Johnstone and percussionist Ray Cooper from Elton’s band.  Bassist Larry Steele and drummer Gerry Conway, both known for their work with Cat Stevens, also played on numerous tracks.  Del Newman came aboard to write a few orchestrations.  Armatrading herself played piano and guitar.  Mostly recorded over two weeks at Strawberry Studios in France (later to be known as Chateau d’Herouville, or Elton’s Honky Chateau), Whatever’s for Us featured eleven Armatrading/Nestor compositions and three by Armatrading alone.

By the time of the album’s release, it was clear that Whatever’s for Us was Armatrading’s show despite the crucial contributions of her partner.  None of the songs on which Nestor sang or played piano were selected for the final album sequence, leading to reported tension and a break-up of the duo’s musical partnership.  Still, Nestor is pictured both in a photograph in the album’s sleeve and on the front cover in drawn form.  The album of folk-flavored pop was issued in November 1972, gaining fans including Elton John and Manfred Mann, whose Earth Band later recorded “Visionary Mountains.”  But the album didn’t make a commercial impression, and Armatrading didn’t release another album for three more years.

Esoteric’s reissue includes two bonus tracks – both sides of the 1973 non-LP single “Lonely Lady” b/w “Together in Words and Music.”  The entire album has been remastered by Paschal Byrne from the original Cube Records master tapes, and includes a full-color, 16-page booklet with new liner notes by Malcolm Dome.  Whatever’s for Us is available now at the links below from Esoteric Recordings!

Joan Armatrading, Whatever’s for Us (Cube HIFLY 12, 1972 – reissued Esoteric ECLEC 2491, 2015) (Amazon U.S. / Amazon U.K.)

  1. My Family
  2. City Girl
  3. Spend a Little Time
  4. Whatever’s for Us
  5. Child Star
  6. Visionary Mountains
  7. It Could Have Been Better
  8. Head of the Table
  9. Mister Remember Me
  10. Gave It a Try
  11. Alice
  12. Conversation
  13. Mean Old Man
  14. All the King’s Gardens
  15. Lonely Lady (Cube BUG 31-A, 1973)
  16. Together in Words and Music (Cube BUG 31-B, 1971)

Categories: News Formats: CD Genre: Pop Tags: Joan Armatrading

Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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Comments

  1. VanceMan says

    May 19, 2015 at 12:13 pm

    UK-based Metro / Union Square put out a CD edition of this LP with the same bonus tracks and quite nice packaging with track-by-track notes in 2001. The packaging says, ‘Remastered,” but no remastering credit is given (at least that I can find.) Given the technology leaps — and the length of time between editions — it’s good that it will be again available. While by no means a weak album, it’s more interesting as a jumping off point to the very strong music that was to come from her throughout the 1970s and early 1980s.

    Reply
  2. Andrea says

    May 20, 2015 at 5:48 am

    This is one great little album, and it’s nice to know it’s getting a proper remaster from the actual tapes. Great news!

    Reply

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