Strange Days: Early Doors Show Arrives In December On “London Fog 1966”

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Rhino Records and Bright Midnight Archives are opening new doors onto the early days of The Doors with a CD/LP box set due on December 9.  London Fog 1966 captures Jim Morrison, Ray Manzarek, Robby Krieger and John Densmore at The London Fog, a Sunset Strip bar located steps away from the Whisky a Go Go.  This live gig, only recently discovered, marks the earliest known live recordings of the band, and kicks off The Doors’ 50th anniversary celebration of 2017 – the year of their breakthrough.

The London Fog show took place the same year that The Doors recorded their Elektra debut which would be released in January 1967.  These never-before-released recordings comprise covers of blues classics such as Muddy Waters’ “Rock Me” and “I’m Your Hoochie Coochie Man,” as well as the band’s takes on Wilson Pickett’s “Don’t Fight It,” Little Richard’s “Lucille,” and Big Joe Williams’ “Baby, Please Don’t Go.”  In addition, the band worked two original songs into its setlist.  “Strange Days” wouldn’t be heard on record until it became the title track of the group’s sophomore LP, while “You Make Me Real” wasn’t officially released until 1970’s Morrison Hotel.  All audio on London Fog 1966 has been newly mastered by the band’s veteran engineer, Bruce Botnick.

London Fog 1966 is an individually numbered limited edition of 18,000 copies.  The seven-song set will be presented both on CD and a 10-inch vinyl record designed in the style of a test pressing.  Both discs are housed in a lift-top package designed to look like a vintage storage box, and the box also includes a poster, the set list handwritten by John Densmore, a program for a Royce Hall UCLA student film screening, and a replica London Fog coaster. Liner notes are provided by Ronnie Haran-Mellen, the talent booker at the Whisky a Go Go, and by Nettie Peña.  An attendee of the show and early fan of the band, Peña is responsible for this release, as she was the one who captured the audio on a ¼” reel to reel recorder, which was the property of the Los Angeles Unified School District. Her father was a teacher for LAUSD and let her borrow the recorder for the occasion. Peña photographed The Doors that night, as well, and London Fog 1966 boasts five black and white 8×10 reprints of these unpublished photos.

The Doors’ London Fog 1966 is available from Rhino and Bright Midnight Archives on December 9.  You can peruse the track listing and pre-order links below!  Watch this space for more Doors news as it’s revealed during the band’s 50th anniversary festivities!

The Doors, London Fog 1966 (Rhino/Bright Midnight Archives, 2016) (Amazon U.S. / Amazon U.K. / Amazon Canada Links TBD)

  1. Rock Me
  2. Baby, Please Don’t Go
  3. You Make Me Real
  4. Don’t Fight It
  5. I’m Your Hoochie Coochie Man
  6. Strange Days
  7. Lucille
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Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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12 thoughts on “Strange Days: Early Doors Show Arrives In December On “London Fog 1966””

  1. Oh wow! I’m all over this, if it’s not too extortionately priced. Looks good, and hopefully will sound fantastic. Love early Doors.

  2. $50 for 30 minutes of music? Sounds extortionate to me. Honestly, this is an EP and should be priced accordingly.

    1. Compare that to the other significant 60’s artist releasing his live 1966 output to put some perspective, step forward Bob Dylan

  3. Magnus Hägermyr

    At last out of the fog! This is the white spot between the 65-demos and Martix (March 67) then. Should be interesting to hear what stage they are in here live, still just an unknown garage band with a shy singer. And yes. This should be more price friendly if focus was on music and not package. That’s not really The Doors we recognize hence all the good value live albums we’ve received the last 15 years.

  4. shoudl have put teh 65 demos and London fog in one set would have made it a more reasonable buy.

    Dont get me started on the Vinyl and CD mix in a box set why do record companies insist on mixing formats

    1. I hear you, I want the CD but not the vinyl. I guess I’ll have to let this one go. It’s sad because I’d buy the CD.

  5. I remember a few years ago when they actually opened The Bright Archives and from what i understand there were hours and hours of bootleg quality music and if you go through the archives a number of them have been
    available online or Amazon and as these are really not official live recordings but some of them are already to purchase, but once again to me this is similar to Hendrix’s estate too, where they are raiding the vaults and the recent Hendrix recording sounded quite good, and releasing live material every year for a number of years. And the sound quality on some of the past live recordings are pretty poor and i’d imagine The Doors’ vault will go down a similar path.

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