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Good Time Music: Cherry Red Reissues Two From Ronnie James Dio's Elf

November 21, 2016 By Joe Marchese Leave a Comment

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"We played it hot, hard and heavy at the Carolina County ball/And we sang 'Ooooo'/On a boogie-woogie Friday night..."

Ronnie James Dio's early band Elf played it hot, hard and (pretty) heavy throughout its relatively short lifespan.  Elf released three studio albums between 1972 and 1975 before going to superstardom with Rainbow (the core of which was actually built from Elf), Black Sabbath, and Dio.  Last year, Cherry Red released a reissue of 1972's debut Elf; now, the label has turned its attention to the group's second and third albums: Carolina County Ball (1974) and Trying to Burn the Sun (1975).

Though versatile lead singer Ronnie James Dio went on to become one of the most dynamic and influential voices in metal, the sound of Elf is more akin to melodic rock with a southern flair.  Dio, with keyboardist/vocalist Mickey Lee Soule, wrote all of the material for the band.  By the time of Carolina County Ball, the line-up also included Gary Driscoll on drums/percussion, Craig Gruber on bass, and Steve Edwards on guitar.

Carolina, produced by Deep Purple's Roger Glover (who also supplied string arrangements) and released on the Purple Records label, featured more expansive arrangements than its predecessor.  The rollicking title track set the tone for the LP, with its saloon-ready piano (a hallmark throughout), searing electric guitars woozy honky-tonk brass, and climactic tempo shift.  This signaled a more adventurous direction for the band, as always anchored by Dio's full-throated, confidently strutting vocals.  Stylistically, the album offered a diverse array of sounds, from the pointed, moody "Happy" to the dramatic, Queen-like theatricality of "Rock 'n' Roll Blues" and the sing-along, oom-pah simplicity of "Blanche."

In certain territories, Carolina was titled after the single "L.A. 59," on which drummer Gary Driscoll's always-heavy drums echo the train in the lyrics.  It's one of many muscular band performances here of a catchy yet swaggering track that walks the line between pop and rock.  Harder-rocking tracks like "Ain't It All Amusing" and the breakneck "Do the Same Thing" recall The Faces' early influence of down-and-dirty good-time rock and roll.  The title of "Rainbow" (with prominent female backing vocals, another signature of Carolina County Ball) of course looked forward to Ritchie Blackmore's famous band.

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Trying to Burn the Sun followed in 1975.  The Elf line-up remained intact, though Mark Nauseef was added on percussion. (In the new liner notes, Nauseef can't recall playing on the album, though he was credited on it.)  A transitional album, it was again produced by Roger Glover.  Sessions took place early in 1975, with the album released in June.  However, in late February, Dio, Soule, Gruber and Driscoll began sessions for what would become the first album by Rainbow, effectively ending Elf before the LP was even released.

The album took on a high-octane, more straightforward hard rock feel thanks to tracks like "Black Swampy Water" and "Prentice Wood" - although the backing vocalists were still present to lend a soulful quality and Soule's piano remained prominent.  (The brass section from Carolina wasn't retained.)  Dio, of course, always brought ample soul in his crisp and powerful vocals, as on the mid-tempo "When She Smiles" the raw, funky "Streetwalker," and even the carefree barroom country-rock of "Good Time Music."  Strings were deployed on the widescreen canvas of "Wonderworld," the song from which the album's title lyric derived.

Both of Cherry Red's new Elf reissues are decked out with period Purple Records labels, and feature full-color booklets with copious liner notes by Malcolm Dome.  The remastering has been handled by Andy Pearce and Matt Wortham.  Elf may have ultimately proven a stepping stone to the late Ronnie James Dio's remarkable career, but these albums (as well as the previously-reissued debut Elf) leave no question that the band could rock with the best of 'em.  Carolina County Ball and Trying to Burn the Sun are available now from Cherry Red and Purple Records in the U.K.; they will be available in the U.S. this Friday, November 25!

Elf, Carolina County Ball (MGM Records M3G 4974/Purple Records TPS 3506, 1974 - reissued Cherry Red PURPLE 004, 2016) (Amazon U.S. / Amazon U.K. / Amazon Canada)

  1. Carolina County Ball
  2. L.A. '59
  3. Ain't It All Amusing
  4. Happy
  5. Annie New Orleans
  6. Rocking Chair Rock 'n' Roll Blues
  7. Rainbow
  8. Do the Same Thing
  9. Blanche

Elf, Trying to Burn the Sun (MGM Records M3G 494, 1975 - reissued Cherry Red PURPLE 005, 2016) (Amazon U.S. / Amazon U.K. / Amazon Canada)

  1. Black Swampy Water
  2. Prentice Wood
  3. When She Smiles
  4. Good Time Music
  5. Liberty Road
  6. Shotgun Boogie
  7. Wonderworld
  8. Streetwalker

Categories: News Formats: CD Genre: Classic Rock Tags: Deep Purple, Elf, Ronnie James Dio

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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