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I'm A Believer: Varese Reissues The Golden Gate Strings' Monkees Tribute

April 27, 2017 By Joe Marchese 4 Comments

BUY NOW FROM AMAZON.COM

Tomorrow, April 28, Varese Vintage will reissue one of the most delightfully unexpected Monkees-related titles in recent memory with the compact disc premiere of Stu Phillips Presents The Monkees Songbook, as played by The Golden Gate Strings.  The 1967 Epic Records release featured ten favorites from the height of Monkeemania, all rendered in lushly orchestral "easy listening" style.

Veteran composer-arranger Stu Phillips (Battlestar Galactica, Knight Rider) spearheaded the project.  Well-versed in both pop and cinematic scoring, Phillips was the Colpix Records A&R man who arranged and produced Shelley Fabares' hit "Johnny Angel" in 1962.  He was engaged to compose the original background music for The Monkees on television (having previously handled music for another Screen Gems production, The Donna Reed Show, for four years) and in the second season of the show, also began working in A&R for Epic Records' West Coast office.

At Epic, Phillips devised the idea of taking his Hollyridge Strings formula, which he had perfected at Capitol Records on songbook sets by The Beach Boys, The Beatles, Elvis Presley, The Four Seasons and more, and applying it to The Monkees.  While the Hollyridge Strings name was committed to Capitol, Phillips was able to get around his contract by creating The Golden Gate Strings for Epic.  He produced the LP and handled most of the arrangements, per his new liner notes for Varese's reissue, along with the credited Sid Feller, Ernie Freeman, and Lincoln Mayorga.  Feller also conducted the grand string and brass charts.

Ten of the six songs on The Monkees Songbook hail from the pens of Tommy Boyce and Bobby Hart including the rousing "Last Train to Clarksville," a baroque take on "This Just Doesn't Seem to Be My Day," an attractive "I Wanna Be Free," and dramatically slowed-down reinvention of "(I'm Not Your) Stepping Stone."  Even The Monkees' famous theme was reinterpreted, in more relaxed fashion.  Phillips and co. also tackled a peppy version of Neil Diamond's chart-topping "I'm a Believer," a slinky reading of Mike Nesmith's "Mary, Mary," and an elegant turn on David Gates' "Saturday's Child" with classical piano flourishes.  Jack Keller and Diane Hildebrand's "(Your) Auntie Grizelda" has the feel of a dramatic cue from a lost film.

Varese's reissue has been newly remastered by Mark Wilder from the original tapes at Sony's Battery Studios, and includes both original artwork and labels, as well as a booklet with brand-new reminisces from Stu Phillips about the album's creation.  Look for this fun addition to your Monkees library on Friday; it's available now for pre-order at the links below!

Stu Phillips Presents The Monkees Songbook Played by The Golden Gate Strings (Epic BN 26248, 1967 - reissued Varese Vintage 302 067 480 8, 2017) (Amazon U.S. / Amazon U.K. / Amazon Canada)

  1. Last Train to Clarksville
  2. She
  3. This Just Doesn't Seem to Be My Day
  4. I Wanna Be Free
  5. Mary, Mary
  6. I'm a Believer
  7. (I'm Not Your) Stepping Stone
  8. Saturday's Child
  9. Auntie Grizelda
  10. (Theme From) The Monkees

Categories: News Formats: CD Genre: Pop Tags: Stu Phillips, The Monkees, Tommy Boyce and Bobby Hart

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others. Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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Comments

  1. Mark B. Hanson says

    April 27, 2017 at 11:58 am

    I used to wonder who in the world bought these. I always chalked them up as cheap knockoffs meant to make a buck on a rock group's popularity.

    But I saw the excitement for similar products on the Both Sides Now site, and I guess my musical world is just too narrow - or I started listening too late.

    Reply
  2. Steven says

    April 27, 2017 at 2:37 pm

    I have the record it's awesome,i also haveca few Beatles onev by the Hollyridge Strings.

    Reply
  3. Zubb says

    April 27, 2017 at 3:26 pm

    I too never understood the need for these kinds of records, until recently. For some reason I have become fascinated with these albums and will pick them up in the 2nd hand stores whenever I find them in decent condition, and I really enjoy them. I will be picking this CD up.

    Reply
  4. Guy says

    April 27, 2017 at 3:48 pm

    In case anybody with any sway is reading this, I for one would readily buy a collection of Stu's incidental music for the Monkees show.

    Reply

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