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The Monkey Time: Cherry Red, RPM Collect Major Lance's Complete OKeh Recordings

May 18, 2017 By Joe Marchese 2 Comments

BUY NOW FROM AMAZON.COM

Um, um, um, um, um, um, Cherry Red's RPM Records imprint is ready to do the Monkey!  The label has just released Ain't No Soul (In These Old Shoes): The Complete OKeh Recordings 1963-67 from the late Major Lance.  With this 53-track anthology of prime Chicago soul, Major Lance can reclaim his place in the R&B pantheon.

Though born in Mississippi (sometime between 1939 and 1941 - no official birthdate was ever confirmed before Lance's death in 1994), Major Lance and his large family relocated to Chicago as a child.  One of twelve children, Major attended Wells High School, befriending future singer-songwriter-executive Otis Leavill; the school was also the alma mater of Curtis Mayfield and Jerry Butler.  Lance and Leavill took up boxing as a matter of survival in the neighborhood, but music and dancing were foremost on their minds.  In 1959, Lance recorded his very first single, for Mercury Records, with Mayfield as producer.  Three years later, in mid-1962, Carl Davis of Columbia Records' OKeh offshoot signed Lance at the urging of Curtis Mayfield.

Mayfield penned Lance's first A-side, "Delilah," and co-wrote its flipside, "Everytime," but it was Lance's second 45 RPM release which set his star in the ascendant.  The original plug side was "Mama Didn't Know," an answer song to Mayfield's own "Mama Didn't Lie" as recorded by Jan Bradley on the Chess label.  But DJs preferred the flip, a little dance novelty called "The Monkey Time" which had been based on a dance craze observed by Mayfield while touring with The Impressions in Washington, DC.  "The Monkey Time" hit the charts in August 1963, climbing to No. 2 R&B and No. 8 Pop.  The team of Major Lance, Curtis Mayfield, producer Carl Davis, and arranger Johnny Pate would largely define the sound and style of Chicago soul with their recordings together.  All told, Mayfield wrote or co-wrote a full 28 songs on these two CDs, or more than half of the entire collection.

Major Lance was a reliable chart presence throughout 1964 and 1965 with such songs as "Hey Little Girl" (No. 12 R&B, No. 13 Pop), "The Matador" (No. 4 R&B, No. 20 Pop), "Rhythm" (No. 3 R&B, No. 24 Pop) and "Um, Um, Um, Um, Um, Um" (No. 1 R&B, No. 5 Pop).  All of these seminal tracks are, of course, featured on this RPM set as well as his renditions of songs from the catalogues of Marvin Gaye ("Pride and Joy," "Hitchhike"), Chris Kenner ("Land of 1,000 Dances") and Doris Troy ("Just One Look").

By late 1965, however, Curtis Mayfield was concentrating on his own career.  Carl Davis left OKeh after a spat with parent Columbia, and the new management wasn't as certain how to proceed with Major Lance.  He was sent to Nashville to work with renowned country producer Billy Sherrill and to New York, where he was met by the team of producer Ted Cooper and arranger Herb Bernstein.  The latter team had Lance recording tunes from New York-based songwriters like Artie Resnick and Joey Levine ("Ain't No Soul (In These Old Shoes)" and Bob Crewe and Gary Knight ("I").  Other late-period highlights include songs by Van McCoy ("Wait Till I Get You in My Arms," "Everybody Loves a Good Time" - the latter a Carl Davis production with a Riley Hampton chart) and Wilson Pickett and Steve Cropper ("Don't Fight It").

In 1968, Major Lance departed OKeh to join Carl Davis at his new enterprise, Dakar Records.  He later reteamed with Mayfield at his friend's Curtom, and would even record at onetime rivals Stax and Motown before the 1970s was out.  His later years were marked by unfortunate events, such as a prison term for drug use and later, a heart attack and blindness due to glaucoma that rendered him unable to perform any longer.  He died in 1994.

Ain't No Soul (In These Old Shoes) definitely proves that there was plenty of soul in Major Lance's pivotal stay at OKeh, as he released some of the finest recordings ever in the Chicago soul mold.  A 12-page booklet contains new liner notes by Clive Richardson.  Simon Murphy has remastered all tracks at Another Planet Music.  This collection is available now at the links below!

Major Lance, Ain't No Soul (In These Old Shoes): The Complete Okeh Recordings 1963-1967 (RPM/Cherry Red Records, 2017) (Amazon U.S. / Amazon U.K. / Amazon Canada)

Disc 1

  1. Delilah
  2. Everytime
  3. The Monkey Time
  4. Mama Didn't Know
  5. Watusi
  6. The Bird
  7. Pride and Joy
  8. Land of a Thousand Dances
  9. Hitchhike
  10. Soldierboy
  11. Just One Look
  12. What's Happening
  13. Keep on Loving You
  14. Hey Little Girl
  15. Crying in the Rain
  16. Um, Um, Um, Um, Um, Um
  17. Sweet Music
  18. Gypsy Music
  19. Gotta Right to Cry
  20. Little Young Lover
  21. That's What Mama Say
  22. It's All Right
  23. Think Nothing About It
  24. You'll Want Me Back
  25. I'm the One
  26. The Matador
  27. Gonna Get Married

Disc 2

  1. It Ain't No Use
  2. Girls
  3. Rhythm
  4. Please Don't Say No More
  5. Sometimes I Wonder
  6. I'm So Lost
  7. Come See
  8. You Belong to Me My Love
  9. Ain't It a Shame
  10. Gotta Get Away
  11. Too Hot to Hold
  12. Dark and Lonely
  13. Everybody Loves a Good Time
  14. I Just Can't Help It
  15. Investigate
  16. It's the Beat
  17. Ain't No Soul (In These Old Shoes)
  18. I
  19. You Don't Want Me No More
  20. Wait Till I Get You In My Arms
  21. Without a Doubt
  22. Forever
  23. Little Miss Love
  24. Play a Song for Me
  25. Get My Hat (Nothing Can Stop Me)
  26. Don't Fight It

Disc 1, Tracks 1-2 from Okeh Single 4-7168, 1963
Disc 1, Tracks 3-4 from Okeh Single 4-7175, 1963
Disc 1, Tracks 5-13 from The Monkey Time, Okeh LP OKS 14105, 1963
Disc 1, Tracks 14-15 from Okeh Single 4-7181, 1963
Disc 1, Tracks 16-17 from Okeh Single 4-7187, 1963
Disc 1, Tracks 18-25 from Um, Um, Um, Um, Um, Um - The Best of Major Lance, Okeh LP OKS-12106/OKS-14106, 1964
Disc 1, Tracks 26-27 from Okeh Single 4-7191, 1964
Disc 2, Tracks 1-2 from Okeh Single 4-7197, 1964
Disc 2, Tracks 3-4 from Okeh Single 4-7203, 1964
Disc 2, Tracks 5-6 from Okeh Single 4-7209, 1964
Disc 2, Tracks 7-8 from Okeh Single 4-7216, 1965
Disc 2, Tracks 9-10 from Okeh Single 4-7223, 1965
Disc 2, Tracks 11-12 from Okeh Single 4-7226, 1965
Disc 2, Tracks 13-14 from Okeh Single 4-7233, 1965
Disc 2, Track 15 from Okeh Single 4-7250, 1966
Disc 2, Track 16 from Okeh Single 4-7255, 1966
Disc 2, Tracks 17-18 from Okeh Single 4-7266, 1966
Disc 2, Tracks 19-20 from Okeh Single 4-7284, 1967
Disc 2, Tracks 21-22 from Okeh Single 4-7298, 1967
Disc 2, Tracks 23-26 from Everybody Loves a Good Time!, Epic CD E2K 66988, 1995

Categories: News Formats: CD Genre: R&B/Soul Tags: Curtis Mayfield, Major Lance

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others. Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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Comments

  1. Martin Byrne says

    May 18, 2017 at 3:43 pm

    Hi, for anyone who's curious, here's the stereo/mono breakdown of this release: Disc 1 tracks 1-2, 5-14 and 16-27 are stereo; Disc 2 tracks 1-3, 5-7, 9-10, 14-16, 19-21 and 25-26 are stereo. As you can see, despite the fact that most of the songs originated on mono singles, the majority are in stereo here.

    Reply
    • kurt says

      May 23, 2017 at 1:21 pm

      Thanks for the information. It seems that it's more an American reissue label thing to put out the original mixes. The British reissue labels tend to default to stereo mixes.

      Reply

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