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Where My Love Lies Asleep: Intervention Reissues Gene Clark's "White Light" on LP, Hybrid SACD

June 21, 2018 By Joe Marchese Leave a Comment

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Intervention Records, the eclectic label behind splendid and sonically-pristine reissues for artists ranging from Joe Jackson to Billy Squier, has announced the next title in its (Re)Discover Series: Gene Clark's 1971 A&M Records classic, White Light.  A stereo hybrid SACD (playable on all CD players) is due from the label on June 29, while the 180-gram vinyl release is due in September.

The singer-songwriter and Byrds co-founder launched his solo career in 1967 on Columbia with Gene Clark with the Gosdin Brothers, on which he was joined by the duo of Vern and Rex Gosdin.  After a brief rapprochement with his band, Clark migrated from the Byrds' home of Columbia to A&M Records, where he released two collaborative albums with banjo great Doug Dillard.  His next solo project (and his first without a credited co-headliner) was White Light.

Native American guitarist Jesse Ed Davis helmed White Light and also provided its primary accompaniment on his slide guitar.  The intimate, introspective, and raw collection of original songs by Clark (and one co-write with Davis) was supplemented by one outside composition:  Bob Dylan and Richard Manuel's "Tears of Rage."  For his part, Dylan was quoted in Rolling Stone offering fulsome praise for Clark's "For a Spanish Guitar": "(It's) something I or anybody else would have been proud to have written."

Though it was hailed in the Netherlands, White Light wasn't met at home with commercial success.  Its cult reputation has only grown over the years, however, much like Clark's other solo work.  In late 1972, he left A&M to briefly reunite with The Byrds at Asylum Records.  Intervention's vinyl reissue of White Light has been 100% analog mastered by Kevin Gray at CoHEARent Audio from the best source available: pristine 1/2" safety copies of the original stereo master tapes.

For the LP, the original album artwork has been restored by Intervention's Tom Vadakan and housed in a film-laminated, Old Style "tip-on" jacket printed by Stoughton.  The hybrid SACD will be housed in a Super Jewel Box.  Look for White Light on hybrid SACD next week, and on 180-gram deluxe vinyl in September!

Gene Clark, White Light (A&M SP 4292, 1971 - reissued Intervention Records, 2018)

Hybrid SACD: Amazon U.S. / Amazon U.K.
LP: Intervention Records

  1. The Virgin
  2. With Tomorrow
  3. White Light
  4. Because of You
  5. One in a Hundred
  6. For a Spanish Guitar
  7. Where My Love Lies Asleep
  8. Tears of Rage
  9. 1975

Categories: News Formats: CD, SACD, Vinyl Genre: Classic Rock, Pop Tags: Gene Clark

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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