Whatever Lola Wants: “Spotlight on Gwen Verdon” Arrives from Stage Door

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On April 9, the FX network will premiere Fosse/Verdon, a new miniseries chronicling the tumultuous romantic and creative relationship and marriage of director-choreographer Bob Fosse and superstar dancer-actress Gwen Verdon (encompassing such classic musicals as Damn Yankees, Chicago, and Sweet Charity).  Before that, the U.K.’s Stage Door label is celebrating the late, great Verdon with a new anthology, many of the tracks on which resulted from her partnership with Fosse.

Spotlight on Gwen Verdon is set to arrive today, March 22, in the U.K. and one week later in North America on CD.  At its heart is a reissue of the four-time Tony Award winner’s only solo album The Girl I Left Home For.  The 1956 RCA LP featured Verdon, hot on the heels of her triumphant performance as Lola in 1955’s Damn Yankees, supported by Joe Reisman and His Orchestra.  Verdon brought her distinctive, saucy vocals to a variety of standards and showtunes for the label which would go on to record her subsequent star turns in New Girl in Town and Redhead.  Verdon’s femme fatale combination of playfulness and sex appeal is evident on the tunestack which includes such favorites as Fats Waller’s “Ain’t Misbehavin’,” Bobby Troup’s “Daddy,” Kurt Weill and Ira Gershwin’s “[The Saga of] Jenny” from Lady in the Dark, and Rodgers and Hart’s “The Lady Is a Tramp” from Babes in Arms.  Three tunes by Jule Styne and Leo Robin (“It’s a Hot Night in Alaska,” “Bettin’ on a Man,” and “No-Talent Joe” all originated in 20th Century Fox’s 1951 film musical Meet Me After the Show, in which Verdon was an (uncredited) dancer.  Reisman alternated his sympathetic backings between a large string ensemble and a five-piece, hot rhythm section.  Verdon embodied The Girl I Left Home For, bringing every bit of her irresistible charms to this long-lost LP.

Verdon followed Damn Yankees, choreographed by Bob Fosse, with two more shows which bore his delicious, cool yet sensual stamp: 1957’s New Girl in Town and 1959’s Redhead; while George Abbott directed Damn Yankees and New Girl in Town, Fosse helmed Redhead as director-choreographer.  Verdon received the Tony Award for Best Actress in a Musical for all three shows.  Stage Door has expanded the RCA LP by including selections from all three RCA cast recordings.  From Richard Adler and Jerry Ross’ Damn Yankees comes Verdon as the one and only Lola in “A Little Brains, A Little Talent” and, of course, “Whatever Lola Wants.”  Bob Merrill’s New Girl in Town has yielded “On the Farm,” “It’s Good to Be Alive,” and “If That Was Love.”  Finally, culled from Albert Hague and Dorothy Fields’ Redhead are “Merely Marvelous,” “Erbie Fitch’s Twitch,” and the delectable duet with Richard Kiley, “Look Who’s in Love.”  The set is rounded out by the 1958 movie soundtrack performance of Damn Yankees’ “Who’s Got the Pain” featuring Verdon and Fosse together.

While all of this material has previously been released on CD (including DRG’s 2007 reissue of The Girl I Left Home For), Stage Door’s compilation is the first time it’s all been brought together.  This CD is made available via current U.K. public domain laws.  Check out the track listing and order links below for Spotlight on Gwen Verdon, due today, March 22 in the U.K. and March in 29 in North America.

Gwen Verdon, Spotlight on Gwen Verdon (Stage Door Records, 2019) (Amazon U.S. / Amazon U.K. / Amazon Canada)

  1. Ain’t Misbehavin’
  2. Sand in My Shoes
  3. It’s a Hot Night in Alaska
  4. Mister and Missus Fitch
  5. Bettin’ on a Man
  6. Why Can’t I?
  7. I’ve Got the World on a String
  8. Jenny
  9. Find Me a Primitive Man
  10. No-Talent Joe
  11. The Lady Is a Tramp
  12. Daddy
  13. Whatever Lola Wants
  14. A Little Brains, A Little Talent
  15. On the Farm
  16. It’s Good to Be Alive
  17. If That Was Love
  18. Merely Marvelous
  19. Erbie Fitch’s Twitch
  20. Look Who’s in Love – with Richard Kiley
  21. Who’s Got the Pain – with Bob Fosse

Tracks 1-12 from The Girl I Left Home For, RCA Victor LPM-1152, 1956
Tracks 13-14 from Damn Yankees: Original Broadway Cast Recording, RCA Victor LOC-1021, 1955
Tracks 15-17 from New Girl in Town: Original Broadway Cast Recording, RCA Victor LOC-1027, 1957
Tracks 18-20 from Redhead: Original Broadway Cast Recording, RCA Victor LOC-1048, 1959
Track 21 from Damn Yankees: Original Soundtrack Recording, RCA Victor LOC-1047, 1958

Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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