Memory Lane: Esoteric Collects Baker Gurvitz Army Albums, Celebrates “Underground Sounds of 1968”

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Today we’re looking at a pair of recent releases from Cherry Red’s Esoteric Recordings imprint featuring some heavy sounds!

With a résumé including Cream, Blind Faith, Blues Incorporated, The Graham Bond Organisation, and Fela Kuti’s group, Peter Edward “Ginger” Baker has long been recognized as one of rock’s greatest – and most volatile – drummers.  With a personality as outsize as his talent, Baker brought a powerful touch to all of his projects and various bands.  Between 1974 and 1976, Baker led Baker Gurvitz Army with brothers Adrian (guitar/vocals) and Paul (bass/vocals) Gurvitz, both formerly of Gun.  Now, the fascinating if short-lived group’s three studio albums have been packaged together by Esoteric in one set.

Since Beginning includes 1974’s self-titled debut, 1975’s Elysian Encounter, and 1976’s Hearts on FireBaker Gurvitz Army was greeted with acclaim on both sides of the Atlantic as a welcome return from Baker to the power trio format.  Its hard-hitting, aggressive songs (all written by the group members in various permutations) encompassed both vocal tracks and instrumentals, and even incorporated unusual flourishes such as piano and orchestration.  Guest vocalists included such veterans as Madeline Bell, Barry St. John, Liza Strike, and Rosetta Hightower on the dramatic “I Wanna Live Again,” one of a handful of effective tracks departing from the hard rock template.  Esoteric’s edition adds a live version of “Memory Lane” as a bonus track.  Elysian Encounter continued in the same style, adding keyboardist Peter Lerner and vocalist Mr. Snips (a.k.a. Steve Parsons) to the mix of heavy, blues, and even jazz-rock.  Live versions of album track “People” and Jimi Hendrix’s “Freedom” have been added here.  BGA’s final album, Hearts on Fire, was a bit slicker than its predecessors, and also a bit more expansive in sound.  Madeline Bell returned to lend her powerhouse vocals to “Tracks of My Life,” and Martyn Ford (who co-orchestrated “Love Is” on the debut album) graced the song with lush strings.  Clavinet, keyboards, Hammond organ, and synthesizers pushed the album further away from pure hard rock.  “Dancing the Night Away” nodded at disco, and Mr. Snips even contributed one composition, the funky “Neon Lights.”  One bonus track has been added to this album, the live “Wotever It Is.”

Each album is housed in a mini-LP sleeve, with Elysian Encounter in a gatefold.  The discs are housed in a clamshell case which includes a foldout poster with credits but surprisingly, no liner notes.  While there is no proper remastering credit, collection producer Mark Powell is credited with “master preparation,” and sound is up to Esoteric’s usual high standard.

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Earlier this year, Esoteric continued its series of stellar compilations with a new 3-CD volume, Revolution: Underground Sounds of 1968. Featuring both classics and unearthed rarities, the set explores the wild year in which psychedelia, jazz, blues, folk, world music, and hard rock all collided as groundbreaking and genre-bending new music.

The new compilation curated by Powell draws on various labels, and while the focus is on the underground, it includes a number of now-legendary U.K. groups and artists who pushed the envelope of their art and later attained international fame, including Deep Purple (“And the Address,” “Mandrake Root”), Jethro Tull (“My Sunday Feeling”), Genesis (“One Eyed Hound,” “That’s Me”), The Move (“Blackberry Way,” “Mist on a Monday Morning”), Fleetwood Mac (“Black Magic Woman,” later covered to hit status by Santana), The Pretty Things (“S.F. Sorrow Is Born,” “Talkin’ About the Good Times”), Procol Harum (“Shine On Brightly”), Jeff Beck (“Shapes of Things”), and Traffic (“Pearly Queen”).  Other heavy hitters on hand for this varied and comprehensive survey include Jeff Lynne’s Idle Race, Barclay James Harvest, The Action, The Crazy World of Arthur Brown, Spooky Tooth, The Incredible String Band, and John Martyn.  Less well-known but no less worthy acts on display here include the Dylan-inspired Blonde on Blonde, Dantalian’s Chariot, Elmer Gantry’s Velvet Opera, and Gun, whose members would go on to form Baker Gurvitz Army with Ginger.

This captivating set beautifully captures the period in which “rock” was coming into its own as serious, experimental music, incorporating psychedelia, blues, jazz, folk, classical, and even pop.  Mark Powell’s notes place the artists and music into the context of U.K. culture at the time, including the creation of BBC Radio 1 and the rise to prominence of tastemakers like DJ John Peel.  The 3 discs and 52 tracks are supplemented in a clamshell case by a thick, full-color, 48-page book with detailed artist-by-artist liner notes.  Ben Wiseman has remastered all tracks.

Both Baker Gurvitz Army’s Since the Beginning and the compilation Revolution: Underground Sounds of 1968 are available now from Cherry Red and Esoteric Recordings!

Baker Gurvitz Army, Since the Beginning (Cherry Red/Esoteric ECLEC 32669, 2019) (Amazon U.S. / Amazon U.K. / Amazon Canada)

CD 1: The Baker Gurvitz Army (Vertigo 6370 404, 1974)

  1. Help Me
  2. Love Is
  3. Memory Lane
  4. Inside of Me
  5. I Wanna Live Again
  6. Mad Jack
  7. Phil
  8. Since Beginning
  9. Memory Lane (Live) (Bonus Track)

CD 2: Elysian Encounter (Vertigo 6370 407, 1975)

  1. People
  2. The Key
  3. Time
  4. The Gambler
  5. The Dreamer
  6. Remember
  7. The Artist
  8. The Hustler
  9. People (Live) (Bonus Track)
  10. Freedom (Live) (Bonus Track)

CD 3: Hearts on Fire (Vertigo 6370 416, 1976)

  1. Hearts on Fire
  2. Neon Lights
  3. Smiling
  4. Tracks of My Life
  5. Flying In and Out of Stardom
  6. Dancing the Night Away
  7. My Mind Is Healing
  8. Thirsty for the Blues
  9. Night People
  10. Mystery
  11. Wotever It Is (Live) (Bonus Track)

Various Artists, Revolution: Underground Sounds of 1968 (Cherry Red/Esoteric ECLEC 32662, 2019) (Amazon U.S. / Amazon U.K. / Amazon Canada)

CD 1

  1. And the Address – Deep Purple
  2. This Wheel’s on Fire -Julie Driscoll, Brian Auger & The Trinity
  3. Talkin’ About the Good Times – Pretty Things
  4. World War Three – Dantalian’s Chariot
  5. A Saying for Today – The Action
  6. Crossroads of Time – Eyes of Blue
  7. Sunshine Help Me – Spooky Tooth
  8. Early Morning – Barclay James Harvest
  9. All Day, All Night – Blonde on Blonde
  10. Happy Birthday/The Birthday Party – The Idle Race
  11. Revolution – Tomorrow
  12. We Are the Moles (Part I) – The Moles
  13. Blackberry Way – The Move
  14. One Eyed Hound – Genesis
  15. On a Saturday – Keith West
  16. Sovay – Pentangle
  17. Cave of Clear Light – The Bystanders
  18. Soma (Parts I & II) – Dantalian’s Chariot
  19. Fire! – The Crazy World of Arthur Brown
  20. I’m the Urban Spaceman – The Bonzo Dog Doo-Dah Band

CD 2

  1. Shapes of Things – Jeff Beck
  2. Black Magic Woman – Fleetwood Mac
  3. Pearly Queen – Traffic
  4. People You Were Going To – Van Der Graaf Generator
  5. Reality – Second Hand
  6. Love Is the Law – Eyes of Blue
  7. Dusty – John Martyn
  8. In Her Mind – Eclection
  9. Summertime – Love Sculpture
  10. Fly Tomorrow – John Mayall
  11. Place of My Own – Caravan
  12. No Title – Ten Years After
  13. Child of My Kingdom – The Crazy World of Arthur Brown
  14. I Never Knew – The Gods

CD 3

  1. My Sunday Feeling – Jethro Tull
  2. Sabre Dance – Love Sculpture
  3. Flames – Elmer Gantry’s Velvet Opera
  4. Somewhere to Go – The Deviants
  5. Cold Embrace – Sam Gopal
  6. Shine On Brightly – Procol Harum
  7. Paradise Flat – Status Quo
  8. That’s Me – Genesis
  9. Suite No. 1 – Giles, Giles & Fripp
  10. Mist on a Monday Morning – The Move
  11. Ten Thousand Words in a Cardboard Box – The Aquarian Age
  12. Mr. Sunshine – Barclay James Harvest
  13. Just for You – Dave Mason
  14. S.F. Sorrow Is Born – The Pretty Things
  15. Magic Man – Caravan
  16. The Half-Remarkable Question – The Incredible String Band
  17. Race with the Devil – Gun
  18. Mandrake Root – Deep Purple
Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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