Still There’ll Be More: Esoteric Expands, Reissues Procol Harum’s “Broken Barricades”

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Cherry Red’s Esoteric Recordings imprint last reissued Procol Harum’s 1975 album Procol’s Ninth as part of its ongoing series dedicated to the band.  Now, the label has gone even further back in time for its recent, expanded 3-CD deluxe edition of 1971’s Broken Barricades.

Procol’s fifth studio album, Broken Barricades was also the last to feature guitarist Robin Trower for two decades.  Trower joined pianist Gary Brooker, bassist-organist Chris Copping, drummer B.J. Wilson, and producer Chris Thomas at London’s AIR Studios for sessions which Esoteric confirms began not in February 1971 (as has long been reported) but in December 1970.  Typical for the band, Barricades pushed their music in different directions.

The opening “Simple Sister” was a hard rock salvo, and indeed, Gary Brooker (co-writer with Keith Reid of five of the eight tracks) was simplifying his often-complex compositional style for much of the album, relying upon the repetition of one or two four-bar chord patterns.  “Simple Sister” complemented its heavy guitar riff with Brooker’s boogie-woogie piano and even strings and three trumpets conducted by AIR’s owner, George Martin.  Broken Barricades found room for Moog-driven minimalism (the title track), taut rock (“Memorial Drive”), impressionistic, string-laden drama (“Luskus Delph”), a rhythmic, drum-centric rumble (“Power Failure”), and a heartfelt Jimi Hendrix tribute penned by Trower and Reid (“Song for a Dreamer”).  The album’s final two songs haven’t aged quite as well as the rest of the album: the raunchy “Playmate of the Mouth” and brutal “Poor Mohammed.”

Esoteric’s reissue adds nine bonus tracks on CD 1, including an alternate version of every song – ranging from early and alternate mixes to backing tracks – plus a jam on “Memorial Drive” entitled “Memorial Jam.”  (All four bonus tracks from Salvo’s 2009 reissue have been reprised, but the bonuses issued  on Repertoire’s 2002 edition – the single edits of “Broken Barricades” and “Power Failure” and mono mix of “Simple Sister” – have not.)

The second and third discs present Procol in a live setting.  First up is a radio broadcast from New York’s WPLJ-FM from April 12, 1971, just weeks before Broken Barricades’ June release.  Robin Trower would leave the band in July to pursue his solo career, to be replaced by Dave Ball (who would only stay in the line-up through September 1972).  Then there are four tracks from BBC Radio One’s Sounds of the ’70s from October 6, 1971, and finally, a Swedish radio broadcast from Stockholm recorded on October 16.  This latter presentation adds two songs left out of the original broadcast (“In the Wee Small Hours of   Sixpence” and “Repent Walpurgis”).  “Shine on Brightly,” which is heard on the WPLJ show, was also performed in Stockholm but the liner notes indicate that it wasn’t of sufficient musical quality to include.

The new edition of Broken Barricades is housed in a 10-panel digipak and features both a foldout poster and a thick, 28-page booklet.  Roland Clare has written a lengthy essay drawing on new interviews with Gary Brooker, Keith Reid and Robin Trower, incorporating track-by-track liner notes and more.  Paschal Byrne has remastered at The Audio Archiving Company, and photographs throughout the booklet include one of an original master tape box used here.

Broken Barricades is available now at the links below!

Procol Harum, Broken Barricades (Chrysalis LP ILPS 9158, 1971 – reissued Cherry Red/Esoteric ECLEC 36273, 2019) (Amazon U.S. / Amazon U.K. / Amazon Canada)

CD 1: Original album plus bonus tracks

  1. Simple Sister
  2. Broken Barricades
  3. Memorial Drive
  4. Luskus Delph
  5. Power Failure
  6. Song for a Dreamer
  7. Playmate of the Mouth
  8. Poor Mohammed
  9. Simple Sister (Raw Track)
  10. Broken Barricades (Long Fade)
  11. Memorial Drive (Early Mix) (*)
  12. Memorial Jam (*)
  13. Luskus Delph (Early Version) (*)
  14. Power Failure (No Applause) (*)
  15. Song for a Dreamer (King Jimi) (Backing Track)
  16. Playmate of the Mouth (The Boyard’s Ball) (Raw Track/Heavy Brass Mix) (*)
  17. Poor Mohammed (Backing Track)

CD 2:

Live – WLPJ-FM New York City – April 12, 1971 (*)

  1. Memorial Drive
  2. Still There’ll Be More
  3. Nothing That I Didn’t Know
  4. Simple Sister
  5. Luskus Delph
  6. Shine on Brightly
  7. Whaling Stories
  8. Broken Barricades
  9. Juicy John Pink
  10. A Salty Dog
  11. Whisky Train
  12. Power Failure

BBC Radio One: Sounds of the ’70s – October 6, 1971 (*)

  1. Simple Sister
  2. Quite Rightly So
  3. Broken Barricades
  4. Power Failure

CD 3

Live – Sveriges Radio, Stockholm – October 16, 1971 (*)

  1. In the Wee Small Hours of Sixpence
  2. Still There’ll Be More
  3. All This and More
  4. Quite Rightly So
  5. Power Failure
  6. Pilgrims Progress
  7. Simple Sister
  8. Magdalene (My Regal Zonophone)
  9. A Salty Dog
  10. Repent Walpurgis
  11. In the Autumn of My Madness/Look to Your Soul/Grand Finale

(*) previously unreleased

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Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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6 thoughts on “Still There’ll Be More: Esoteric Expands, Reissues Procol Harum’s “Broken Barricades””

  1. I was reading some reviews and one in particular criticized the live recordings as poor bootleg quality. The remastering of the album was also criticized.I know it’s just an opinion but can anyone either support or discredit this view? I know it may be an unfair question but any opinion would be welcomed. Thanks.

    1. The remastered album and bonus tracks are excellent. The live shows are very good and very listenable. The BBC recordings are trash and probably should have been left off.

    2. I’ve got the set, and most of the live recordings sound fine. (Not quite studio-level quality, but that’s typical of concerts recorded for broadcast in 1971.) The exception is the four BBC tracks, which sound like copies of amateur off-air recordings. I expect that the original tapes are long gone, and that Esoteric had to rely on outside sources.

  2. I have the Repertoire remaster with 3 bonus singe edits. It sounds great, but all the extra songs makes it worth it to buy.

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