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/ News

Open My Eyes: Purple Pyramid Collects "The Complete Nazz"

September 4, 2019 By Joe Marchese 1 Comment

BUY NOW FROM AMAZON.COM

Todd Rundgren has struck up a fertile relationship with Cleopatra Records in recent years, with the label issuing a number of audio and video titles (including Utopia's Live at the Chicago Theatre and the Box O' Todd) as well as the artist's memoir The Individualist. Now, Cleopatra's Purple Pyramid imprint has issued The Complete Nazz, a 3-CD survey of Rundgren's early band, with all three of Nazz's albums plus 30 previously issued bonus tracks.

Todd Rundgren and bassist Carson Van Osten (both alumni of blues-garage outfit Woody's Truck Stop) formed Nazz - so named for the Yardbirds song "The Nazz are Blue" - in Philadelphia circa 1967, with drummer Thom Mooney and vocalist/keyboardist Robert "Stewkey" Antoni joining shortly thereafter. The band opened for such high-profile acts as The Doors and The Velvet Underground, and earned a deal with Screen Gems' SGC Records imprint. Two songs penned by Rundgren were released on a single in August 1968, and both would appear on the band's debut album that October. The A-side was "Open My Eyes," a fusion of The Who, The Beach Boys, and The Small Faces that defined power-pop before that phrase had ever been invented. The B-side was a slow, earnest ballad sung by Stewkey called "Hello It's Me" which would receive a second life just a few years later (in a new, more commercial arrangement) when Rundgren went solo. The eclectic Nazz LP performed respectably, making No. 118 on the Billboard Top LPs chart; DJs would flip the "Open My Eyes" single to make "Hello It's Me" a late-blooming chart entry. It entered the Pop chart in February 1969, peaking at No. 71, and then re-entered the following January for a No. 66 peak.

The band recorded a sprawling second album to be called Fungo Bat which would reflect the burgeoning influence of Laura Nyro on Todd Rundgren alongside the band's uptempo rave-ups reflecting both the mod British style and the blues rock of The Yardbirds or Cream. But Mooney and Antoni opposed the double album, a view shared by Screen Gems. A pared-down version arrived in stores in April 1969 as Nazz Nazz. While the album's psychedelic brew was heady - and even featured Todd's first lead vocal, on "Kiddie Boy" - Rundgren wasn't happy with the direction of his group and departed shortly after the album's release. Van Osten followed, and eventually began a long and fruitful career with The Walt Disney Company that saw the onetime art student graduate to executive status. He was recognized in 2015 as a Disney Legend.

When Todd's solo single "We Gotta Get You a Woman" showed promise for the Nazz wunderkind as a headlining artist, SGC thought twice about having let him go. The label assembled Nazz III to appear in December 1970 and directly challenge Todd's solo LP debut Runt. Somewhat oddly, given the label's seeming desire to capitalize on Runt, Rundgren's lead vocals on a number of tracks were replaced by those of Stewkey. But one thing was clear: the material that had been discarded was, indeed, quite strong - whether in the Nyro piano ballad vein or not. Stewkey and Mooney had pressed on for a while, but soon, Nazz was just a footnote in the Todd Rundgren story. The inclusion of "Open My Eyes" on the original Nuggets collection in 1972 solidified the band's reputation as much more than that, however.

Rhino released the original three Nazz LPs on CD, and various Nazz collections (often built around demos and rarities) have arrived with frequency over the years. Arguably the definitive editions were put together in 2006 by the Sanctuary label under the direction of compiler David Wells. The 2006 reissues have been collected in one clamshell box for The Complete Nazz. CD 1 of the new box is identical to the 2006 Nazz reissue.  CDs 2 and 3 replicate the 2-CD set of Nazz Nazz Including Nazz III: The Fungo Bat Sessions, although the bonus tracks (including all of the original Rundgren Fungo Bat tracks) have been resequenced.

Collectors who already own the 2006 reissues may well want to think twice about this purchase; even the foldout liner notes from both releases have been reprinted here and constitute the only notes in the box set. The discs are housed in standard mini-LP sleeves replicating the original front cover artwork. There are no remastering credits here. Fans of Beatles/Who/Cream/Laura Nyro-esque pop (and who isn't a fan of at least one of those disparate artists?) and, of course, of Todd Rundgren who don't already own this material will find The Complete Nazz solid, one-stop shopping. If you want to open your eyes (and ears) to the Nazz, you'll find order links below!

Nazz, The Complete Nazz (Purple Pyramid CLO 1348, 2019) (Amazon U.S. / Amazon U.K.)

CD 1: Nazz (SGC SD 5001, 1968)

  1. Open My Eyes
  2. Back of Your Mind
  3. See What You Can Do
  4. Hello It's Me
  5. Wildwood Blues
  6. If That's the Way You Feel
  7. When I Get My Plane
  8. Lemming Song
  9. Crowded
  10. She's Goin' Down

Bonus Tracks

  1. Nazz Radio Commercials
  2. Train Kept A Rollin' (Album Outtake)
  3. Magic Me (Audition Tape)
  4. See What You Can Be (Audition Tape)
  5. Hello It's Me (Demo)
  6. Crowded (Demo)
  7. Open My Eyes (Non-Phased Demo)
  8. Lemming Song (Demo)
  9. The Nazz are Blue (Live)
  10. Why Is It Me (Woody's Truck Stop Version)
  11. Hello It's Me (Mono Single Mix) (SGC single 45-001-B, 1968)
  12. Open My Eyes (Mono Single Mix) (SGC single 45-001-A, 1968)

CD 2: Nazz Nazz (SGC SD 5002, 1969)

  1. Forget All About It
  2. Not Wrong Long
  3. Rain Rider
  4. Gonna Cry Today
  5. Meridian Leeward
  6. Under the Ice
  7. Hang on Paul
  8. Kiddie Boy
  9. Featherbedding Lover
  10. Letters Don't Count
  11. A Beautiful Song

Bonus Tracks

  1. Not Wrong Long (Extended Version)
  2. Love Everywhere (Album Outtake)
  3. Sing a Song (Album Outtake)
  4. Sydney's Lunchbox (Album Outtake)
  5. Letters Don't Count (Todd Vocal)
  6. Meridian Leeward (Alternate Version)
  7. Not Wrong Long (Mono Single Mix) (SGC single 45-006-A, 1969)
  8. Under the Ice (Mono Single Mix) (SGC single 45-006-B, 1969)

CD 3: Nazz III (SGC SD 5004, 1970)

  1. Some People
  2. Only One Winner
  3. Kicks
  4. Resolution
  5. It's Not That Easy
  6. Old Time Lovemaking
  7. Magic Me
  8. Loosen Up
  9. Take the Hand
  10. How Can You Call That Beautiful?
  11. Plenty of Lovin'
  12. Christopher Columbus
  13. You Are My Window

Bonus Tracks

  1. Magic Me (Alternate Version)
  2. Resolution (Todd Vocal)
  3. Only One Winner (Todd Vocal)
  4. It's Not That Easy (Todd Vocal)
  5. Take the Hand (Todd Vocal)
  6. How Can You Call That Beautiful? (Todd Vocal)
  7. Forget All About It (Todd Vocal)
  8. Kicks (Long Version)
  9. Some People (Mono Single Mix) (SGC single 009-A, 1971)
  10. Magic Me (Single Mix) (SGC single 009-B, 1971)

Categories: News Formats: Box Sets, CD Genre: Classic Rock, Pop Tags: The Nazz, Todd Rundgren

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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Comments

  1. ed says

    September 6, 2019 at 2:41 pm

    Thanks for the heads up on the similarities to the earlier reissues

    Reply

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