In Memoriam: Bill Withers (1938-2020)

Bill Withers Just As I Am LPSometimes in our lives we all have pain
We all have sorrow
But if we are wise
We know that there’s always tomorrow…

Those words from “Lean on Me” held tremendous meaning when Bill Withers first introduced them in 1972. Today, they arguably hold even greater resonance. It’s been announced that Withers has passed away of heart complications at 81 years of age. While his recording career was a relatively short one, roughly spanning just a decade and a half, he leaves behind some of the most indelible songs of all time including “Ain’t No Sunshine,” “Grandma’s Hands,” “Use Me,” “Lovely Day,” “Just the Two of Us,” and “Lean on Me.”

Withers titled his 1971 debut album Just As I Am, and the raw, simple and understated cover photo seemed to support that title. Withers, with an ingratiating smile on his face and a lunch pail in his hand, is standing against a brick wall at California’s Webber Aircraft facility. The U.S. Navy aircraft mechanic turned guitar-slinging singer/songwriter was somewhat of an anomaly on the music scene, and in his understated manner wrote on the album’s jacket, “It matters not where I came from in relation to the world, as long as the world and I arrive at a common point at a common time. I would like to thank Sussex Records and Booker T. Jones for allowing me to present myself to whoever is kind enough to listen.” His too-modest verbiage aside, there was nothing remotely common about Bill Withers.

A native of West Virginia, he served for nine years in the Navy, and upon his 1965 discharge continued to work in the aircraft business even as he began pursuing an extracurricular interest in making music. A number of fortuitous occurrences led to Withers being introduced to Clarence Avant of Sussex Records, who in turn brought Booker T. Jones, of Booker T. and the MG’s, to Withers. Jones was signed to produce the album that became his debut Just As I Am, and brought along compatriots like Al Jackson and Donald “Duck” Dunn to contribute musically. Adding a special sound to the album was the guitar of Stephen Stills. Sussex Records’ gamble with the untried Withers paid off. “Ain’t No Sunshine,” off the debut album, sold over one million copies and netted the singer his first of three Grammy Awards. The album launched a career that eventually encompassed eight studio albums through 1984, and one remarkable live set, 1973’s Live at Carnegie Hall.  All were characterized by Withers’ clear musical storytelling, gritty yet inviting voice, and effortlessly, authentically funky style.

Though Bill Withers may be gone, we will long continue to learn from, and hopefully live by, the big-hearted lesson of “Lean on Me”:

Lean on me, when you’re not strong
And I’ll be your friend
I’ll help you carry on
For it won’t be long
‘Til I’m gonna need
Somebody to lean on…

Categories:
Formats:
Genres:
Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

You Might Also Like

1 thought on “In Memoriam: Bill Withers (1938-2020)”

  1. Bill Withers…A man of my own thinking and appreciation of the beautiful music and message of his song releases. My friend and the producer of some of my music Booker T. Jones discovered him and brought his music to the public because he too loved it and wanted it shared. It means so much to us all to look into our deeper selves as we go through this journey of life.

Leave a Comment

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.