A New Level: Jazz Dispensary and Vinyl Me, Please Team Up For “High Fidelity” Jazz-Funk Reissues

VMPJazzDispensaryThis fall, Vinyl Me Please is partnering with Craft Recordings’ Jazz Dispensary imprint to reissue some crate-diggers’ delights from David Axelrod, Jack DeJohnette, Bernard Purdie, Leon Spencer, and Idris Muhammad with full audiophile treatment.

The music has been remastered in an all-analog chain from original tape sources by Kevin Gray at Cohearant Audio.  Each LP, meanwhile, is pressed on 180-gram color vinyl at RTI and features a heavyweight, tip-on sleeve bearing exact reproductions of the original art.  But listeners will want to act fast to add these soulful jazz-funk gems to the library as each is limited to only 1,000 copies.

DavidAxelrod HeavyAxe VMPJD

The first in the series is David Axelrod’s Heavy Axe, pressed on “Timber” brown vinyl.  Available in stores now, this lost 1974 classic sees the arranger following up his previous concept albums with a return to richly scored cover versions and originals with backup from jazz legends Cannonball Adderley, George Duke, and Johnny Guitar Watson.  Just check out the immensely funky “You’re So Vain,” with Stephanie Spruill reading the Carly Simon hit with a soulfulness all her own, or the ensemble’s breezy take on Stevie Wonder’s “Don’t You Worry ‘Bout A Thing,” and you’ll see why this album remains a favorite for crate-digging beatmakers and toe-tappers everywhere.

JackDeJohnette Sorcery VMPJD

The second title from VMP and Jazz Dispensary is jazz drummer Jack DeJohnette’s Sorcery on very groovy “Sorcerer’s Stone” swirl vinyl.  This Prestige album from 1974 shows the drummer, saxophonist and keyboardist teaming up with fellow Bitches Brew sideman Dave Holland on bass, Headhunter woodwind player Bernie Maupin on bass clarinet, Michael Fellerman on horns, and guitarists John Abercrombie and Mick Goodrick.  Featuring an array of squawking, squealing horns, electronic processing, and sheets of wild guitar playing, this alternately challenging and tripped-out album is the perfect record to bring you higher.

BernardPurdie PurdieGood VMPJD

Third in the series is session legend Bernard “Pretty” Purdie’s Purdie Good will be reissued on “Purdie Purple” vinyl.  The 1971 Van Gelder-engineered recording features a trio of originals composed by the drummer and three covers – Jeff Barry and Bobby Bloom’s “Montego Bay,” James Brown’s “Cold Sweat,” and Fred Neil’s “Everybody’s Talkin'” – each given a funky workout.  If wah-soaked funk is your scene, dig in to this Prestige album.  You’ll find it’s more than just pretty good.

IdrisMuhammad BlackRhythmRevolution VMPJD

Number four is Idris Muhammad’s Black Rhythm Revolution!  Muhammad’s debut album arrived on Prestige in 1971, blending his previous work in the soul idiom (given a spotlight on Side 1) alongside the jazz-funk fusion that he’d continue on with for most of the decade (on the flipside).  As concise a look at Idris Muhammad’s talents as you could ask for, it now arrives on “Revolution Blue” swirl vinyl.

LeonSpencer WhereImComingFrom VMPJD

The series wraps up with another Prestige gem.  Leon Spencer‘s final album as a bandleader, Where I’m Coming From, saw the organ player join with Prestige bassist George Duvivier and future Kudu session staples Idris Muhammad and Grady Tate (drums), Jon Faddis (trumpet), Joe Beck (guitar), and many more for a Van Gelder-engineered run through current soul hits and originals.  Spencer’s use of the bass pedals of the organ set him apart from other B3 players, building a foundation for the irresistible grooves you hear across both sides of Where I’m Coming From.  It’s all pressed up on a special “Red Cloud” colorway.

So whether you’re a seasoned jazz-funk connoisseur or a new arrival, you’ll want to keep these special 180-gram, AAA pressings on the radar.  You can purchase the titles individually from Vinyl Me Please or purchase them as a bundle.

David Axelrod, Heavy Axe [timber brown vinyl] (originally Fantasy LP F-9456, 1974 – reissued Craft Recordings/Jazz Dispensary/VMP, 2020) (Vinyl Me Please)

Side 1:

  1. Get Up Off Your Knees
  2. Cast Your Fate To The Wind
  3. You’re So Vain
  4. My Family

Side 2:

  1. Mucho Chupar
  2. Don’t You Worry ‘Bout A Thing
  3. It Ain’t For You
  4. Everything Counts

Jack DeJohnette, Sorcery [“Sorcerer’s Stone” swirl vinyl] (originally Fantasy LP F-9456, 1974 – reissued Craft Recordings/Jazz Dispensary/VMP, 2020) (Vinyl Me Please)

Side 1:

  1. Sorcery #1
  2. The Right Time
  3. The Rock Thing

Side 2:

  1. The Reverend King Suite
  2. Four Levels Of Joy
  3. Epilog

Bernard Purdie, Purdie Good [“Purdie purple” swirl vinyl] (originally Prestige LP Prestige PRST-10013, 1971 – reissued Craft Recordings/Jazz Dispensary/VMP, 2020) (Vinyl Me Please)

Side 1:

  1. Cold Sweat
  2. Montego Bay
  3. Purdie Good

Side 2:

  1. Wasteland
  2. Everybody’s Talkin’
  3. You Turn Me On

Idris Muhammad, Black Rhythm Revolution!  [“Revolution Blue” swirl vinyl] (originally Prestige LP PRST-10005, 1971 – reissued Craft Recordings/Jazz Dispensary/VMP, 2020) (Vinyl Me Please)

Side 1:

  1. Express Yourself
  2. Soulful Dreams
  3. Super Bad

Side 2:

  1. Wanderer
  2. By The Red Sea

Leon Spencer, Where I’m Coming From [“Red Cloud” swirl vinyl] (originally Prestige LP PRST-10063, 1973 – reissued Craft Recordings/Jazz Dispensary/VMP, 2020) (Vinyl Me Please)

Side 1:

  1. Superstition
  2. Give Me Your Love
  3. Keeper of the Castle

Side 2:

  1. Trouble Man
  2. The Price A Po’ Man’s Got to Pay
  3. Where I’m Coming From
Sam Stone
Sam Stone

Sam Stone has been obsessed with catalog music ever since his folks gave him a Contours best-of collection for his fourth birthday. He quickly began to learn all he could about rock and roll history and beyond, a passion that continues to this day.

Sam followed his love for music to the classroom, earning a B.A. from Towson University in Electronic Media and Film, concentrating on radio and audio production, as well as an M.A. in Audio Arts from Syracuse University. He has put his knowledge and skills to work at prominent reissue labels and is excited to bring his perspectives on catalog music to a broader audience. When he’s not writing for The Second Disc, Sam can be found researching about music, talking about Joni Mitchell’s career, and adding another box set to his Amazon wish list.

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