Hear That Train A-Comin’: Vinyl Me Please Introduces New Country Offerings, Announces Metal Blade Anthology Set

JohnnyCash AtFolsomPrison VMP
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The Vinyl Me Please record club has announced two new campaigns to reach an even broader swath of vinyl aficionados.

The first is the addition of a new, fourth “track” for the Record of the Month subscription series.  In addition to Essentials, Classics, and Rap and Hip Hop, the Country genre will now be given a spotlight of its own.  The first album to be reissued as part of the Country track is March 2021’s Record of the Month: At Folsom Prison by Johnny Cash (1968).  The landmark live LP not only reached the top spot on the Billboard Country Albums chart but a top 15 berth on the Pop side; it also yielded The Man in Black’s biggest hit single in four years with the Grammy-winning live take of his 1955 single “Folsom Prison Blues,” a No. 1 Country/No. 32 Pop success that spoke to a new generation of listeners.  At Folsom Prison arrives in a new “tan in black” colorway with music newly remastered by Ryan Smith and cut to vinyl at Sterling Sound.  The foil-stamped edition arrives in a deluxe tip-on sleeve alongside a liner notes book by Andrew Winistorfer and a limited promotional bandana.  Those interested in the title can join a “standby line” for future pressings.

VMPAnthology StoryOfMetalBlade
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Adding a Country track isn’t the only way VMP is diversifying its catalog.  The label has announced a new chapter in the Anthology series of immersive box sets, this one spotlighting The Story of Metal Blade, the often overlooked label specializing in metal.  First formed in the mid-’80s, Metal Blade has grown to be home to unsung metal heroes and better-known titans of the genre alike.  The Story of Metal Blade tracks the label’s trajectory to the tune of eight albums, each presented on 180-gram splatter color vinyl variants housed inside heavyweight, direct-to-board jackets.  These include:

  • Omen, Warning of Danger (1985)
  • Fates Warning, The Spectre Within (1985)
  • Gwar, America Must Be Destroyed (1991)
  • Cannibal Corpse, Butchered At Birth (1991)
  • King Diamond, Voodoo (1998)
  • The Black Dahlia Murder, Miasma (2005)
  • Amon Amarth, Twilight of the Thunder God (2008)
  • Armored Saint, La Raza (2010)

In addition to the music, the VMP Anthology will present detailed liner notes by metal expert J. Bennett (featuring contributions from label founder Brian Slagel); a five-episode podcast with interviews and insights; and a series of live Q&A video chats with a mystery guest close to the Metal Blade story.

For more information about the new monthly Country track, check out Vinyl Me Please’s official site.  To learn more about VMP Anthology: The Story of Metal Blade and to secure a copy of your own, click here!

Sam Stone
Sam Stone

Sam Stone has been obsessed with catalog music ever since his folks gave him a Contours best-of collection for his fourth birthday. He quickly began to learn all he could about rock and roll history and beyond, a passion that continues to this day.

Sam followed his love for music to the classroom, earning a B.A. from Towson University in Electronic Media and Film, concentrating on radio and audio production, as well as an M.A. in Audio Arts from Syracuse University. He has put his knowledge and skills to work at prominent reissue labels and is excited to bring his perspectives on catalog music to a broader audience. When he’s not writing for The Second Disc, Sam can be found researching about music, talking about Joni Mitchell’s career, and adding another box set to his Amazon wish list.

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3 thoughts on “Hear That Train A-Comin’: Vinyl Me Please Introduces New Country Offerings, Announces Metal Blade Anthology Set”

  1. I rejoined for the new Country selections. They did a great job a few years ago with Loretta Lynn’s “Coal Miners Daughter” album. Just got the Johnny Cash album this week. Aside from being a great album, the “Tan In black” vinyl looks really great. Hoping upcoming releases celebrate the legends, Willie, Waylon, Tammy, Dolly etc.

  2. man, TSD RARELY covers metal (and mostly hard rock/hair metal when it does), and it seems only in a cursory way. Wish you had more posts like this, and something academically deeper?

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