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In Memoriam: Ronnie Spector (1943-2022)

January 13, 2022 By Joe Marchese 10 Comments

Ronnie Spector Very BestWhoa-oh, a-whoa-oh-oh-oh!

Of all the great examples of rock and roll onomatopoeia, perhaps none was as sweet, alluring, and powerful as the cry with which Ronnie Spector opened "Baby, I Love You."  The second single by The Ronettes on Philles Records - the first was the epochal "Be My Baby" - "Baby, I Love You" exuded youthful romance: uninhibited, unequivocal, and positively steamy!  Fronting the trio she had formed with her sister Estelle Bennett and cousin Nedra Talley, Ronnie Spector (born Veronica Bennett) redefined the look and sound of so-called girl groups.  With her mile-high hair, skintight outfits, heavy makeup, and seductive stare, Ronnie was assertive, edgy, and empowering.  Her tough, distinctive New York-tinged voice conveyed the highest highs and lowest lows of young love in the 1960s, whether on "Be My Baby," "Baby, I Love You," "(The Best Part Of) Breakin' Up," "Walking in the Rain," or "Is This What I Get for Loving You," the latter taking on a haunting prescience considering her tumultuous marriage to Phil Spector.  A whole new generation would get to know Ronnie when Eddie Money implored, "Just like Ronnie said, 'Be my little baby!' on his 1986 smash "Take Me Home Tonight."  Sadly, Ronnie passed away on Wednesday following a short battle with cancer at the age of 78.

Phil Spector didn't invent The Ronettes; the Rock and Roll Hall of Fame-inducted group first cut eleven songs in 1961-1962 for the May, Dimension, and Colpix labels before teaming up with the mercurial producer at his Philles label.  While Phil, songwriters such as Ellie Greenwich, Jeff Barry, Vini Poncia, and Pete Andreoli, arrangers including Jack Nitzsche, and the thunderous Wall of Sound provided by The Wrecking Crew all upped the ante on the Philles records, the vocal sound was pure Ronnie, Estelle, and Nedra: yearning, vivacious, just a bit rough around the edges.  It's no wonder both The Beatles and The Rolling Stones, along with audiences the world over, were captivated by these young women.

Ronnie's career didn't end when The Ronettes initially disbanded in early 1967.  Phil Spector (whom she married in 1968) and George Harrison teamed up to record Ronnie on a lone 1971 single for Apple Records, "Try Some, Buy Some" b/w "Tandoori Chicken."  The next year, Ronnie escaped Phil's clutches, revealing years later the horrifying extent of the abuse she suffered while in the marriage.  She reformed a new Ronettes to cut a couple of singles for Buddah Records in 1973-1974 overseen by producer Stan Vincent (The Five Stairsteps, Lou Christie) and then recorded one solo 45, "You'd Be Good for Me" b/w "Something Tells Me," in 1975 for the short-lived Tom Cat label with producer Edward Germano and arranger Jimmy "Wiz" Wisner.

ronnie the e street band

Ronnie's unmistakable voice enlivened Bruce Springsteen's song "You Mean So Much to Me" on Southside Johnny and The Asbury Jukes' debut album, 1976's I Don't Want to Go Home.  The Jukes' producer Steven Van Zandt then took Ronnie into the studio with his E Street Bandmates for "Say Goodbye to Hollywood" b/w "Baby, Please Don't Go."  Billy Joel had penned the A-side as an homage to Ronnie and the Wall of Sound, and her rightful claiming of Joel's anthemic tune turned out to be every bit as inspired as her earlier Philles recordings.  Ronnie would team with Genya Ravan for 1980's Siren, the first of four full-length LPs Ronnie would release in her lifetime.  After "Take Me Home Tonight" revitalized her career, Columbia signed her for the LP appropriately entitled Unfinished Business.  Almost another twenty years passed before her third solo set, one with the equally-apt title of The Last of the Rock Stars.  For while The Ronettes have long been considered consummate pop stars (and make no mistake, they were), their songs pulsated with the beating heart of rock and roll.

Ronnie Spector English Heart

EPs became Ronnie's preferred medium in recent years (including such releases as the Joey Ramone-produced She Talks to Rainbows, Something's Gonna Happen, and Best Christmas Ever, all on her own Bad Girl Sounds label), but in 2016 she issued her final full album.  English Heart celebrated The Beatles, The Stones, and the other British Invasion artists with whom Ronnie belonged to a mutual admiration society.  She was a regular presence onstage in her later years, including for joyful Christmas shows in which she'd recreate such Philles Christmas holiday favorites as "Sleigh Ride," "Frosty the Snowman," and "I Saw Mommy Kissing Santa Claus," all of which remain radio staples year after year.  Like her contemporary and Philles labelmate Darlene Love, Ronnie had to take Phil Spector to court to earn what was rightfully hers.  Though the settlement was partially overturned on appeal, she prevailed.

Determined and tenacious throughout her life, Ronnie Spector was a rock and roll survivor who triumphed over adversity and reveled in her role as a "bad girl."  And a bad girl never sounded so good as when personified by the electrifying voice of Ronnie Spector.

Categories: News Genre: Classic Rock, Pop Tags: Ronnie Spector

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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Comments

  1. zally says

    January 13, 2022 at 7:55 am

    very sad news. with xmas just a short time ago the spector xmas lp was on rotation. there will NEVER be a girl group like the RONETTES ever again. when phil heard her it knew it had the voice for the songs he was creating. what was recorded will live 4 ever. us guys always wanted to be her baby. ohhh ohh ohhhh.

    Reply
  2. Brad Sonmor says

    January 13, 2022 at 9:44 am

    Great article as usual Joe! Ronnie was one of a kind. Yesterday was indeed a sad day for music. I think I've listened to her version of "Don't Worry Baby" from the EP "She Talks to Rainbows" 20 times since hearing of her passing. The Ronettes' singles for Philles were easily the best ones and you can tell that the love that Phil had for her at that time reflected in the songs. Phil and Ronnie were really the first "Rock 'n Roll" couple, sadly Phil's mental illness and Ronnie's drinking doomed them. Her collaboration with Joey Ramone was a match made in heaven in later years and I've often wondered what a producer like Ron Nevison or Jim Steinman could've done with her voice. I wish that more opportunities would've opened up for her, as her beautiful voice remained intact until the end. Hopefully the Spector estate and Ronnie's estate will unearth some unreleased gems for us in the future. Rest In Peace, Ronnie.

    Reply
  3. Guy Smiley says

    January 13, 2022 at 10:52 am

    That single of “Say Goodbye to Hollywood”/“Baby, Please Don’t Go” is terrific, but there are apparently a bunch of the tracks from those E Street sessions that have never been released?

    How was there not a full album of this music, and how have those tracks still not been released? Seems lomg overdue. Shame it may take things like an artist’s passing to get this material out there.

    Would love if a show of Ronnie joining the E Street Band onstage, as part of Bruce’s monthly Nugs.net series (Palladium ‘76, perhaps?) would also be welcome.

    Reply
  4. ed says

    January 13, 2022 at 1:25 pm

    Listening to the Ronettes' version of "I Wonder" is like a descent into a maelstrom (with a tip of the hat to Mr. Poe). Thank you, Ronnie. What joy you gave us!

    Reply
  5. David Goodine says

    January 13, 2022 at 3:17 pm

    The last time I played the Ronettes was a month ago-'A Christmas Gift for You' has been trotted out every year during the holiday season for as long as I can remember.
    Just two days before Ronnie's death, I was thinking of my wife and how much she reminded me of Ronnie when I first met her. I decided to go on an image search to see if there were any specific pictures that evoked a resemblance. (The Ronette's photo shoot for Ebony magazine's November 1966 issue came to mind...)
    So it was quite a shock to hear yesterday that she had died- I couldn't help thinking the universe was trying to tell me something a couple of days ago.
    Everyone knows 'Be My Baby' but my favorite Ronettes recordings are from 1964-66 when Phil Spector's productions were at their most ethereal. The stereo mix of 'You Baby' is absolutely divine....Rest in peace, my sweet angel.

    Reply
  6. Larry Davis says

    January 13, 2022 at 7:12 pm

    Stunned & bummed, but what a career!! Have a feeling we will see a fullblown Ronnie/Ronettes boxset/anthology this year representing recordings on all labels & career spanning, all the hits, highlights & important songs, maybe all the albums she recorded...sucks it would take someone's death for it to happen, but if anyone deserves one, it's Ronnie, with her distinctiveness & importance & influence & loved by multiple important artists & loads of loyal fans...

    Reply
  7. RecordSteve says

    January 15, 2022 at 7:58 pm

    Thanks Bro. Joe for another homage to a Rock & Roll star=Ronnie has passed on to R & R Heaven...RIPeace.
    🎶Tidbits on "(Walking) in the Rain"🎶one of RecordSteve's favorite songs: it received a Special Effect Grammy
    for rainstorm in '65; Cher was a background vocalist & Ronnie's vocals done in 1 take! 1970 Jay Black & The
    Americans did a cover version which shot to #19 off their Wax Museum album. Let's not forget The Ronettes
    opened for the Stones & Beatles on their 1st time in the USA...thanks for the memories....

    Reply
    • John says

      January 23, 2022 at 12:05 pm

      I think the Stones opened for them in Britain about '63.

      Reply
  8. Robert Lett says

    January 17, 2022 at 10:22 am

    The Ronettes are eternal. She was really sweet when I met her. That husband of hers (Greenfield not Spector) not so much....not a nice fella to put it mildly. RIP Ronnie

    Reply
  9. RecordSteve says

    January 28, 2022 at 1:38 pm

    Ronnie did a great make over on the Beach Boys song Don't Worry Baby or was it I Can Hear Music or both!?

    Reply

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