We’re Havin’ a Freak Out! “Zappa ’66,” Due in May, Relaunches Vaulternative Records

Frank Zappa Zappa '66
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Frank Zappa’s archival label Vaulternative Records was launched in 2002 by the late artist’s family to present a variety of fascinating odds and ends from his voluminous archive.  Now, after a near-decade-long hiatus, Vaulternative is returning from Zappa Records and UMe to continue preserving the experimental side of the Zappa oeuvre.  The newly-refreshed Vaulternative label launches on May 15 with Zappa ’66: Vol. 1 – Live at TTG Studios on one CD or two 180-gram LPs, or via digital download/streaming (including high-resolution audio) exclusively from Zappa.com, uDiscover Music, and Sound of Vinyl.

Sixteen of the seventeen tracks on Zappa ’66 are previously unreleased in any format.  The release documents the young musician at an October 1966 session at the Hollywood studio just months after the release of The Mothers of Invention’s debut album, Freak Out!, on Verve Records.  The new release has been produced, restored, and assembled by “Vaultmeister” Joe Travers and mastered by John Polito from the original 1/4-inch master tapes recorded to Zappa’s reel-to-reel system.  Radio interview segments from 1966 have also been included.

Zappa ’66 chronicles, in audio format, a television production conceived as Sex in the ‘60s and ultimately aired as Sex in Today’s World.  The program’s producers invited Zappa and The Mothers to stage an exploratory “freak out” with music, dance, and what would today be considered performance artists against a backdrop of special lighting and smoke machines.  TTG Studios was the same venue where Zappa, The Mothers, and producer Tom Wilson had recorded Freak Out! not long before.  The fluid set was unpredictable even by the young Zappa’s standards, and he was sure to capture the audio on his reel-to-reel tape machine.  It’s the only known recording of the band to feature guitarist Del Casher and also the first recorded appearances of percussionist Billy Mundi and keyboardist Don Preston with The Mothers.  Ray Collins (vocals/tambourine), Roy Estrada (bass), and Jimmy Carl Black (drums/percussion) round out the lineup.

While the sound will be recognizable to fans of Freak Out!, the concert wasn’t nearly as structured as the album, veering from structured sections to improvisations and experiments ranging from R&B to the avant garde.  Zappa would, of course, eventually develop the musical vocabulary being explored here into his famously diverse discography.

“We’re very pleased to announce the relaunch of Vaulternative Records, which creates a direct line from The Vault to fans,” comments Joe Travers in the press release. “Frank’s AAAFNRAA philosophy — Anything Anytime Anyplace for No Reason At All — really applies here, because the material can take so many forms. It might be an interview, a raw live recording, something Frank worked on that was never released, or a fully realized concert. The goal is to uncover and share the things we know fans will appreciate most. We’re excited to bring Vaulternative back as another way to open up The Vault and deliver more of that content to the people who want it.”

Multiple source tapes were transferred for this release from which Travers curated the most complete chronicle of the performance yet.  He writes in the liner notes, “I decided to take advantage of the 60th anniversary and compile the best edit I could to represent what happened that day in early October 1966 when The Mothers were hired to supposedly show the world what they were responsible for.  The Mothers were unlike any other, and Frank Zappa, 25 years old and still within his first year of being a signed artist, was in the middle of making a large impact.”

All formats of Zappa ‘66 will include liner notes by Travers, as well as photos by Earl Leaf, film stills by Barry Feinstein, poster art from the Freak Out! era, and miscellaneous images from The Vault.  This title, too, inaugurates the celebration of 60 years of Freak Out!’s original release.

Look for Zappa ’66 from Vaulternative Records on May 15 from Zappa/UMe. The evocative instrumental “Move On” is streaming now at YouTube and elsewhere, and the title can be ordered from Universal’s online storefronts below.

Frank Zappa and The Mothers of Invention, Zappa ’66: Vol. 1 – Live at TTG Studios (Vaulternative/Zappa/UMe, 2026) (Zappa Online Store / uDiscoverMusic.com / Sound of Vinyl Link TBD)

CD:

  1. “Hello There”
  2. Freak Chouflee’
  3. Move On
  4. The United Mutations
  5. “Tommy Come Back!”
  6. FZ Directs The Freaks
  7. Pomp and Circumstance Sequence
  8. Legalize Abortion
  9. Twistin’ Again
  10. The Electric Banana
  11. I Could Be A Slave Story Untold
  12. “We Keep Changing Personnel Though”
  13. A2 Jam
  14. Khaki Sack
  15. Duke Of Prunes (Edited)
  16. Victory Through Vegetables
  17. “We’re Havin’ A Freak Out!”

2LP:

Side 1

  1. “Hello There”
  2. Freak Chouflee’
  3. Move On

Side 2

  1. FZ & The United Mutations
  2. “Tommy, Come Back!”
  3. FZ Directs The Freaks
  4. Pomp And Circumstance Sequence
  5. Legalize Abortion
  6. Twistin’ Again
  7. The Electric Banana

Side 3

  1. I Could Be A Slave/Story Untold
  2. “We Keep Changing Personnel Though”
  3. A2 Jam
  4. Khaki Sack- Prototype Part 1

Side 4

  1. Khaki Sack- Prototype Part 2
  2. Duke Of Prunes (Edited)
  3. Victory Through Vegetables
  4. “We’re Havin’ A Freak Out!”
Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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4 thoughts on “We’re Havin’ a Freak Out! “Zappa ’66,” Due in May, Relaunches Vaulternative Records”

  1. Joe MacPherson

    I read the track listing and I can’t help noticing, it takes 2 vinyl LP’s to present all of the music for this album on 1 CD. Obviously, the CD will cost a lot less. Also, unlike vinyl, no potential surface noise, hissing, crackle, skipping. No vinyl noise that isn’t part of the actual studio recordings.
    I’m glad I switched to CD in 1987. No looking back after that and why would I? After all, vinyl LP’s still rely on recording technology that was developed in the 1900’s-1910’s. CD is the advanced improvement. Also, they cost less. Perfect!

    1. I,too,am riding out the ‘vinyl scare’. I can see the appeal of cover artwork, etc., but CDs/digital files really liberated the music from the tyranny of the vinyl format. It was such a breakthrough to be able to resequence or omit tunes by programming them in whatever order one wished as well as the absence of surface noise/pops & clicks.
      All one has to do is check out the prices/reviews of LPs on Discogs & most don’t talk at all about the music. Instead numerous complaints about the pressing quality & so on.
      Some serious snake oil being sold here to the public by hyping overpriced vinyl. But I do share their love of the physical format if nothing else.

  2. Mark Schlesinger

    I’m not into Zappa, but I concur with your point. Vinyl LPs are trendy, but crazy expensive. Due to limited quantity, LPs can cost as much as twice the price of a CD, and three times that of a download. And it is absurd to believe that a vinyl record sounds better than a digital copy of the master tape (assuming proper mastering and production of the CD or download). Not worth it, to be considered “hip”. (Some CD prices are soaring—McCartney is charging $20 at Amazon.com.)

  3. It’s like the Mummies infamously said “CDs SUCK” . I ordered the double lp to hear it properly. I like bottom end and better sound. Throw out your drink coasters and buy a record.

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