High Time: Grateful Dead’s “Workingman’s Dead” Returns in Blu-ray, Audiophile Vinyl, and Reel-to-Reel Editions

Grateful Dead Workingmans Dead
BUY NOW FROM RHINO.COM

Last weekend, we filled you in on the new Play Dead app, featuring a treasure trove of Grateful Dead concert performances from over the years.  Today, Rhino announced a trio of new editions celebrating the band’s 1970 album Workingman’s Dead: Rhino High Fidelity reissues on vinyl and reel-to-reel tape, and a Dolby Atmos mix overseen by drummer Mickey Hart.

Frequently hailed as one of the Dead’s most accessible albums (along with its follow-up, American Beauty), Workingman’s Dead placed its focus on tighter songcraft in a country/folk-oriented vein that would later be described as “Americana.” The Dead’s fourth studio album, it introduced the group’s first chart hit, the timeless “Uncle John’s Band,” as well as the fan-favorite “Casey Jones” which has received substantial airplay over the years as well. Solidifying the band’s reach to a wider audience, Workingman’s Dead (originally released on June 14, 1970) reached the top 30 of the Billboard 200 and further solidified the enormous legacy of Jerry Garcia, Bob Weir, Ron McKernan, Phil Lesh, Bill Kreutzmann, and Mickey Hart.

The Rhino High Fidelity vinyl edition was cut from the original master tapes by Kevin Gray and pressed on 180-gram black vinyl at Optimal in Germany. The LP is housed in a glossy gatefold package with liner notes by Dead historian David Gans.  It’s limited to 5,000 individually numbered units and is available exclusively at Rhino.com and via select Warner Music Group storefronts.  For those with the capability to play reel-to-reel tapes, Rhino also offers a rare audiophile experience with its remaster.  This presentation of Workingman’s Dead was duplicated in real time from a 1:1 copy of the original flat analog master.  The label states that “the 15 i.p.s. half-track 1/4″ tape is produced to the IEC equalization standard on premium RTM LPR90 tape stock and housed on a 10.5″ metal reel.” The Reel-to-Reel edition is limited to just 300 copies worldwide and available exclusively at Rhino.com.

Last but not least, Rhino brings Mickey Hart’s 2023 Dolby Atmos mix to the Blu-ray Audio format.  5.1 surround and stereo remixes by Hart (unique to those he made in 2001 for Rhino’s DVD-Audio release) are also included on the disc and playable in DTS-HD Master Audio.  Craig Anderson has mastered the Blu-ray Audio disc.  It’s available now from Dead.net and Rhino.com.

All formats of Workingman’s Dead are out now from Rhino.  You’ll find the track listing and order links below.

Grateful Dead, Workingman’s Dead (Warner Bros. WS 1869, 1970 – reissued Grateful Dead/Rhino, 2026)

Blu-ray Audio: Rhino.com / Dead.net
Rhino High Fidelity LP: Rhino.com
Rhino High Fidelity Reel-to-Reel: Rhino.com

  1. “Uncle John’s Band”
  2. “High Time”
  3. “Dire Wolf”
  4. “New Speedway Boogie”
  5. “Cumberland Blues”
  6. “Black Peter”
  7. “Easy Wind”
  8. “Casey Jones”
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Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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5 thoughts on “High Time: Grateful Dead’s “Workingman’s Dead” Returns in Blu-ray, Audiophile Vinyl, and Reel-to-Reel Editions”

  1. Michael Grabowski

    Other than seeing album cover art at its classic full size, I think the vinyl retro-revolution is pretty snooty. The tape cassette retro-fad is silly, and the return of 8-tracks exceptionally so. Now reel-to-reel? Are there 300 people left in the world who even have the equipment for that? I look forward to the 10″ shellac comeback. Or maybe flexi-discs you can carefully tear out of a magazine again.

    I have no problem with the availability of this music in every format imaginable, but unless there are good cassette decks, much less reel-to-reel machines, ready to buy at a reasonable cost, these boutique nostalgia items don’t have much of a point. I still like CDs but I can’t even find a decent dedicated player for those anymore, and forget about listening in my car without a phone.

  2. Totally agree 100+ %, and I would like to add the fact that there are a heck of a lot of releases of recordings of both new and older music that is only being released on outdated formats such as vinyl only and not on CD. 😡😢

  3. Yes, I agree with you all. The vinyl fixation is snooty, no one has reel to reel, listening to and owning CD’s and players is not right wing and does not contribute to Global Warming.

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