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All This and More: Esoteric Expands Procol Harum's 1972 "Live in Concert" Symphonic LP

November 14, 2018 By Joe Marchese 3 Comments

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"It took a 77-man group and Procol Harum to record this album," read one advertisement for the prog-rock band's 1972 LP Live in Concert with The Edmonton Symphony Orchestra.  The release from the band lineup of Gary Brooker (voice/piano), B.J. Wilson (drums), Alan Cartwright (bass), Chris Copping (organ/harpsichord), Dave Ball (guitar), and Keith Reid (spoken word) has just been remastered and expanded by Cherry Red's Esoteric Recordings imprint.

Procol Harum were surely not the first band of their era to fuse rock and classical, but their July 6, 1969 gig at Stratford's Shakespeare Festival with the Stratford Festival Orchestra conducted by Lawrence Smith has been recognized as one of the first, if not the first, rock concerts with a full orchestra and chorus in which self-arranged material was performed.  While reviews were mixed, the group was encouraged to continue pursuing that direction as contemporaries like Deep Purple and The Nice premiered their own rock-classical hybrids.

The personnel was shifting, however.  In late 1969, bassist David Knights and organist Matthew Fisher departed, to be replaced by Chris Copping on both instruments; guitarist Robin Trower exited to pursue solo stardom in 1971.  Alan Cartwright came in on bass (restoring the band to a five-piece) and Alan Ball on guitar. On a tour of North America in August 1971, the newly-invigorated band met with representatives of the Edmonton Symphony Orchestra to discuss a November gig in which the band and orchestra would join forces.  The ESO's assistant general manager had seen Procol Harum in Stratford and knew they would be the ideal group to follow up the orchestra's 1970 collaboration with Canadian band Lighthouse.  The date was set for November 18, and the decision was made to use some of the Stratford orchestrations.  The band's American label, A&M, quickly announced plans to record the show also featuring the Da Camera Singers at Edmonton University's 2,700-seat Jubilee Auditorium.

The band ran through such favorites as "Conquistador" (from their 1967 debut), the epic, multi-part suite "In Held 'Twas in I" (from 1969's Shine On Brightly), "A Salty Dog" and "All This and More" (from the 1969 A Salty Dog LP), and "Whaling Stories" (from 1970's Home) as well as "Luskus Delph" from their most recent studio LP, 1971's Broken Barricades.  In fact, they played most of the program twice that night, both because of their prolonged ovations and because producer Chris Thomas urged them to do a couple of tracks over for the album.  It added up to a very extended encore also including the instrumental "Repent Walpurgis" which was not included on the final release.  (The opening "Adagio in G Minor" was also not included.)

While edits between the two versions played that night and minimal overdubs were made in the studio, Live in Concert with The Edmonton Symphony Orchestra accurately captures the sound and spirit of the concert.  Released in early 1972, it went Platinum and reached No. 5 on the Billboard survey - Procol's highest-ever placement.  It yielded the single "Conquistador" b/w "Luskus Delph."  That B-side has been appended to this CD reissue, as well as four rehearsal takes including unreleased "A Salty Dog" and "Luskus Delph," both of which are previously unreleased.  (The two other rehearsal takes were first issued by Salvo Records in 2009.)

The success of Live in Concert with The Edmonton Symphony Orchestra led Procol Harum to pursue numerous other orchestral endeavors over the years.  This classic album has been remastered by Paschal Byrne.  It's housed in a digipak which includes a 28-page booklet containing Roland Clare's detailed essay and track-by-track liner notes.  This release is available now from Esoteric and Cherry Red at the links below!  A remastered, 180-gram vinyl edition of the original album is also available with a bonus 7-inch single of the rare French single edits of "Conquistador" and "A Salty Dog."

Procol Harum, Live in Concert with The Edmonton Symphony Orchestra (Chrysalis CHR 1004 (U.K.)/A&M SP-4335, 1972 - reissued Esoteric/Cherry Red ECLEC 2650, 2018) (Amazon U.S. / Amazon U.K. / Amazon Canada)

  1. Conquistador
  2. Whaling Stories
  3. A Salty Dog
  4. All This and More
  5. In Held 'Twas in I
  6. Luskus Delph (B-Side)
  7. Simple Sister (Rehearsal)
  8. Shine on Brightly (Rehearsal)
  9. A Salty Dog (Rehearsal)
  10. Luskus Delph (Rehearsal)

Track 6 previously released as B-side of Chrysalis single CHS 2003, 1972
Tracks 7-8 first released on Salvo SALVOCD023, 2009
Tracks 9-10 previously unreleased

Categories: News Formats: CD Genre: Classic Rock Tags: Procol Harum

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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Comments

  1. Shaun says

    November 14, 2018 at 4:20 pm

    Huh. “Expanded” live album, which it is, in theory, but it’s still only a handful of songs from the actual concert.

    I know this album has a great reputation, but I never knew it was so short. How about expanding it to the full show?

    Or maybe the idea is to reissue it over and over again, giving us a little more each time. Just like MCA did with both The Who Live at Leeds and Neil Diamond’s Hot August Night.

    Reply
    • Steve Bruun says

      November 15, 2018 at 7:27 am

      The full show may no longer exist. Gary Brooker commented, around 2002, "we also played A Salty Dog and Simple Sister, which didn't go on the album. I wonder what happened to that! Must be a lost tape there." That would explain why the bonus tracks are mostly rehearsal tapes.

      Reply
      • Shaun says

        November 15, 2018 at 9:59 pm

        "A Salty Dog" is in the track listing though?

        Regardless, thanks for the info Steve. I may give this album a try. I know exactly two songs from Procol Harum: "Conquistador," and some other obscure little ditty about a shade of pale white or something? I think it's a lost "deep cut" or something. Pretty good though.

        Actually, I know I've heard "A Sallty Dog" before too. Been years, however, and I don't remember anything about it.

        I may have to check this one out. Sounds intriguing, albeit short, and (again) I know it's a well regarded album. Interesting that their biggest hit isn't on it though. I wonder if that's one of those lost tracks?

        Reply

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