The a-ha reissue/compilation frenzy continues. The band's official Web site just announced another compilation from Rhino Records, just months after last compilation The Singles 1984-2004 got a domestic release. This new set, 25, features two discs' worth of hits and favorite album tracks from every one of the band's albums, including the new farewell single "Butterfly, Butterfly (The Last Hurrah)." Pretty much everything that's on The Singles 1984-2004 (and reaching a bit further, the 1991
Reissue Theory: The Tubes, "Outside Inside"
The music industry is a crazy place. One year your band's putting on a crazy stage show that equally satirizes and utilizes the grandest excesses of rock, the next minute you've got a hit single with most of the members of Toto for support. Such is the tale of The Tubes, one of many ambitious, underappreciated bands from the '70s and '80s. During the band's early tenure on A&M from 1975 to 1981, they had a significant following thanks to their funny songs (first single "White Punks on Dope"
So Much News
Apologies if The Second Disc is flooding your Web space with posts today. I, for one, am thrilled; it's nice to see great news getting us catalogue enthusiasts through the week. And here are three little briefs to further your excitement for all things reissues: Steven Van Zandt recently talked to a U.K. radio station about the long-in-development reissue of Bruce Springsteen's Darkness on the Edge of Town (1978). It looks like it might follow the format of this year's Exile on Main St.
Reissue Theory: Solo Folds
Could this man have been the heir to Randy Newman's hysterically biting throne? The Second Disc's coverage of Randy Newman's reissues from last week got your catalogue correspondent thinking about the possibilities lately that Folds - the definitive indie-pop pianist and one-time leader of Ben Folds Five, one of the best acts of the 1990s - should have ascended to that same jaunty position Newman commanded in the prime of his pop career. Sadly, this didn't happen - and admittedly, it isn't hard
EMI to Give Us Some Truth
Whether you're more of a John Lennon or Paul McCartney fan, it's hard to overstate the contributions these two made to the pop-rock world, first as the principle songwriters of The Beatles and then as solo artists in their own right. Last year, of course, saw The Beatles' discography get remastered for the first time since the original releases of the records on CD in 1987. The McCartney catalogue is slated to come back out on CD through Paul's new homebase, Concord Records, starting with a new
A Catalogue to Last, Always and Forever
Here's some under-the-radar, in-case-you-missed-it news concerning the discography of Heatwave, the multi-national soul/disco group famed for killer cuts like "Boogie Nights" and "Always and Forever." It looks like these records are getting their due on CD thanks to two indie labels, with one title already available and another few on the way. First up, Edsel U.K. has combined and released a double-disc set comprising their first two LPs, Too Hot to Handle (1976) and Central Heating (1978).
Review: John Fogerty, "Centerfield: 25th Anniversary"
John Fogerty can be called many things. Prolific, though, isn't one of them. Fogerty's 1985 Centerfield, originally issued on Warner Bros. Records, marked the former Creedence Clearwater Revival frontman's return to a prominent place in the rock pantheon after a near decade-long absence. After acrimoniously parting ways with his famous band, Fogerty recorded a collection of rootsy country covers (1973's The Blue Ridge Rangers) for CCR's longtime label, Fantasy Records. Yet Fogerty was locked in
Rhino's Next Hand(made Title)
The latest Rhino Handmade title is up for sale, and it's an expanded version of "Live" Full House, the 1972 concert chronicle from The J. Geils Band. The group's third release (after two relatively well-received studio LPs for Atlantic) was a tight set recorded over two nights at Detroit's Cinderella Ballroom in April 1972. That eight-track selection is now being expanded to include both shows from both nights. "Live" Full House, which starts shipping in August, also features six collectible
It is Spartacus
Confirming months of rumor and speculation, Varese Sarabande Records has announced the full specifications for a lavish box set version of the music to Alex North's score to the classic sword-and-sandal epic Spartacus. The honchos at Varese weren't kidding; the venerable score label's latest limited release (the 1000th to be produced by longtime producer Robert Townson) is easily the largest set ever devoted to a single film score. A jaw-dropping six CDs and a DVD make up the set, featuring the
My Son, the Reissue Campaign
In the pantheon of American comedy, there's a special corner reserved for the work of song parodists. The form arguably reached its greatest heights under the aegis of Stan Freberg in the 1950s. Freberg and his stable of talented voice artists (including animation legends Daws Butler, Paul Frees and June Foray) knew no sacred cows and their amazing body of work still inspires gales of laughter today. (Any comedy fan unfamiliar with the Freberg oeuvre is advised to seek out Rhino's exhaustive
Review: The Jackson 5, "Live at The Forum"
One of the oddest takeaways from watching Michael Jackson perform live was always the screaming. Watch almost anything Jackson ever commissioned for live release - snippets from Moonwalker, the Bucharest concert recorded during the Dangerous tour - and you'll see an increasingly disturbing parade of young people, sweating, screaming, crying, hyperventilating and fainting at the mere notion of a glance, point or step from the King of Pop - their king, their idol, an undying figure that law, fame
Back Tracks: Michael Jackson Part 2 - The Epic Years and Beyond
After poring through Michael Jackson's Motown years, we commemorate the year anniversary of his passing with a look at the material he recorded as an adult for Epic Records. If the J5 material was platinum, much of this stuff is uncut diamond - and the world is eagerly waiting to see what Sony will do with this material for catalogue purposes. (A multi-album deal has been struck, with the first batch of material likely due for the holidays, alongside a new video game based on Jackson's
Friday Feature: "Grease"
Quick, name a late '70s blockbuster with a propulsive, lasting soundtrack! Okay, now name one that wasn't written by John Williams. Chances are you've got two films atop your list: Saturday Night Fever and Grease. Both were classics of their time, full of dancing, John Travolta and the influence of one or more Brothers Gibb. But it's the latter we're going to look at to definitively cap our look at summer reissues. Even 32 years after its release, Grease still seems to be the word - the film,
News Round-Up: Prince Possibilites, Soundtrack Bits, Plus Bon Jovi Reaction
Here's something that'll get tongues wagging: gossip blogger Dr. Funkenberry, known for his commentary and scoops around the Prince camp, reported that The Artist partook in a meeting at the headquarters of former label, Warner Bros. The idea is that his upcoming album, 20Ten, will get a release with several European publications (similar to the release of 2007's Planet Earth), but will be released through WB in the U.S. PLEASE let this mean that reissues are in the cards somewhere. Pitchfork
Reissue Theory: DJ Jazzy Jeff and The Fresh Prince, "Homebase"
We continue our summer set of Reissue Theory posts with a big star whose musical career is now just a footnote. But that footnote gave us, in part, one of the best-loved summer songs of the '90s. Of course, we're talking about DJ Jazzy Jeff and The Fresh Prince. Sure, the latter is now known worldwide by his real name, Will Smith. And he's a mega-movie star whose box-office power is relatively unmatched. He's even better known for his star-making turn as the lead in the still-funny NBC sitcom
Back Tracks: Michael Jackson Part 1 - The Motown Years
With Friday being the year anniversary of Michael Jackson's death, The Second Disc would be at fault for not commemorating The King of Pop's recording career and its representation through catalogue preservation. But to quote a dusty outtake from The Jackson 5, we're gonna change our style. Your humble correspondent cannot possibly say anything about Jackson's career that hasn't already been said in the year since he passed away. There are plenty of other resources for such a thing - I
News Round-Up: Jose and Tracey Reissued
Here's some news from Wounded Bird that slipped through the cracks a bit: the label is releasing four albums by Jose Feliciano for the first time on CD. Encore! Jose Feliciano's Finest Performances (1971), Compartments (1973), And the Feeling's Good (1974) and Just Wanna Rock 'n' Roll (1975) will be released, with one bonus track - the single version of Feliciano's cover of "Light My Fire" - appended to Encores! The track lists will be available after the jump, and they can be ordered
Tracking You Down
A little early-afternoon treat to readers of The Second Disc: another poll! The last one, drafted during the Exile on Main St. reissue bonanza, was pretty darn successful, and this one's going to get things moving with a pretty simple question we've never asked before. What sort of bonus tracks get you to buy a reissue or deluxe title? It's a simple question, but one that can spark a myriad of discussion. Of course, it can be a case-by-case query. Prince fans are probably looking more for
Reissue Theory: Brian Wilson, "Imagination"
Monday, June 21 marks the first day of Summer 2010. How appropriate, then, that the 68th birthday of Brian Wilson was a mere day earlier on June 20. Few musicians, if any, have contributed as much to the American myth of summer as Beach Boys leader Wilson. Years after galvanizing popular music with albums like 1966's much-reissued Pet Sounds and singles such as the same year's psychedelic "Good Vibrations," Wilson embarked on a solo career in 1988. Like so much of the man's journey through life,
Friday Feature: "Toy Story"
This week's Friday Feature should come as no surprise. There's one movie on more minds than any other this week: Toy Story 3, the 11th effort by Disney's Pixar Animation Studios. Like the other films in the series, it promises to be a funny, adventurous and touching affair that adults will connect to as easily as kids. Like the others, it promises massive box office returns and universal acclaim (as of this writing, film review aggregator Rotten Tomatoes has not picked up a single negative
Reissue Theory: The Time Part II
Our continuing look at The Time's back catalogue culminates with some of the biggest hits in the band's career - and the weird career turns that seemed to prevent them from ever enjoying them as a band. By 1982, The Time were a well-received seven-piece electro-funk outfit that could play rings around other live bands. Despite their live quality, none of their studio efforts were their own, with Prince meticulously playing all the instruments and guiding lead vocalist Morris Day through all his
The Long and Short of It
If you haven't checked out the discussion on this week's post about single edits/versions on compilations, do so immediately. It's a fun, thoughtful look at an issue that some of us take for granted every now and again. It's inevitably led to a bit of thought given to the opposite consideration, too: what if labels started releasing longer versions of hits everyone knew and loved? What a delightful surprise that would be. And I keep crossing my fingers that it'll happen every now and
Reissue Theory: The Time, Part I
After last week's Prince binge on The Second Disc, it was inevitable that we'd double back to some of The Purple One's best side projects. One of those great ensembles is The Time, arguably the funkiest band to come out of Minneapolis in the 1980s and a criminally underrated side-project to this day. The Time was basically Prince's rearranged version of a similarly named local funk outfit, Flyte Tyme. That band was led by vocalist Alexander O'Neal and featured among its ranks keyboardists Monte
La-La Land Goes to "The Edge" with "Speed 2"
Bad puns all, I know. But the title at least lets you know that La-La Land continues its killer pace of getting great soundtracks to dig out from the vaults. Up for sale this week is two 20th Century Fox films from the '90s with Sony-owned soundtracks. Mark Mancina's score to Speed 2: Cruise Control, a score with more to offer than the silly, Sandra Bullock-led sequel to the action hit, makes its official debut on CD. Meanwhile, Jerry Goldsmith's score to The Edge, a David Mamet-penned nature
Close (To the Edit)
Not to disparage our treasured readers, but reader Shaun delivered one of the most thought-provoking comments on The Second Disc in awhile when discussing yesterday's post on a hypothetical Dave Matthews Band compilation. To quote: But what's with all the edits in your tracklist, Mike? Sorry, but I HATE when you buy a "best of" set and you get stuck with radio, single edits. Those hideous cuts on both "My Life" and "Pressure" on the original pressing of Billy Joel's Greatest Hits Vol I & II
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