Isn’t it romantic? The titular phrase from a song by Richard Rodgers and Lorenz Hart could apply to much of Tony Bennett’s musical career, now in roughly its 65th year. It’s also the title of a new compilation aimed at the casual Bennett fan from Concord Music Group. Isn’t It Romantic? (CRE-33463-02) repackages 15 prime cuts from the singer’s work at his own short-lived Improv label, with a smattering of tracks from a Fantasy Records LP thrown in for good measure. Though Bennett’s artistic
From Motown to the Bay Area! The Apollas' "Absolutely Right!" and Eddie Holland's "It Moves Me: The Complete Recordings 1958-1964" Available Now
Are you thinking you should take a chance on Ace Records’ supremely soulful duo of releases from The Apollas and Eddie Holland? If so…you’re absolutely right! For The Apollas’ Absolutely Right: The Complete Tiger, Loma and Warner Bros. Recordings (Kent CDKEND 365, 2012) and Holland’s It Moves Me: The Complete Recordings 1958-1964 (Ace CDTOP2 1331, 2012) both belong on the shelf of any serious fan of classic soul and R&B. If you haven’t heard of The Apollas, you’re forgiven. This Bay Area
Happy Birthday Johnny! Film Legend Celebrates Milestone with Pair of Compilations
The music catalogue world is celebrating one of Hollywood's truest living legends with two, count 'em, two, compilations next month. Whether you're a die-hard film score collector or a mere appreciator of good movie music, John Williams has made a mark on your consciousness. His list of credits spans decades, first as a Juilliard-trained pianist working under the greatest batons in Tinseltown (that's him plunking the low notes in Henry Mancini's iconic Peter Gunn theme), then a light, jazzy
Review: Alex Chilton, "Free Again: The 1970 Sessions"
What makes a cult hero most? Alex Chilton ascended to that lofty rank as the leader of Big Star, a band whose negligible commercial impact is only matched by its considerable influence over an entire generation of musicians. When Chilton’s Paul McCartney met Chris Bell’s John Lennon (or vice versa?), they formed a brief but potent team as singers and songwriters. What resulted was the exuberant power pop of the optimistically-titled No. 1 Record as recorded by Big Star: Chilton, Bell, Jody
Review: Elvis Presley, "Elvis Country: Legacy Edition"
The title of Elvis Presley's 1969 double album said it all: From Memphis to Vegas, or if you turned the jacket over, From Vegas to Memphis. Both sides of the singer were on display both on the album and in its title: the superstar showman who had triumphed at Las Vegas' International Hotel and the onetime Sun Records prodigy who'd periodically returned to his R&B roots. Though no studio album was released in 1970, the singer returned in January 1971 with Elvis Country: I'm 10,000 Years Old,
Holiday Gift Guide Review: Tony Bennett, "The Complete Collection"
Welcome back to our Second Disc Holiday Gift Guide, in which we review some titles we might have missed over the past few weeks! The titles we're spotlighting in this occasional series just might be candidates on your own holiday shopping list! Tony Bennett's heart may be in San Francisco, but his soul can be found in a case measuring roughly 11 x 5.5 x 5.5 inches. For within those modest dimensions is housed some 65 years of music, spanning 1946 to 2011, over 73 CDs and 3 DVDs. And
Holiday Gift Guide Review: The Who, "Quadrophenia: Super Deluxe Edition"
Welcome to our Second Disc Holiday Gift Guide, in which we review some titles we might have missed over the past few weeks! The titles we're spotlighting in this occasional series just might be candidates on your own holiday shopping list! It was a most unusual moment on June 6, 1993 when the winners of the Tony Award for Best Score of a Musical were announced. John Kander and Fred Ebb, the Broadway legends behind Cabaret, Chicago and “(Theme From) New York, New York,” picked up the statuettes
Kritzerland Goes "Inside Out" with Jan Maxwell and Ann Crumb
The Kritzerland team would be forgiven for slowing down after such an exciting fall, what with the sold-out, 2-CD deluxe edition of Richard M. Sherman and Robert B. Sherman's Chitty Chitty Bang Bang (read our interview here!) and the expanded release of Elmer Bernstein’s score to Summer and Smoke. But the label isn’t slowing down, at all, but barreling towards 2012 with a full slate of more exciting releases. Today, Kritzerland announced not one, but two, new titles. In addition to the
Review: The Beach Boys, "The Smile Sessions" Part Two: Surf's Up, At Last
Today sees the first release, after 47 years, of The Beach Boys’ SMiLE. The Second Disc celebrates this event with a three-part review series dedicated to what was once the greatest lost album of all time. In Part 1, we looked back at the story of SMiLE. In today’s Part 2, we explore the most legendary aspect of the album: the music itself, created by Brian Wilson and Van Dyke Parks, as recorded by The Beach Boys. The SMiLE Shop is finally open for business! It’s only taken some 44
Review: Paul Simon, "Songwriter" and Expanded, Remastered Albums (1980-1990)
It's 1971, and Aretha Franklin has just introduced the world to "Bridge Over Troubled Water," a rousing, spiritual anthem that could have been written decades if not centuries ago. She takes the song to the top of the charts. Its notoriety leads to the rise of jobbing songwriter Paul Simon, who no longer needs to kick around the Brill Building in its waning days. Simon's career kicks off in earnest the following year with the release of his self-titled solo album. It's a quirky, offbeat
Review: Ben Folds, "Ben Folds Fifty-Five Vault"
When "Brick" ascended the Billboard Hot 200 to a No. 17 peak in 1998, it seemed possible that Ben Folds Five would join the ranks of Chumbawamba, Semisonic and Marcy Playground in the annals of the nineties one-hit wonder. But the band's charismatic frontman envisioned a different path. Witness some of the other artists who only scored one Top 40 hit: Janis Joplin ("Me and Bobby McGee"), Jimi Hendrix ("All Along the Watchtower"), Frank Zappa ("Valley Girl"), The Grateful Dead ("Touch of Grey")
Review: Ben Folds, "The Best Imitation of Myself: A Retrospective"
Opening the four-panel digipak that houses Ben Folds' The Best Imitation of Myself: A Retrospective (Epic/Legacy 88697 92683-2), listeners are treated to an unsettling and hilarious sight: the bespectacled, slightly quizzical face of the singer/songwriter, superimposed onto bodies he clearly has no place being attached to. Those off-kilter images are exactly the kind of strange silliness fans have come to expect from Folds over a career that stretches more than 15 years, starting with the
Review: Matt Monro, "The Man Behind The Voice"
In Michele Monro’s The Man Behind the Voice, the author sums up the career of her subject, who also happened to be her father: “Matt never acquired the ‘superstar’ tag, but quality was his code, and he earned the reputation for being a class act with a superlative gift.” Though Matt Monro died in 1985 aged just 54, his music continues to flourish today. Monro’s voice is as vibrant now as when he first recorded “Born Free,” “To Russia with Love” or any of the countless other songs, both
Bernstein Bonanza: Intrada Goes On A "Rampage," It's "Summer" at Kritzerland, and La-La Land is "Trading Places"
If Elmer Bernstein had only composed the indelible theme to The Magnificent Seven, the composer would have been considered a legend. How lucky for us, then, that Bernstein (1922-2004) wrote the scores for more than 200 films and television shows including Sweet Smell of Success, The Ten Commandments, Thoroughly Modern Millie, Airplane! and Ghostbusters, contributing memorable themes to each. The music of Bernstein has been incredibly well-represented on compact disc this year. Kritzerland has
Back Tracks: Paul McCartney, Working Classical - From "Liverpool Oratorio" to "Ocean's Kingdom"
Tucked between album opener “Taxman” and “I’m Only Sleeping” on Side One of The Beatles’ 1966 LP Revolver, “Eleanor Rigby” heralded an explicit attempt by the pop giants at pushing the musical envelope, both with its despairing lyrics and classical-inspired arrangement for a string octet. Primarily the composition of Paul McCartney, “Eleanor Rigby” defied the odds to hit the top spot on the British charts (a double A-side single with “Yellow Submarine”) and hit the No. 11 spot in the United
Review: Elvis Presley, "Young Man with the Big Beat: The Complete '56 Elvis Presley Masters"
Well, it's one for the money, two for the show, three to get ready, now go, cat, go! With such words was a revolution born! Those simple lyrics were the first sung by Elvis Presley on his 1956 RCA Victor debut, accompanied by the blasts of Scotty Moore's guitar, then the frantic beats of D.J. Fontana's drums. It's unlikely that Presley ever anticipated that his recording of Carl Perkins' "Blue Suede Shoes" would provide the soundtrack to a country's coming of age, or for that matter, lead
Review: Miles Davis Quintet, "The Bootleg Series Vol. 1: Live in Europe 1967"
Reflecting on Miles Davis’ so-called Second Great Quintet to director Mark Obenhaus, Herbie Hancock recalled that “when people were hearing us, they were hearing the avant-garde on one hand, and they were hearing the history of jazz that led up to it on the other hand - because Miles was that history. He was that link. We were sort of walking a tightrope with the kind of experimenting we were doing in music, not total experimentation, but we used to call it ‘controlled freedom.’” What exactly
Review: Frank Sinatra and Count Basie, "The Complete Reprise Studio Recordings"
When Frank Sinatra met Count Basie, it was far from a clash of the titans. No, the "historic musical first" that occurred between the grooves of Reprise 1008 in 1962 was more like a perfect union. Both were Jersey boys, with Basie's formative years spent south of Hoboken, in Red Bank, New Jersey. The men were unusually simpatico, similar in their enormous respect for musicians. Though Basie titled a 1959 album Chairman of the Board, the title was later bestowed upon Sinatra. When Basie put
Review: Jimi Hendrix, "Winterland" and "Hendrix In The West"
"The story of life is quicker than the wink of an eye, the story of love is hello and goodbye...until we meet again." That poem, reportedly written by Jimi Hendrix some hours before his death, has added to the guitarist’s mystique over the years, but as usual, the restless musician was prescient. Although his entire recorded solo catalogue amounts to the work of a mere four-year period between 1966 and 1970, we’ve continued to say hello to Jimi Hendrix’s music many years after having said
Friday Feature: "Lost Horizon" (1973)
Have you ever dreamed of a place far away from it all? Where the air you breathe is soft and clean, and children play in fields of green? And the sound of guns doesn't pound in your ears anymore? Hal David's lyrics expressed a sentiment shared by many of the optimistic generation who hadn't yet felt their ideals vanquished by the reality of Vietnam and growing dissension under the White House of President Richard M. Nixon. David's words were captivatingly sung by folk artist Shawn Phillips,
Review: "Godspell: 40th Anniversary Celebration"
When Hair ushered in the Age of Aquarius on April 29, 1968, it heralded the arrival of the rock revolution on Broadway. The New York Times' influential critic Clive Barnes didn't mince his words, declaring that the musical was a "long-term joust against Broadway's world of Sigmund Romberg [the composer of such operettas as The Student Prince]" and more importantly, "the first Broadway musical in some time to have the authentic voice of today rather than the day before yesterday." And while the
He's Got Rhythm: Bill Wyman's Post-Rolling Stones Career Gets Boxed
When Bill Wyman took the stage on August 25, 1990 at London’s Wembley Stadium alongside his fellow Rolling Stones, few in the audience could have predicted that the evening would turn out to be Wyman’s final stand with the group he joined in 1962. That final night found Wyman truly going out on top; the Steel Wheels/Urban Jungle tour marked a return to touring for the group after a seven-year hiatus, and was among the most commercially successful concert tours ever. Word on Wyman’s decision
It's Better Down Where It's Wetter: "20,000 Leagues Under The Sea" Arrives On CD, Plus Rare Goldsmith "Explorers"
Not even a holiday can slow down the folks at Intrada. On Monday, Labor Day, the Intrada team announced its two latest releases, both of which will begin shipping on Wednesday, September 7. The Intrada Special Collection welcomes Jerry Goldsmith’s score to Joe Dante’s 1985 The Explorers, while the Walt Disney Records/Intrada co-branded line brings Paul J. Smith’s score to the 1954 film 20,000 Leagues Under the Sea to CD. The very first film adaptation of Jules Verne’s classic undersea fable
Different Drums: Music Club Compiles Linda Ronstadt and George Benson
The U.K.-based Music Club Deluxe label continues to raid the Warner Music Group archives with two new collections following similar sets for Dionne Warwick and Chicago. Linda Ronstadt: The Collection and George Benson: The Collection are both due next Monday, September 5, and these 2-CD sets celebrate the long careers of two music legends. Ronstadt’s fans will be glad to know that Music Club Deluxe has licensed tracks from Capitol Records to create a fairly comprehensive overview of the
Review: Patti Smith, "Outside Society"
The calling came early for Patti Smith. At twelve years of age, a family excursion to the Museum of Art in Philadelphia brought the young Smith in contact with Modigliani, Sargent and Picasso, the latter affecting her with his “brutal confidence.” It was with a similar confidence that Smith, not even in her teenage years, concluded that “to be an artist was to see what others could not.” Smith was steadfast in her determination to make her mark in the turbulent art world of New York in the