Some news is coming through the pipeline that a good chunk of the Katrina and The Waves discography is being reissued in honor of the 25th anniversary of "Walking on Sunshine," their biggest U.S. hit and one of those inescapable summer anthems. There's a lot of confusion surrounding these reissues (more on that in a minute), but these look pretty interesting, especially because of the material that's being released themselves. You see, before the smash success of Katrina and the Waves, the
On the Record
Much has been made about the communal nature of music by both those who create it and those who consume it. Millions of words, from Nick Hornby's High Fidelity to Stevie Wonder's "Sir Duke," have been spelled out on the subject. Sometimes it takes time for us to grasp and appreciate their true meanings, but when we connect through song, it's usually a wonderful thing. This is usually the kind of thought that runs through my head as I walk into that beautiful, endangered ground they call a
El Sonido de la Joven América
I've been waiting for this one for a long time: Hip-O Select is releasing a new compilation of classic Motown songs in a whole new way. Motown Around the World: The Classic Singles compiles 38 songs from the label as recorded in other languages for international markets. The Supremes, The Temptations, Stevie Wonder, The Four Tops, The Velvelettes, Smokey Robinson and Edwin Starr sing the songs you know and love (plus a few folk ballads native to other countries) in Italian, Spanish, French and
Reissue Theory: INXS, "Kick"
Take a look at the above image. It might not look too familiar if you live in the U.S. and have a working knowledge of the INXS catalogue. The famed Australian rockers have a vast three-decade career to their credit, most of which has appeared on subsidiaries of Warner Music Group through the years (notably Atco and Atlantic). Elsewhere, though, it's another story: in Europe, Mercury/Phonogram, owned by Universal Music Group, gets the rights to the work of Michael Hutchence and
Back Tracks: The Knack
Rock fans have had some sad news to cope with today: Doug Fieger, the unmistakable lead singer for The Knack, died today after a lengthy battle with cancer. While The Knack may be seen by some as a semi-sleazy one-hit wonder (or two-hit, if you count "Good Girls Don't"), their brand of power pop was emblematic of everything the genre should be: fun, catchy and not the least bit serious. In honor of Fieger's band and their contributions to the pop-rock scene, here's a special look back at the
Back Tracks: Marvin Gaye
Our Valentine's Day weekend preparation continues with a look back at the reissue prospects of Marvin Gaye, one of the finest soul voices of the century (and, in my opinion, one of the most heartbreaking losses in popular music). It's quite interesting that Gaye's catalogue, split about 90/10 between labels (Motown and Columbia), has been well-serviced by both. Chalk it up to the fact that one of his biggest hits, "Sexual Healing," was released on the latter label in 1983. Take a look at the
The (Aggravating) Sound of The Smiths
Today was the day that U.K. fans, elated from the grassroots success of making Rage Against the Machine's "Killing in the Name" the 2009 Christmas No. 1 single, attempted to make lightning strike twice with a campaign for The Smiths' immortal "How Soon is Now?" Call me a spoilsport, but I have my doubts that the campaign is going to make the same kind of headway. The "Killing in the Name" incident was just right-place, right-time and had suitable fire underneath it (people will buy a single so
The Runaways - "The Mercury Albums Anthology" Revealed
After announcing it a few weeks ago (and teasing all about it on Twitter today) Hip-O Select has started pre-orders for The Mercury Albums Anthology, a two-disc compilation of nearly all of the albums released by the proto-riot-grrl group that launched the careers of Joan Jett, Lita Ford and other female rock luminaries. The set itself looks pretty straightforward. The band's first four albums - The Runaways (1976), Queens of Noise (1977), Live in Japan (1977) and Waitin' for the Night (1977) -
Barry's B's
It may be winter outside (especially in my neck of the woods - I live in one of those places labeled as a "snowpocalypse" or "snowmageddon" in the news), but in my heart it's always spring. And why not? It's always a good time of year for catalogue music, whether you're listening to it, buying it or (oh you lucky ones) working on it. And Valentine's Day is just around the corner, making it a great time here at The Second Disc to pen a few features on some great romantic hitmakers. One of my
Grant Us an Extension
The other day I was talking about how us catalogue fans can sometimes end up wanting that one missing track to add to our collections. I used the 45 version of Billy Joel's "Sometimes a Fantasy," which runs well past the fade-out on the LP, as an example. Interestingly enough, I realized that the track also adhered to another concept I realized I'm enamored of concerning music in general. When I was a kid, I was always interested in the idea of a fade-out. You'd be listening to a song, getting
Back Tracks: The Who
Were you left cold by The Who's straightforward, inoffensive performance at The Super Bowl last night? Did you hear will.i.am's pointless remix of "My Generation" and think about a time in which that song actually meant something? This installment of Back Tracks takes you through the deluxe editions of The Who's discography, so you can focus on the glory days and not Roger Daltrey's incredibly silly get-up. And take heart: The Who's back catalogue is probably one of UMe's grandest war horses.
Stayin' Alive
Those of you who were debating the merits of Mythology, the upcoming four-disc Bee Gees box set, now have a lot of time to decide to buy it. The box, originally slated for release last November before being pushed back to the spring, is now due on November 16, 2010. Update your calendars accordingly. The set is a retrospective look at the collective careers of the brothers Gibb, with one disc each devoted to Robin, Barry, Maurice and Andy Gibb. The track list (presented after the jump) features
New Release: Joan Jett and The Blackhearts, "Greatest Hits" (UPDATED FEB. 7)
Looks like Hip-O Select isn't the only label catering to the upcoming surge of interest in The Runaways. The influential girl-punk group's most famous member, Joan Jett, is prepping a new solo compilation set for release March 9, less than two weeks before the release of the new biopic of the band. The Amazon pre-order page - as of yet, one of the only public sources of info for the compilation (there's not even a mention on the official sites for Jett or Blackheart Records, her label) - has a
One Track Mind
I'm not a betting man, but if I were, I'd bet that there are two big questions that reissue producers and catalogue compilers get from fans. There's "What about a proper reissue/expansion of such-and-such an album?" and "Why did you miss/forget that one track?" I've been thinking about that last query lately - and I'll bet you've thought about it at some point, too. Oh sure, to some of your friends and fellow fans it sounds crazy - why on Earth would someone obsess over one stupid little
Reissue Theory: Ben Folds Five, "Ben Folds Five"
In Reissue Theory, The Second Disc researches and drafts a box set, compilation or reissue that would be worth pursuing by a label. Lots of catalogue enthusiasts are older folks, there's no getting around that. Those who grew up with great rock and roll and consumed it on compact discs as adults are probably the lion's share of people reading sites like this. But regardless of what you perceive the quality of more recent music to be, it needs to be looked after as well by catalogue
Back Tracks: The Supremes
Introducing Back Tracks, a new feature where we take an upcoming release and introduce you to some of the other reissued works from the same group. Today, we start with The Supremes, whose first album, 1962's Meet The Supremes, is scheduled for reissue by Hip-O Select on May 18 (credit where it's due to MusicTAP for the date). The trio is much loved by Motown fans and staff alike. As such, Hip-O Select has dug lots of their treasures from the vault. Hit the jump to take a look at nine Supremes
Sunny Days Indeed
It may be snowing in my part of the world, but catalogue fans should prepare themselves to be on their way to where the air is sweet. That's right, kids (and kids at heart): E1 Records is releasing Sesame Street Old School Volume 1, a box set collating three classic albums by the Sesame Street Muppets. The box features Sesame Street: The Original Cast Recording (1970), Big Bird Sings (1974) and Bert & Ernie Sing Along (1975), all of which are making their CD debuts with remastered sound and
Reissue Theory: a-ha, "Hunting High and Low"
Here's a new feature I'm really excited about on The Second Disc. I'm calling it Reissue Theory (which was very nearly the title of this blog). Herein, I plot out what I think would be excellent plans to expand great catalogue titles. Using the best research skills I can muster, I'll try to put together the perfect playlist for that sorely missing deluxe title. First up is Hunting High and Low, the debut album by pop legends a-ha. Though their chart-topping "Take on Me" was the biggest
J is for What Now?
Among the many releases on MusicTAP's calendar today is a new Motown title for The Jackson 5, rather simply titled J is for Jackson 5. What could this possibly entail? My educated guess comes from elsewhere in the Universal Music Group back catalogue. Last summer, UMe released B is for Bob, a kid-friendly compilation of newly-remixed Bob Marley songs supervised by Ziggy Marley. (Fear not, purists: four of the tracks were presented in their original mixes.) J is for J5 might go over easier
News Roundup: ZTT and All That
Awhile back there'd been talk of classic label ZTT - the label that gave us Art of Noise, Frankie Goes to Hollywood and Propaganda - reissuing some of its classics with unreleased material from the vaults. Now it seems the first pieces of that plan are coming to fruition! ZTT have recently announced The Element Series, currently comprised of six releases by ZTT artists and associated acts. After the jump, have a go at the titles, track lists and all that.
This is It (Part 2)
Now that I've gotten all my gripes out about the This is It soundtrack, I'm more than happy to pen some thoughts on the actual film, now out on DVD and Blu-Ray from Sony Pictures Home Entertainment. For years after Michael Jackson rose from a nasty string of legal troubles in 2004, I had been ruminating on what could become of one of my favorite pop entertainers. His rumored forays back into the recording studio always left me cold; why would he collaborate with will.i.am or Akon when he had
This is It (Part 1)
One of the biggest catalogue-oriented titles this week is a DVD: Tuesday saw the release of Michael Jackson's This is It, the documentary comprised of tour rehearsal footage for the set of London concerts the King of Pop was working on right before his death in June. I've happily pored through 75 percent of my copy (I have a few features to sift through) and upon completion I'll be sure to post a review. But I'd also like to take a quick look at the other This is It product that's been on
I Am Spartacus
Film score fans have had a lot to sing about in the past year or so. Thanks to the Herculean efforts of independent soundtrack labels, a lot of highly sought-after soundtracks that major labels would never think to release have been put on disc to the delight of fans everywhere. The Intrada label recently scored an enormous coup by releasing Alan Silvestri's complete score to Back to the Future, La La Land Records recently pressed limited editions of James Newton Howard's music for the film
Conan Addendum
I found this funny enough to warrant its own post: I spent the weekend debunking some rumors about the presence of the original master of The Rolling Stones' "(I Can't Get No) Satisfaction" on one of the last episodes of The Tonight Show with Conan O'Brien. What I almost completely overlooked was another back catalogue-oriented news story that sprung up from the last episode. Ahmir "?uestlove" Thompson, drummer for The Roots (a great R&B group in their own right and the house band for Late
They Were the World
In the near-25 years since Live Aid made music history on two continents, it's safe to argue that charity rock music has never quite been the same. (Of course, others -Morrissey, for instance - have never liked charity rock from the outset.) But critics, audiences and especially performers have changed since those fateful concerts. Nowadays, the efforts seem a bit more forced, whether they're high-profile (Live 8, Live Earth), or relatively obscure (Band Aid II, Band Aid 20, Hear 'N Aid). As a