In 1962, Motown was growing by leaps and bounds with each new release.  Founder Berry Gordy, Jr. launched his namesake Gordy imprint in October with The Contours’ Do You Love Me as G-901, following it months later, in June 1963, with Martha and The Vandellas’ Come and Get These Memories (G-902).  The imprint’s third release was more atypical – pianist and longtime Tony Bennett accompanist Ralph Sharon’s Modern Innovations on Country and Western Themes.  But the label’s next release began a quiet affiliation with one of the twentieth century’s most consequential figures,…