When the venerable Goddard Lieberson, President of Columbia Records, announced the ascendancy of Clive Davis to a veep position at the label in 1965, the promotion of the younger man heralded for a new sound at Columbia. Lieberson had made Columbia the leader in the fields of classical and Broadway cast recordings, and was looking to position the label at the vanguard of rock, too. A number of new signings followed. Among those acts signed to the industry leader was The Cryan’ Shames, favorites
Put “California Girls” in a blender with “Cherish” and you might well wind up with something like “A Carol for Lorelei,” the bright, harmony-drenched pop nugget that opens The Cryan’ Shames’ sophomore album, 1968’s A Scratch in the Sky. Though the Chicago band recorded the LP in New York City, the good vibrations of the Summer of Love were clearly in the air back east for the Columbia Records artists. Whereas the band’s debut album Sugar and Spice was a blast of energetic rock and roll by way of