Blame it on the bossa nova. It was at a Westwood record store that Reid King first heard Antonio Carlos Jobim’s “One Note Samba,” performed by the great Brazilian guitarist Laurindo Almeida and the Modern Jazz Quartet. In no time at all, King found inspiration in the tricky chords of the bossa nova. He mastered them and went on to write his own songs, often in collaboration with one-time child actor Thom Andriola, who performed under the stage name of Tommy André. By 1966, King and