Buildings reduced to rubble. The jeering ring of electric guitars. Lots of black and white makeup. Yep, another KISS Katalogue title is koming...er, coming. Universal has set an August 21 date for Destroyer: Resurrected, a new version of what might be the band's best-known studio effort. A project for Destroyer's 35th annversary last year has been in the cards for some time, and while the final effort - a sort of teaser for the band's upcoming Monster album this fall - is certainly far shorter
Archives for July 18, 2012
The Feeling Is Right: Kent Offers Expanded Etta James LP, Clarence Carter Singles Collection
When Argo Records crowned Etta James The Queen of Soul on the cover of a 1964 LP, Aretha Franklin hadn't yet staked claim to that title. Revisiting that album today, Etta's status as royalty still seems unassailable. Thankfully, we have that opportunity thanks to Kent Records via its new expansion of Queen of Soul with fourteen bonus tracks added to the original LP's ten songs. Plus, Kent has delivered a new release from one of the undisputed kings of soul: Clarence Carter. The Fame Singles
Back to "Barcelona": Queen Frontman's Final Solo Disc Gets Super Deluxe Treatment
"I'm moving into opera now. Forget rock and roll." With those words, Queen frontman Freddie Mercury moved in on what may be the most grandiose phase in a long career full of theatrics. In 1987, with Queen not yet knowing they would have played their final live show one year before, the band's whimsical frontman ventured into uncharted waters with Barcelona, an operatic rock album featuring a talented soprano whose voice he idolized, and put one of the final great flourishes on a career (and a
Wonderful! Wonderful! Johnny Mathis' Long-Lost Mercury Catalogue Comes to CD from Real Gone Music
Johnny Mathis’ association with Columbia Records began in 1956, which makes it one of the longest relationships between artist and label in popular music. But it’s often overlooked that Mathis departed Columbia for a brief period at rival Mercury Records, right as some young upstarts from across the pond were changing the face of music forever. (Keep in mind that Mathis himself wasn’t even 30 when he made the shift!) During a prolific three years (1963-1966) at Mercury, Mathis recorded eleven