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Fallin' All Over Again: Alicia Keys' Debut to Be Reissued This Summer

April 13, 2011 By Mike Duquette Leave a Comment

Has it really been a decade since that rich, soulful voice broke through the radio with a heartfelt "I keep on fallin'....i-i-i-i-in...and out..."?

It was the voice of one Alicia Keys, the Hell's Kitchen-raised singer/songwriter/pianist, all of 20 years old at the time. She had a stunningly impressive resume for her age - a classically-trained pianist who started writing songs at 14, the valedictorian of New York City's Professional Performing Arts School at 16, two failed record deals with Columbia and Arista that led to only one song buried on the Men in Black soundtrack by 18.

But she didn't give up, and with a rather respectable guardian angel in the music industry - super-producer Clive Davis, who built the J Records label out of the ashes of Arista - she recorded her first album, Songs in A Minor, a massive crossover hit in the summer of 2001. The album moved more than 6 million copies and spawned two Top 5 hits, including the chart-topping "Fallin'," which spent six weeks in the pole position, and "A Woman's Worth." Keys wrote or co-wrote nearly every tune herself alongside some top producers and songwriters, including Jermaine Dupri and Kandi Burruss. (One notable exception was her smoldering cover of "How Come U Don't Call Me Anymore?," the great B-side to Prince's "1999.") Keys' reputation was sealed the next year, when newspapers all over the world reprinted photos of her, topped with a black fedora and tightly braided hair, clutching the five Grammys her album won.

Now, ten years later, J Records is reissuing Songs in A Minor in a variety of formats in June. The first format, a two-disc deluxe edition, will feature the original album alongside a raft of as-yet-fully-unannounced bonus material. Keys' official site has confirmed that demos, alternate takes, remixes and live material will be included, and specifically mentioned several songs by name, including a remix of "A Woman's Worth" featuring rapper Nas, an alternate version of "Fallin'" from the soundtrack to Ali and previously unreleased cuts "Typewriter," "If I Was Your Woman (Original Funky Demo)" and "Butterflyz (The Drumline Mix)."

Serious fans are going to want to get their hands on a three-disc collector's edition, which takes the two CDs and puts them in specially-sized packaging alongside a new documentary on DVD of the making of the record. And vinyl-heads rejoice: a double-LP version will be released, too, marking the first time the album has ever been pressed to vinyl.

The celebration kicks off on June 28 in stores everywhere, and Keys will take the celebration a few steps further; tickets go on sale in May for Piano & I, a one-night-only performance at New York City's Beacon Theatre in which Keys will perform the album in its entirety and more. A special on Songs in A Minor is also planned to air on BET in June.

Stick with us for the track lists as they arrive, and go to Amazon's pre-order links here (Deluxe Edition), here (Collector's Edition) and here (vinyl version).

Categories: News

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Mike Duquette

Mike Duquette (Founder) was fascinated with catalog music ever since he was a teenager. A 2009 graduate of Seton Hall University with a B.A. in journalism, Mike paired his profession with his passion through The Second Disc, one of the first sites to focus on all reissue labels great and small. His passion for reissues turned into a career, holding positions at Legacy Recordings and Rhino Records and contributing to Allmusic, Discogs, City Pages, Ultimate Classic Rock and Mondo Records, for whom he penned liner notes for his favorite piece of music: John Williams' Oscar-winning score to 'E.T. The Extra-Terrestrial.' Born and raised in New Jersey, Mike lives in Astoria, Queens with his wife, a cat named Ravioli, twin daughters and a large yet tasteful collection of music.

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Comments

  1. RoyalScam says

    April 13, 2011 at 4:24 pm

    Great album. Classic? Worthy of a Deluxe Edition 10 years later?

    I say no.

    Same goes for Santana's "Supernatural" and Pete Yorn's "musicforthemorningafter".

    Reply
    • JG says

      April 14, 2011 at 11:41 am

      I actually think it's one of her lesser albums (way too much generic filler), so yeah, no argument here.

      Honestly, I think this particular re-release has more to do with it being the CD that made her a household name (thanks mostly to the lead single of course), rather than the actual quality of the entire piece. And besides, it's not like the recent surge of re-releases has anything to do with "the art." 🙂

      (Funny you mentioned Santana, too...I finally realized just how insanely craven & devious the labels can be with these re-releases a couple years ago, when they made their *third* separate expansion of Santana's Woodstock live set.)

      Reply

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