He's been called a wizard, a true star, even God. But by any name, Todd Rundgren is one of music's most enduring iconoclasts. Not merely content to rest on his early career laurels as a purveyor of top-tier AM pop ("Hello, It's Me," "I Saw the Light") the restless musician has followed his muse from one direction to another over 40+-years, taking in soul (of the Philadelphia and blue-eyed varieties), pop, prog rock, jazz, funk, arena rock, avant-garde experimentalism, a cappella, musical comedy and even operetta! And that's just naming a few of the styles Todd Rundgren has mastered as an artist. As a producer, he's helmed some efforts for Daryl Hall and John Oates, Badfinger, The Band, The Tubes and XTC, not to mention a little album named Bat Out of Hell for the oversized talent of Meat Loaf. Tomorrow, he releases the follow-up to last year's Todd Rundgren's Johnson (which notwithstanding the um, unfortunate title, is a ferocious collection of hellraising blues from the pen of Robert Johnson!) with another new LP, [Re]Production. This one reinterprets classic songs produced by Rundgren (including "Two Out of Three Ain't Bad" and "Dancing Barefoot") in a slick, electronic modern dance setting. Yes, it's safe to say that one can always expect the unexpected from Todd Rundgren.
But for the full picture of the eccentric genius of Todd, you'll want to delve into Edsel's recently-announced series of expanded reissues of Rundgren's Bearsville Records catalogue. An arm of the Demon Music Group, Edsel recently announced its acquisition of rights to reissue the Bearsville library, kicking the series off with Norma Jean Wright's CHIC-produced debut. Five 2-CD sets of Rundgren material are coming on October 3 in the United Kingdom, covering a total of nine essential albums (the 1972 classic Something/Anything is a double-disc album) including a duo of albums from Utopia. Almost all contain rare and unreleased bonus tracks, making these the definitive reissues for this storied catalogue. From 1970's debut Runt to 1977's Utopia LPs RA and Oops, Wrong Planet!, these albums truly represent the crème of the Rundgren crop.
Hit the jump for the details on all five releases, including full track listings with discographical annotation!
After learning the ropes as part of the Philadelphia rock group Nazz, Rundgren spread his wings as a solo artist in 1970 at the age of 23. Runt introduced the irresistible if sometimes misunderstood hit single "We Gotta Get You A Woman," which epitomized the pop/soul sound of the LP. Still, Runt wasn't without its experimentation, pointing the way towards the future, like the nine-minute rock opus "Birthday Carol" and the haunting, wordless exercise in harmony vocals, "There Are No Words." Fresh from The Band's Stage Fright, Levon Helm and Rick Danko joined Rundgren for "Once Burned." Edsel's reissue appends the entire November 1970 mispressing of the album for the first time ever on CD, including alternate takes, different mixes and two exclusive songs, "Say No More" and "Baby Let's Swing (Complete Version)." 1971's Runt: The Ballad of Todd Rundgren furthered the Runt persona and honed the Laura Nyro-style songcraft of the debut album. In addition to the single "Long, Flowing Robe," Ballad introduced more lush ballads like "Be Nice to Me" and "A Long Time, A Long Way to Go." Edsel's edition adds four live radio broadcast bonus tracks. As good as these first two LPs were, the third time was really the charm.
1972's Something/Anything was, and is, unlike any other album in the rock canon. The multi-hyphenate artist recorded three of the album's four sides himself, playing all instruments and singing all vocal parts. The fourth side was a kind of mock autobiographical operetta, aided by a rock ensemble. Something/Anything would have been an instant classic if only for its two hit singles, the Carole King-inspired "I Saw the Light" and the remake of the Nazz track "Hello, It's Me," with a new, more upbeat sound. But those were just the tip of the iceberg. The impossibly lush ballad "It Wouldn't Have Made Any Difference" rests comfortably alongside the heavy metal anthem "Black Maria," while "Cold Morning Light," "Couldn't I Just Tell You" and "It Takes Two to Tango" show off the singer/songwriter's effortless mastery of the pop song form. Comic relief was also in abundance, with "I Went to the Mirror," "Piss Aaron" and Gilbert and Sullivan-style "Song of the Viking." A truly original voice had announced itself. Edsel's reissue is bolstered by the inclusion of a demo of "It Wouldn't Have Made Any Difference" plus six radio spots for the original album.
Rundgren's follow-up was eagerly awaited. Like clockwork, it arrived one year later. But nobody could have predicted the modestly-titled A Wizard, A True Star! Rundgren responded to his commercial breakthrough by creating an album so singular that few knew what to make of it. At a lengthy 56 minutes for a single LP, A Wizard was a psychedelic aural stew of electronica, metal, jazz, pop, soul and showtunes. Patti Smith wrote in Creem, "Blasphemy even the gods smile on. Rock and roll for the skull. A very noble concept. Past present and tomorrow in one glance. Understanding through musical sensation. Todd Rundgren is preparing us for a generation of frenzied children who will dream in animation." So "Never, Never Land" from the stage musical Peter Pan is joined by a soul medley of Thom Bell, Smokey Robinson and Curtis Mayfield oldies, and bona fide Rundgren classics "Just One Victory" and "Sometimes I Don't Know What to Feel." If the audience didn't know what to feel, either, Todd seemingly didn't care. In "Just Another Onionhead," he opined, "You want the obvious/You'll get the obvious" before launching into anything but. 1974's Todd took the avant garde approach a bit further, with more synthesizer/electronic journeys plus the ravishing pop of "A Dream Goes On Forever," humorous commentary "An Elpee's Worth of Toons," hard-rocking "Heavy Metal Kids" and another theatrical showstopper, Gilbert and Sullivan's "Lord Chancellor's Nightmare Song" from Iolanthe. Edsel has added live performances of "Ooh Baby Baby," "A Dream Goes On Forever" and The Move/ELO's "Do Ya" to these already-packed albums.
The 56 minutes of A True Star weren't enough for the wizard himself, so with 1975's Initiation, he delivered the longest-ever single LP at 68 minutes' length. Side One led off with the Philly-influenced "Real Man" and took in the jazzy title track with sax solo by David Sanborn, as well as "Fair Warning" with guests Edgar Winter, Rick Derringer and Dan Hartman. Side Two, though, broke all of the rules with the unorthodox 36-minute single track, "A Treatise on Cosmic Fire." The treatise welcomed future Utopia keyboardist Roger Powell into the fold, and found Rundgren taking his skill at the synthesizer a giant, progressive-rock step forward. 1976's Faithful was perhaps the most ambitious project of Rundgren's career to date, in which he note-for-note reproduced songs from some of the most individual artists in rock history: The Beatles ("Rain"), The Beach Boys ("Good Vibrations"), Jimi Hendrix ("If Six Was Nine") and Bob Dylan ("Most Likely You Go Your Way and I'll Go Mine"). The second side was a triumphant return to straight-ahead pop songwriting, with remarkable songs that remain concert staples today like "Cliché" and "Love of the Common Man." These two very different LPs have been expanded with one bonus track, a 1975 live recording of the Who-influenced Nazz nugget "Open My Eyes."
Finally, Edsel brings together the third and fourth albums from Utopia, the rock band formed by Rundgren in 1974 as a complement to his solo career. (The label promises that the first two albums from the band will arrive in a later wave in the Rundgren reissue series.) Both dating from 1977, RA and Oops! Wrong Planet feature the line-up of Todd (guitar), Roger Powell (keyboards), Kasim Sulton (bass) and John Wilcox (drums). The former was full-tilt prog rock, with its centerpiece the 18-minute "Singring and the Glass Guitar." RA remains Rundgren's highest-charting UK album. Its follow-up nine months later was a wholly different work of twelve short songs, though the genre lines were, as usual, blurred. Its lasting contribution to the Rundgren oeuvre is the life- and love-affirming "Love is the Answer," which England Dan and John Ford Coley took to the U.S. Top 10 in 1979. No bonus tracks have been added to these two albums.
All of Edsel's reissues feature liner notes by Paul Myers, adapted from his definitive Rundgren chronicle, A Wizard, A True Star: Todd Rundgren in the Studio. Lyrics and rare photos are also promised for each title. The first salvo in the Todd Rundgren reissue campaign hits stores in the U.K. on October 3, and pre-order links can be found below. (Edsel's series is simultaneous with a program from the Cherry Red arm Esoteric Recordings. Reissues of Rundgren's late-period albums The Individualist and No World Order are due from Esoteric on October 31.) Future releases will round up the remainder of the artist's Bearsville output. All of these releases epitomize the singer's credo, as he wrote in Bearsville promotional materials circa 1981: "I'm not looking to be in any one place for too long. A lot of people's whole idea of making records is to arrive at an acceptable style and exploit it until the crows come home. I've been more intrigued with finding out what I can do." If you've missed out in the past, here's your chance to find out, too.
Todd Rundgren, Runt / Runt: The Ballad of Todd Rundgren (Bearsville/Edsel, 2011)
CD 1: Runt (originally issued as Ampex/Bearsville LP 10105, 1970)
- Broke Down and Busted
- Believe In Me
- We Gotta Get You A Woman
- Who's That Man?
- Once Burned
- Devil's Bite
- I'm In The Clique
- There Are No Words
- Baby Let's Swing /The Last Thing You Said /Don't Tie My Hands
- Birthday Carol
- Broke Down and Busted [Intro: There Are No Words]
- Believe In Me [alternate mix]
- We Gotta Get You A Woman [alternate mix]
- Hope I'm Around [early version]
- Devil's Bite [alternate mix]
- Baby Let's Swing [full length song]
- Say No More
- Birthday Carol [alternate mix]
Tracks 11-18 are previously unreleased on CD, from alternative version of album
CD 2: Runt: The Ballad of Todd Rundgren (originally issued as Ampex/Bearsville LP 10116, 1971)
- Long Flowing Robe
- The Ballad (Denny & Jean)
- Wailing Wall
- The Range War
- Chain Letter
- A Long Time, A Long Way To Go
- Boat On The Charles
- Be Nice To Me
- Hope I'm Around
- Remember Me
- Broke Down and Busted [live at Carnegie Hall, 8th June 1972]
- Believe In Me
- Be Nice To Me
- Hold Me Tight [live broadcast on WMMR-FM, 30th June 1971]
Tracks 13-16 are live bonus tracks from original radio broadcasts
Todd Rundgren, Something / Anything...Plus (originally issued as Bearsville LP 2066, 1972 - reissued Bearsville/Edsel, 2011)
- I Saw The Light
- It Wouldn't Have Made Any Difference
- Wolfman Jack
- Cold Morning Light
- It Takes Two To Tango (This Is For The Girls)
- Sweeter Memories
- The Night The Carousel Burned Down
- Saving Grace
- Song Of The Viking
- I Went To The Mirror
- Black Maria
- One More Day (No Word)
- Couldn't I Just Tell You
- Torch Song
- Little Red Lights
- Overture: My Roots: Money (That's What I Want) / Messin' With The Kid
- Dust In the Wind
- Piss Aaron
- Hello It's Me
- Some Folks Is Even Whiter Than Me
- You Left Me Sore
- It Wouldn't Have Made Any Difference [Demo, Bearsville Sound Studio B]
- Something/Anything Promos, # 1 - 6
Tracks 13-14 are bonus tracks
Todd Rundgren, A Wizard a True Star/Todd (Bearsville/Edsel, 2011)
CD 1: A Wizard, A True Star (originally issued as Bearsville LP 2133, 1973)
- International Feel (In 8)
- Never Never Land
- Tic Tic Tic It Wears Off
- You Need Your Head
- Rock And Roll Pussy
- Dogfight Giggle
- You Don't Have To Camp Around
- Zen Archer
- Just Another Onionhead
- Dada Dali
- When The Shit Hits The Fan
- Sunset Blvd
- Le Feel Internacionale
- Sometimes I Don't Know What To Feel
- Does Anybody Love You?
- Medley - I'm So Proud / Ooh Baby Baby / La La Means I Love You / Cool Jerk
- Hungry For Love
- I Don't Want To Tie You Down
- Is It My Name?
- Just One Victory
CD 2: Todd (originally issued as Bearsville LP 6952, 1974)
- How About A Little Fanfare?
- I Think You Know
- The Spark Of Life
- An Elpee's Worth Of Toons
- A Dream Goes On Forever
- Lord Chancellor's Nightmare Song
- Drunken Blue Rooster
- The Last Ride
- Everybody's Going To Heaven /King Kong Reggae
- No. 1 Lowest Common Denominator
- Useless Begging
- Sidewalk Café
- Izzat Love?
- Heavy Metal Kids
- In And Out The Chakras We Go (formerly - Shaft Goes To Outer Space)
- Don't You Ever Learn?
- Sons Of 1984
- Ooh Baby Baby [live broadcast on WMMR-FM,30th June 1971]
- A Dream Goes On Forever [live in St. Louis, 9th November 1974]
- Do Ya [live in St. Louis, 9th November 1974]
Tracks 18-20 are live bonus tracks from original radio broadcasts
Todd Rundgren, Initiation/Faithful (Bearsville/Edsel, 2011)
CD 1: Initiation (originally issued as Bearsville LP 6957, 1975)
- Real Man
- Born To Synthesize
- The Death Of Rock And Roll
- Eastern Intrigue
- Fair Warning
- A Treatise On Cosmic Fire
CD 2 : Faithful (originally issued as Bearsville LP 6963, 1976)
- Happenings Ten Years Time Ago
- Good Vibrations
- Most Likely You Go Your Way And I'll Go Mine
- If Six Was Nine
- Strawberry Fields Forever
- Black And White
- Love Of The Common Man
- When I Pray
- The Verb "To Love"
- Boogies (Hamburger Hell)
- Open My Eyes [live at Cape Cod Arena, 23rd August 1975] (Bonus Track)
Utopia, RA / Oops, Wrong Planet (Edsel, 2011)
CD 1: RA (originally issued as Bearsville LP 6965, 1977)
- Overture: Mountaintop And Sunrise / Communion With The Sun
- Magic Dragon Theatre
- Eternal Love
- Sunburst Finish
- Singring And The Glass Guitar (An Electrified Fairytale)
CD 2: Oops! Wrong Planet (originally issued as Bearsville LP 6970, 1977)
- Love In Action
- Crazy Lady Blue
- Back on the Street
- The Marriage of Heaven and Hell
- The Martyr
- Abandon City
- My Angel
- Rape of the Young
- Love Is The Answer
Brian Curtis says
Sounds like fans of the 1982 eponymous Utopia album will be left out since it was not a Bearsville release, and Cherry Red's Esoteric label did not include it in its group of Utopia reissues either.
Brian Curtis says
Addendum: Hopefully the powers-that-be will locate the following tapes (no needledrops, please) to add to the respective albums in the future releases...
"Umbrella Man" (b-side of "Set Me Free" single) and outtake "Mad Men In Metal Machines"//Adventures In Utopia (1980);
"One World" (original version - outtake)//Deface The Music (1980);
"Special Interest" (b-side of "One World" single) and outtake "God And Me"//Swing To The Right (1982).
Other than the alternate takes on the Runt album, all of these bonus tracks have been previously released on CD. In 1998 Rundgren issued a rarities CD called "Somewhere/Anywhere" only in Japan. All the bonus tracks listed for the Todd, Faithfull, Ballad and S/A reissues previously appeared on that compilation.
Very nice … but I'm hoping for a reissue of the M. FROG lp (Bearsville 1973) by Jean-Yves Labat too! For years now! "Rundgren contributed guitar and vocals to “M. Frog” and wound up doing the final mix while Labat contributed EMS synthesiser and synthesised treatments to “A Wizard/A True Star.”" http://www.headheritage.co.uk/unsung/thebookofseth/2010/
ed fliege says
There is a Japanese release of the M Frog lp on CD - I own a copy. It's a nice one too with a great recreation of the original cover art. They're all over eBay for around $30.
I'd like it to be midprice, or 15 euro max. It's music that's being re-released.
ed fliege says
As they progress with this project, it would be intriguing to see an alternate live version of either "The Utopia Theme" and/or "The Ikon" appear. I have several bootlegs that have different versions of these two songs that were recorded before their official release and it's very interesting to hear how those two songs eventually evolved into the versions we're now familiar with.
Who owns the rights to the Network/Elektra disc (mentioned by Mr. Curtis above), anyway? I have a Rhino pressing, and a company called Unidisc has since put out a version that apparently replaces the first track, "Libertine," with a "dance mix." I love "Feet Don't Fail Me Now."
Also, I wonder if "A Cappella" will be part of this... it was recorded for Bearsville, who rejected it, and it wound up on Warner. Annoyingly, Friday Music reissued Todd's other two Warner releases, but not that one, which remains OOP and rare (Rhino put out a CD back in the day). Edsel seems to be friendly with Warner now, so who knows?
Brian Curtis says
Actually Friday has not reissued "Nearly Human," only "2nd Wind." Been wondering when & if they might get around to other titles since their promo blurbs suggest "2nd Wind" was the first of a series...
Brian Curtis says
Just re-read your remarks about the 1982 eponymous Utopia disc, and wanted to clarify: the Unidisc (Canada) reissue doesn't lose "Libertine" at all, and just appends the "Hammer In My Heart" extended dance mix at the end. Personally, I'm not crazy about that reissue because the remaster puts a lot of emphasis on what sounds like an extremely compressed/limited snare drum.
The Rhino shows the rights were still held by Network at the time of that reissue. Unfortunately there are no rights details on the Unidisc version. The Network imprint is likely still a part of the Warner Music group.
David Peters says
It's not hard to find A Cappella on vinyl. Get it and listen to it.
Where's the albums "HERMIT OF MINK HOLLOW" & "HEALING"? Will they be released as a 2 cd set?
Hey Brian Curtis!
Has anyone reviewed these Edsel Remasters? Do they sound better than the Rhino or Essential?
Charlie B. says
You're doing a great job with this catalogue. Keep up the good work!