WIWS Banner

The Second Disc

Expanded and Remastered Music News

  • Home
  • News
    • Classic Rock
    • Rock
    • Pop
    • Jazz
    • Popular Standards/Vocal
    • R&B/Soul
    • Country
    • Folk
    • Cast Recordings
    • Soundtracks
    • Everything Else
      • Classical/Opera
      • Disco/Dance
      • Funk
      • Gospel
      • Rap/Hip-Hop
  • Features
    • Release Round-Up
    • Giveaways!
    • Interviews
  • Reviews
    • Classic Rock
    • Rock
    • Pop
    • Jazz
    • Popular Standards/Vocal
    • R&B/Soul
    • Country
    • Folk
    • Cast Recordings
    • Soundtracks
    • Everything Else
      • Classical/Opera
      • Disco/Dance
      • Funk
      • Gospel
      • Rap/Hip-Hop
  • Release Calendar
    • Coming Soon
    • Now Available
  • About
  • Second Disc Records
    • Full Catalog
  • Contact

/ News

Before He Met "Mrs. Jones": Billy Paul's "Ebony Woman" Reissued By BBR

June 14, 2012 By Joe Marchese Leave a Comment

It’s inevitable that Billy Paul will be best remembered for that thing he had going on with a certain Mrs. Jones.  But that ode to a steamy extramarital affair hardly told the whole story of Billy Paul.  “A lot of people don’t even know I’m a jazz singer.  That’s what I want to be known for,” Paul tells Andy Kellman in the liner notes to Big Break Records’ must-have reissue of the singer’s second album, Ebony Woman.  Though produced by Kenneth Gamble and Leon Huff, Ebony Woman wasn’t issued on Philadelphia International Records, their label celebrating its landmark 40th year in 2012.  Rather, Ebony Woman was released in 1970 on the Chess-distributed Neptune label, a precursor to PIR.  And although I’d be hard-pressed to call it a jazz album per se, it also bears little relation to the smooth soul of “Me and Mrs. Jones” despite being recorded by Gamble and Huff at Joe Tarsia’s Sigma Sound Studios.  It is, however, an album that’s most worthy of reassessment and reissue especially during this, PIR’s 40th anniversary year.

Unlike most of the records to come from the Philly hit factory, Ebony Woman is largely populated by contemporary covers, a sensible move considering Paul’s background as an interpretive singer.  As a young man in the mid-1940s, Paul was already known on the Philadelphia airwaves, and he parlayed his success into live gigs with artists as renowned as jazz saxophonist Charlie Parker.  He opened for artists including Nina Simone, Miles Davis and Dinah Washington, and won an amateur night at the Apollo.  Naturally, record labels pursued Paul, and he had been recording since 1959.  It was in that year that Paul recorded the first version of the Morris Bailey song that would give Ebony Woman its title.  Paul was performing at Philadelphia’s Cadillac Club in 1967 when Kenny Gamble spotted him.  He ushered him into the studio for Feelin’ Good at the Cadillac Club, his long-playing album debut for Gamble Records.  (Typical of the era, it was a studio effort despite the live title.  It’s also a prime candidate for reissue.  Perhaps our friends at Big Break are listening…)  Feelin’ Good was primarily composed of theatrical standards (“On a Clear Day You Can See Forever,” “Just in Time,” “Feelin’ Good,” “Somewhere”) with some more recent pop songs also in the mix (“That’s Life,” “Don’t Think Twice, It’s Alright.”)  For Ebony Woman, the emphasis was on pop material, albeit interpreted in an adult, jazz-oriented style by Paul and musical director Stanley Johnson.

Hit the jump for the scoop!

In addition to the title track, Paul took on Simon and Garfunkel’s “Mrs. Robinson,” The Association’s “Windy” and The Classics IV’s “Traces” as well as a radical reinvention of Sly and the Family Stone’s “Everyday People.”  He also brought a distinct, somber flavor to “The Windmills of Your Mind” and let his funky side loose on “Proud Mary.”  As for “Ebony Woman” itself, it was arranged by future Philadelphia International mainstay Bobby Martin.  The composer/arranger also provided a song of his own for Paul, “Let’s Fall in Love All Over,” which is the closest song to anticipate the future sound of PIR.  Pianist Horace Silver contributed a version with lyrics of his 1968 song “Psychedelic Sally,” which is appropriately far-out despite the cool, cocktail vibe of the entire album.

Ebony Woman scored a none-too-shabby No. 12 on the R&B chart upon its initial release, and returned to the chart at No. 43 when Gamble and Huff reissued it with a new cover in 1973 on the Philadelphia International label.  The original cover has been restored for Big Break’s new edition, which also includes the 1973 cover in the booklet.  Andy Kellman has provided new liner notes based on an interview with Paul.  Billy Paul’s next album was still an appetizer of sorts; Going East (1971) featured Bobby Martin and Thom Bell arrangements on songs ranging from Jimmy Webb’s “This is Your Life” to Rodgers and Hart’s “There’s a Small Hotel.”  Then in 1972 came 360 Degrees of Billy Paul, and “Me and Mrs. Jones.”  The rest, as they say, is history!  Ebony Woman is available now from Big Break Records and can be ordered at the link below!

Billy Paul, Ebony Woman (Neptune NLPS-201, 1970 - reissued Big Break CDBBR 0142, 2012)

  1. Ebony Woman
  2. Mrs. Robinson
  3. The Windmills of Your mind
  4. Everyday People
  5. Let’s Fall in Love All Over
  6. Windy
  7. Psychedelic Sally
  8. Traces
  9. Proud Mary

Categories: News

Avatar photo

Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

Connect With Joe: FacebookTwitter

Comments

  1. zekedog says

    June 14, 2012 at 10:24 am

    What is the sound quality on the BBR reissues so far?

    Reply
    • Tom says

      June 15, 2012 at 3:26 pm

      I personally love the BBR reissues but they have their detractors. For me, the sound quality on The O'Jays' Back Stabbers, Pointer Sisters' Break Out and Cerrone's Supernature is outstanding.

      Reply
  2. tapstuff says

    June 14, 2012 at 10:36 am

    While I love most everything from Billy Paul, his 360 Degrees of Billy Paul is his masterpiece work. With unforgettable covers of "It's Too Late", "Your Song", and "Let's Stay Together" (among others), and, of course, his perfect "Me and Mrs Jones", 360 Degrees is stunning. It has immense replay value.

    Reply
  3. DC says

    June 14, 2012 at 12:26 pm

    The sound quality is really good on the BBR reissue. Much better than my vinyl ever sounded. And I think the best Billy Paul album is War of The Gods which certainly has the best cover.

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Upcoming Releases

  • Carole King Home Again
    Home Again: Live in Central Park
    Carole King
    February 10, 2023
  • Rolling Stones Grrr Live
    GRRR! Live
    The Rolling Stones
    February 10, 2023
  • Robert Palmer Island Years
    The Island Records Years
    Robert Palmer
    February 17, 2023
See Full Calendar

Connect

  • Facebook
  • RSS
  • Twitter

Subscribe to Blog via Email

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 4,549 other subscribers

Popular

  • Weird The Al Yankovic Story
    Release Round-Up: Week of February 3 posted on February 3, 2023 | under Release Round-Up
  • Stream 2023
    The Weekend Stream: February 4, 2023 posted on February 4, 2023 | under The Weekend Stream
  • Carole Bayer Sager Sometimes Late at Night
    OUT TOMORROW! Iconoclassic Reissues Carole Bayer Sager's Star-Studded "Sometimes Late at Night," Featuring Burt Bacharach, Michael Jackson, Neil Diamond, More posted on February 2, 2023 | under News

Comments

  • small faces here come the nice2
    Return To Itchycoo Park: Small Faces' "Here Come The Nice" Deluxe Box Set Arrives In January [UPDATED 12/3] 84 comments | by Joe Marchese | posted on December 3, 2013 | under News
  • the beatles u s albums box2
    British Invasion! The Beatles Unveil "The U.S. Albums" Box Set in January 69 comments | by Joe Marchese | posted on December 12, 2013 | under News
  • Rolling Stones in Mono
    Out of Their Heads: Stones Plan Mono Box Set 47 comments | by Mike Duquette | posted on August 10, 2016 | under News

Music Resources

  • Addicted to Vinyl
  • Crap from the Past
  • Discogs
  • Film Score Monthly
  • IMWAN Forum – From the Vaults
  • MusicTAP
  • Musoscribe
  • Pause & Play
  • Popblerd
  • Popdose
  • Record Racks
  • Slicing Up Eyeballs
  • Steve Hoffman Music Forums
  • Ultimate Classic Rock
  • Vintage Vinyl News
  • Viva La Mainstream
  • Wolfgang's Vault

Labels of Note

  • Ace Records
  • Analog Spark
  • Bear Family
  • BGO Records
  • Big Break Records
  • Blixa Sounds
  • Cherry Red Label Group
  • Craft Recordings
  • Demon Music Group
  • Friday Music
  • Funky Town Grooves
  • Iconoclassic Records
  • Intervention Records
  • Intrada
  • Kritzerland
  • La La Land Records
  • Legacy Recordings
  • Light in the Attic
  • Masterworks Broadway
  • Now Sounds
  • Omnivore Recordings
  • Real Gone Music
  • Resonance Records
  • Rhino Entertainment
  • Rock Candy Records
  • SoulMusic Records
  • Sunset Blvd. Records
  • Supermegabot
  • Varese Sarabande
  • Vinyl Me, Please
  • Wounded Bird
Copyright © 2023 The Second Disc. All rights reserved. · Site by Metaglyphics

The Second Disc is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com, amazon.ca and amazon.co.uk.

Terms and Conditions - Privacy Policy