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/ News

Varese Offers Up Fab Pair with George Martin's "Beatles to Bond" and Campbeltown Pipe Band's "Mull of Kintyre"

September 24, 2013 By Joe Marchese Leave a Comment

George Martin - Beatles to BondWith the upcoming release of The Beatles’ On Air: Live at the BBC Volume Two, there’s Beatlemania in the air once again.  And the Varese Sarabande label’s Varese Vintage imprint is at the ready with two recent reissues bearing ties to the Fab Four: George Martin’s Beatles to Bond and Bach (1974) and The Campbeltown Pipe Band’s Mull of Kintyre (1978).  Both of these are rather unexpected titles and all the more welcome for it!

Beatles to Bond and Bach, originally issued on the Polydor label, offered exactly what the title promised.  Legendary producer-arranger Martin and his orchestra tackled the songs of Lennon and McCartney alongside a James Bond suite inspired by Martin’s then-recent work on the film Live and Let Die, and two compositions from one of his earliest influences: Johann Sebastian Bach.  The LP, produced by his AIR Studios co-founder John Burgess, was the culmination of a decade-spanning series of instrumental releases from The George Martin Orchestra designed for the light classical/so-called “easy listening” market.  Many of these naturally drew on his work with The Beatles, either in whole or in part: 1964’s Off the Beatle Path and By Popular Demand: A Hard Day’s Night, 1965’s Help!, 1966’s And I Love Her and George Martin Instrumentally Salutes the Beatle Girls, 1968’s London By George, and so on.  Martin’s Guildhall-trained musicianship and impeccable ear kept these albums from becoming mere retreads of familiar songs.

For Beatles to Bond and Bach, Martin – recording at London’s AIR with none other than Beatle vet Geoff Emerick engineering – built the album around three extended suites.  “The Bond Suite” kicks off the album with Monty Norman’s original theme, before segueing into two of Martin’s cues from 1973’s Live and Let Die and of course, Paul and Linda McCartney’s thrilling title song.  Later on the album, Martin arranges “The Beatle Suite” of later Beatle tunes (“Sgt. Pepper’s,” “Lucy in the Sky with Diamonds” and “A Day in the Life”) and a “Yellow Submarine Suite” containing four of his distinctive themes and the Lennon/McCartney title song from the 1968 animated feature.  In between, shorter pieces came from Bach’s pen (“Air on the G String” and “Prelude for Strings”) and Martin’s own.  Trivia: “Air” was the very first of Bach’s compositions to be recorded, back in 1902 – not bad for a piece written between 1717 and 1723!  Martin’s “Theme One,” written for BBC Radio 1 in 1967 ,and 1961's “Elizabeth and Essex” (previously recorded by Ron Goodwin and His Orchestra) rounded out the diverse collection.  Fans of Paul McCartney’s Thrillington will likely find much to enjoy here, as will aficionados of Martin’s film score assignments.

After the jump, we’ll check out an even more surprising treat from Varese!  Plus: track listings and order links!

Campbeltown Pipe Band - Mull of KintyreWings’ “Mull of Kintyre,” co-written by Paul McCartney and Denny Laine, became the first single to sell more than two million copies in the United Kingdom – setting the stage for the 1978 release of The Campbeltown Pipe Band’s album of the same name.  The affectionate “Mull,” named for the Kintyre peninsula in Scotland where McCartney has owned a farm since his Beatle days, struck an immediate chord with British listeners and record-buyers, becoming the prestigious Christmas No. 1 record in 1977.  To this day, it remains the biggest-selling non-charity single ever in the United Kingdom – though its fortunes weren’t repeated in the United States, where it only managed a No. 45 placement on the Easy Listening chart!  And much of its U.K. success was due to the sound of the Campbeltown Pipe Band.

Upon writing the ode to his adopted Scottish land, McCartney called on Tony Wilson, leader of the local amateur bagpipe band in small Campbeltown.  In Jerry McCulley’s new liner notes for the Varese reissue, Iain McKerral of the 22-member band, recalls laying down the track in just one take.  The band’s profile was suddenly high.  A Top of the Pops appearance followed, as did the Mull of Kintyre album.

Like Beatles to Bond and Bach, Mull of Kintyre was recorded at AIR Studios, with Geoff Emerick serving as both producer and engineer this time.  Pipe Major Wilson and the band created a diverse set, primarily consisting of lengthy medleys with many original compositions by Wilson contained in them.  But a few shorter pieces were included, too, such as “Mull of Kintyre” (naturally!), Maurice Jarre’s “Lara’s Theme” from Dr. Zhivago, “Legion’s Last Patrol” and “Drummer’s Call.”  A number of songs were dance-oriented (“Floral Dance/Kilberry Ball,” “Heikens Polka”); many have evocative titles such as “The Wee Highland Laddie, “”The Braes of Tullymet Munlochy Bridge” and “The Connaught Man’s Rambles.”  Emerick guided Wilson and the group to create a confident and winning release brimming with local color and flavor.

Jerry McCulley has provided two pages of liner notes for both releases; both have been remastered by Steve Massie and nicely designed by Bill Pitzonka.  Adventurous Beatlefans, take note:  Beatles to Bond and Bach and Mull of Kintyre are available now, and can be ordered below!

George Martin and His Orchestra, Beatles to Bond and Bach (Polydor (U.K.) LP 2383 304, 1974 – reissued Varese Sarabande 302 067 207 8, 2013) (Amazon U.S. / Amazon U.K.)

  1. The Bond Suite (James Bond Theme/Whisper Who Dares/Bond Meets Solitaire/Live and Let Die)
  2. Air on the G String
  3. The Beatle Suite (Sgt. Pepper’s Lonely Hearts Club Band/Lucy in the Sky with Diamonds/A Day in the Life)
  4. Theme One
  5. Elizabeth and Essex
  6. Yellow Submarine Suite (Pepperland/March of the Meanies/Desolation/Voyage Through the Seas of Time, Holes and Monsters/Yellow Submarine)
  7. Prelude for Strings

The Campbeltown Pipe Band, Mull of Kintyre (Air Records LP 1183, 1978 – reissued Varese Sarabande 302 067 206 8, 2013) (Amazon U.S. / Amazon U.K.)

  1. Mull of Kintyre
  2. Lara’s Theme (From Dr. Zhivago)
  3. Legion’s Last Patrol
  4. Drummer’s Call
  5. Medley: My Land/The Battle’s O’er/The Green Hills of Tyrol
  6. Medley: Liberton Pipe Band/Floral Cance/Kilberry Ball/Floral Dance
  7. Medley: Highland Mary/The Wee Highland Laddie/Soldier’s Return Malcolm Lang
  8. Medley: Kyle Sku/Flowers of Scotland/Heikens Polka
  9. Medley: Murray’s Welcome/Men of Argyll/The Haughs of Cromdale/The Rhodesian Regiment
  10. Medley: Colin’s Cattle/The Sheiling/The Braes of Tullymet/Bogallan/The Raven’s Rock/Banks of the Avon/The Connaught Man’s Rambles

Categories: News Formats: CD Genre: Pop Tags: George Martin, Paul McCartney, The Beatles

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song, Second Disc Records, in conjunction with Real Gone Music, has released newly-curated collections produced by Joe from iconic artists such as Johnny Mathis, Bobby Darin, Laura Nyro, Melissa Manchester, Chet Atkins, and many others. He has contributed liner notes to reissues from a diverse array of artists, among them Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, B.J. Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, and Andy Williams, and has compiled releases for talents including Robert Goulet and Keith Allison of Paul Revere and the Raiders. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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Comments

  1. John Phillips says

    September 24, 2013 at 10:19 am

    Is the George Martin a reissue from this year? I looked on iTunes and they list a 2010 copyright date.

    Reply
    • Joe Marchese says

      September 24, 2013 at 11:32 am

      This CD reissue was just released this month, on September 3.

      Reply

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