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Dance Yeah Dance: "Motown Unreleased 1965" Premieres Songs By Stevie Wonder, Spinners, Four Tops, Smokey Robinson

December 11, 2015 By Joe Marchese 3 Comments

Motown Unreleased 19651965 was a key year for The Sound of Young America.  In a tumultuous twelve-month period which saw the Selma to Montgomery marches, the United States' escalation of military forces in South Vietnam, and the assassination of Malcolm X, the music of Motown was a cultural touchstone that spread unifying messages of love and togetherness.  Berry Gordy's label scored five Pop chart-toppers in 1965: The Supremes' "Stop! In the Name of Love," "Back in My Arms Again" and "I Hear a Symphony," The Temptations' "My Girl," and The Four Tops' "I Can't Help Myself (Sugar Pie, Honey Bunch)."  Other songs missed the top spot but have still become immortal - The Miracles' "Ooo Baby Baby" and "The Tracks of My Tears," Martha and the Vandellas' "Nowhere to Run," Jr. Walker and the All Stars' "Shotgun," Marvin Gaye's "Ain't That Peculiar" and Stevie Wonder's "Uptight (Everything's Alright)" among them.  Perhaps 1965 could be best summed up by the title of a promotional single recorded by The Supremes (as well as Jay and the Americans and The Blossoms) to advocate for employment equality: "Things Are Changing."  The lyric added "For the better" as an encouraging, optimistic message in the face of the era's social upheaval.

In this year which also saw Gordy launch the influential Tamla Motown imprint in the U.K., the Motown family of labels, as usual, left behind a treasure trove of great music in the vaults.  Today has happily seen the release of the fourth annual installment of the Motown Unreleased series.  This digital-only series - instigated by the European Union's "use it or lose it" copyright provision which has also influenced other major releases this year including the latest volume of Bob Dylan's Bootleg Series - has seen the release of dozens of never-before-heard Motown masters from the label's top artists.  And this year's title is no exception.

Motown Unreleased 1965, a digital-only release, includes previously unreleased tracks from legends like Stevie Wonder ("Dance Yeah Dance," "'Til 12 O'Clock," "Funny (How Time Slips Away)" and "About My Baby," the latter two with Clarence Paul), The Four Tops ("Just Your Love" and an alternate vocal version of "I Like Everything About You"), Smokey Robinson ("Try a Little Tenderness," "I Cried for You" and an alternate of "Going to a Go-Go"), Brenda Holloway ("My Precious Dreams," "What Have I Done to Myself"), Martha and the Vandellas (an alternate of "Can't Break the Habit"), The Spinners ("While the City Sleeps") and The Temptations (an alternate of "I Got Heaven Right Here on Earth").   Other Motown favorites represented on the set include Chris Clark with "I Don't Want You Anymore" and a rendition ofThe Beatles' "Yesterday," one-time big-band songbird Connie Haines with Ron Miller and Orlando Murden's beloved "For Once in My Life," plus tunes by Oma Heard, The Lewis Sisters, Shorty Long, The Monitors and others.

This 28-track, 77+-minute anthology of prime material from Hitsville USA, 1965, is available now at the Amazon link below as well as from all fine digital service providers!  It makes a perfect companion to the recent releases from Diana Ross (the lost album Diana Ross Sings Songs from The Wiz) and The Supremes (Merry Christmas: Expanded Edition)!

Various Artists, Motown Unreleased 1965 (UMe/Motown, 2015) (Amazon U.S.)

  1. Dance Yeah Dance - Stevie Wonder
  2. While the City Sleeps - The Spinners
  3. 'Til 12 O'Clock - Stevie Wonder
  4. Goodbye Eilene - Shorty Long
  5. My Precious Dreams - Brenda Holloway
  6. Stuck-Up - Oma Heard
  7. Just Your Love - The Four Tops
  8. What Have I Done to Myself - Brenda Holloway
  9. Didn't I - The Hit Pack
  10. Can't Break the Habit (Alternate Version) - Martha and the Vandellas
  11. Funny (How Time Slips Away) - Clarence Paul and Stevie Wonder
  12. About My Baby - Clarence Paul and Stevie Wonder
  13. Stepping Closer to Your Heart - The Monitors
  14. Lucky Lucky Me - Ivy Jo Hunter
  15. Try a Little Tenderness - Smokey Robinson
  16. I Cried for You - Smokey Robinson
  17. I Like Everything About You (Alternate Vocal Version) - The Four Tops
  18. It - Little Lisa
  19. My Daddy Knows Best - Little Lisa
  20. It's Got to Be Love - The Monitors
  21. Going to a Go-Go (Alternate Version) - Smokey Robinson
  22. For Once in My Life - Connie Haines
  23. Baby You Know You Ain't Right (Alternate Slow Version) - Jr. Walker and the All Stars
  24. Yesterday - Chris Clark
  25. Determination - Ivy Jo Hunter
  26. I Got Heaven Right Here on Earth (Alternate Version) - The Temptations
  27. I Don't Want You Anymore - Chris Clark
  28. Can't Figure It Out - The Lewis Sisters

All tracks previously unreleased.

Categories: News Formats: Digital Download Genre: R&B/Soul Tags: Brenda Holloway, Martha and the Vandellas, Smokey Robinson, Stevie Wonder, The Four Tops, The Spinners, Various Artists

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Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others. Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams. Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray. Joe currently resides in the suburbs of New York City.

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Comments

  1. T_C_H says

    December 12, 2015 at 3:27 am

    After hearing sound clips of these tracks on amazon there is nothing of merit in any of these unreleased (for good reason) tracks almost all of which are 'supper club' MOR material appealing to Berry Gordy's misguided strategy of trying to get his artists to appeal to a white middle-aged, middle-class audience rather than solely concentrating on Motown's key strength of making great pop-soul records. If this is what is left in the vault it is amazing that Ace Records have managed to get so much mileage out of their unreleased Motown compilations (the two volumes of 'Motown Girls' and single volume of 'Motown Guys') though personally I have thought they have been overrated being patchy overall. Perhaps these copyright protection download only releases show that finally the Motown vaults are well and truly exhausted?

    Reply
  2. DayVeeBee says

    December 14, 2015 at 1:53 pm

    To my ears only tracks 15, 16, 22, 24 & maybe 27 sound like ‘supper club’ MOR material. I am delighted with most of the remaining 23 songs, especially The Temptations & Stevie Wonder tracks. Great fun release!

    Reply
  3. Ron says

    December 15, 2015 at 1:12 pm

    I actually like this set. Are the songs as good as the classic Motown that was actually released? No. Are they as good as the tracks that have appeared on the "Cellarful of Motown" and other such comps? No. These tracks are the left-overs after the left-overs after the left-overs... Yet still, they are not bad. They are actually entertaining, and some are quite good. Motown fans can enjoy them for what they are... time-pieces representing a different era in music, showing the slow progression and maturity not only of some of the artists involved but the record company as well. It's a cryin' shame, though, that UMe won't issued these songs on CD with booklets and annotations. Those of us who like this type of thing are still interested in CD's...

    Reply

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