1965 was a key year for The Sound of Young America. In a tumultuous twelve-month period which saw the Selma to Montgomery marches, the United States' escalation of military forces in South Vietnam, and the assassination of Malcolm X, the music of Motown was a cultural touchstone that spread unifying messages of love and togetherness. Berry Gordy's label scored five Pop chart-toppers in 1965: The Supremes' "Stop! In the Name of Love," "Back in My Arms Again" and "I Hear a Symphony," The Temptations' "My Girl," and The Four Tops' "I Can't Help Myself (Sugar Pie, Honey Bunch)." Other songs missed the top spot but have still become immortal - The Miracles' "Ooo Baby Baby" and "The Tracks of My Tears," Martha and the Vandellas' "Nowhere to Run," Jr. Walker and the All Stars' "Shotgun," Marvin Gaye's "Ain't That Peculiar" and Stevie Wonder's "Uptight (Everything's Alright)" among them. Perhaps 1965 could be best summed up by the title of a promotional single recorded by The Supremes (as well as Jay and the Americans and The Blossoms) to advocate for employment equality: "Things Are Changing." The lyric added "For the better" as an encouraging, optimistic message in the face of the era's social upheaval.
In this year which also saw Gordy launch the influential Tamla Motown imprint in the U.K., the Motown family of labels, as usual, left behind a treasure trove of great music in the vaults. Today has happily seen the release of the fourth annual installment of the Motown Unreleased series. This digital-only series - instigated by the European Union's "use it or lose it" copyright provision which has also influenced other major releases this year including the latest volume of Bob Dylan's Bootleg Series - has seen the release of dozens of never-before-heard Motown masters from the label's top artists. And this year's title is no exception.
Motown Unreleased 1965, a digital-only release, includes previously unreleased tracks from legends like Stevie Wonder ("Dance Yeah Dance," "'Til 12 O'Clock," "Funny (How Time Slips Away)" and "About My Baby," the latter two with Clarence Paul), The Four Tops ("Just Your Love" and an alternate vocal version of "I Like Everything About You"), Smokey Robinson ("Try a Little Tenderness," "I Cried for You" and an alternate of "Going to a Go-Go"), Brenda Holloway ("My Precious Dreams," "What Have I Done to Myself"), Martha and the Vandellas (an alternate of "Can't Break the Habit"), The Spinners ("While the City Sleeps") and The Temptations (an alternate of "I Got Heaven Right Here on Earth"). Other Motown favorites represented on the set include Chris Clark with "I Don't Want You Anymore" and a rendition ofThe Beatles' "Yesterday," one-time big-band songbird Connie Haines with Ron Miller and Orlando Murden's beloved "For Once in My Life," plus tunes by Oma Heard, The Lewis Sisters, Shorty Long, The Monitors and others.
This 28-track, 77+-minute anthology of prime material from Hitsville USA, 1965, is available now at the Amazon link below as well as from all fine digital service providers! It makes a perfect companion to the recent releases from Diana Ross (the lost album Diana Ross Sings Songs from The Wiz) and The Supremes (Merry Christmas: Expanded Edition)!
Various Artists, Motown Unreleased 1965 (UMe/Motown, 2015) (Amazon U.S.)
- Dance Yeah Dance - Stevie Wonder
- While the City Sleeps - The Spinners
- 'Til 12 O'Clock - Stevie Wonder
- Goodbye Eilene - Shorty Long
- My Precious Dreams - Brenda Holloway
- Stuck-Up - Oma Heard
- Just Your Love - The Four Tops
- What Have I Done to Myself - Brenda Holloway
- Didn't I - The Hit Pack
- Can't Break the Habit (Alternate Version) - Martha and the Vandellas
- Funny (How Time Slips Away) - Clarence Paul and Stevie Wonder
- About My Baby - Clarence Paul and Stevie Wonder
- Stepping Closer to Your Heart - The Monitors
- Lucky Lucky Me - Ivy Jo Hunter
- Try a Little Tenderness - Smokey Robinson
- I Cried for You - Smokey Robinson
- I Like Everything About You (Alternate Vocal Version) - The Four Tops
- It - Little Lisa
- My Daddy Knows Best - Little Lisa
- It's Got to Be Love - The Monitors
- Going to a Go-Go (Alternate Version) - Smokey Robinson
- For Once in My Life - Connie Haines
- Baby You Know You Ain't Right (Alternate Slow Version) - Jr. Walker and the All Stars
- Yesterday - Chris Clark
- Determination - Ivy Jo Hunter
- I Got Heaven Right Here on Earth (Alternate Version) - The Temptations
- I Don't Want You Anymore - Chris Clark
- Can't Figure It Out - The Lewis Sisters
All tracks previously unreleased.
Give It to Me Baby: Rick James' 'Collected' Goes Deep
That's the Way (I Like It): Edsel Collects "More Sin," "More Deep '70s"
Let the Guitar Play: Santana's New 'Sentient' Revisits Collabs with Smokey Robinson, Miles Davis, Michael Jackson and More
Just As Long As We Have Love: Rhino's Quadio Series Continues with Aretha, Spinners, Curtis Mayfield, Billy Cobham
After hearing sound clips of these tracks on amazon there is nothing of merit in any of these unreleased (for good reason) tracks almost all of which are 'supper club' MOR material appealing to Berry Gordy's misguided strategy of trying to get his artists to appeal to a white middle-aged, middle-class audience rather than solely concentrating on Motown's key strength of making great pop-soul records. If this is what is left in the vault it is amazing that Ace Records have managed to get so much mileage out of their unreleased Motown compilations (the two volumes of 'Motown Girls' and single volume of 'Motown Guys') though personally I have thought they have been overrated being patchy overall. Perhaps these copyright protection download only releases show that finally the Motown vaults are well and truly exhausted?
To my ears only tracks 15, 16, 22, 24 & maybe 27 sound like ‘supper club’ MOR material. I am delighted with most of the remaining 23 songs, especially The Temptations & Stevie Wonder tracks. Great fun release!
I actually like this set. Are the songs as good as the classic Motown that was actually released? No. Are they as good as the tracks that have appeared on the "Cellarful of Motown" and other such comps? No. These tracks are the left-overs after the left-overs after the left-overs... Yet still, they are not bad. They are actually entertaining, and some are quite good. Motown fans can enjoy them for what they are... time-pieces representing a different era in music, showing the slow progression and maturity not only of some of the artists involved but the record company as well. It's a cryin' shame, though, that UMe won't issued these songs on CD with booklets and annotations. Those of us who like this type of thing are still interested in CD's...