In a winter tradition that's as reliable as any, UMe has released the latest in the annual copyright extension series, entitled Motown Unreleased: 1968. The two-part compilation will arrive to digital download and streaming services today, December 14. Between the two volumes, there's a whopping 88 tantalizing, previously unreleased gems from the Motown vault! Motown heavy-hitters, soul superstars, and fan favorites abound on these two collections. There's a wealth of Stevie Wonder rarities,
Welcome to another Release Round-Up. Here's a look at what's coming out today, December 14! Bruce Springsteen, Springsteen on Broadway [2CD] (Columbia) (Amazon U.S. / Amazon U.K. / Amazon Canada) Springsteen on Broadway captures songs and selected stories from The Boss' acclaimed, Tony Award-winning engagement on the Great White Way. Mixed by Bob Clearmountain and mastered by Bob Ludwig, the album arrives one day before the closing show, and also just before it's broadcast in full on
Here at Second Disc HQ, tomorrow is the biggest day of basketball season - because tomorrow is when we're unveiling Second Disc Records' first release of the year! Thom Bell's soulful, all-star soundtrack to The Fish That Saved Pittsburgh - featuring The Spinners, The Four Tops, Loretta Lynn, Phyllis Hyman, Doc Severinsen, Eubie Blake, and more - arrives from Second Disc Records and Real Gone Music for the very first time in a newly expanded, freshly remastered edition! Trust us: this is one
Real Gone Music and Second Disc Records are tipping off 2017 with a slam dunk release! On February 3, we will be bringing Thom Bell's soulful, all-star soundtrack to The Fish That Saved Pittsburgh - featuring The Spinners, The Four Tops, Loretta Lynn, Phyllis Hyman and more - to CD for the very first time in a newly expanded, remastered edition! The 1979 cult favorite film The Fish That Saved Pittsburgh featured an all-star team from the worlds of basketball and Hollywood - Julius "Dr. J"
The first volume of Ace/Kent's series dedicated to the male artists of Motown was entitled Satisfaction Guaranteed - but that title would be equally apt for the recent release One Track Mind: More Motown Guys, a second disc of rarities from the Sound of Young America. With 16 previously unissued cuts among this collection's 24 tracks, it proves that the treasures of the Motown vault are far from exhausted. This is also one volume sure to keep your foot tapping and your body moving, with each
Welcome to this week's Release Round-Up! Ronnie Spector, English Heart (Savoy) (Amazon U.S. / Amazon U.K. / Amazon Canada) The one and only Ronnie Spector returns with an all-new studio album saluting her British Invasion friends. Expect Ronnie-ized renditions of the Jagger/Richards-written "I'd Much Rather Be with the Boys" (as "I'd Much Rather Be with the Girls") as well as "Don't Let the Sun Catch You Crying," "Tell Her No," "Girl Don't Come" and more! Amazon has an exclusive
1965 was a key year for The Sound of Young America. In a tumultuous twelve-month period which saw the Selma to Montgomery marches, the United States' escalation of military forces in South Vietnam, and the assassination of Malcolm X, the music of Motown was a cultural touchstone that spread unifying messages of love and togetherness. Berry Gordy's label scored five Pop chart-toppers in 1965: The Supremes' "Stop! In the Name of Love," "Back in My Arms Again" and "I Hear a Symphony," The
When The Spinners left Motown Records after nearly a decade, the vocal group had never scored a Top 10 Pop hit. They'd come this close in 1970 with the irresistible, Stevie Wonder-penned "It's a Shame" (No. 14) - one of many fine tracks recorded for Berry Gordy's empire that, for one reason or another, never crossed The Spinners over to major stardom. That all changed when Thom Bell - the multi-hyphenate musician, producer, songwriter, arranger and conductor - declared that he wished to
When it comes to rare soul, Ace Records never sleeps! The label has recently released a compilation celebrating the career of Sam Cooke not as a singer but as a songwriter, along with collections dedicated to excavating the vaults of two great Detroit labels: Westbound Records, and of course, Motown! Countless albums have anthologized the short but influential oeuvre of Sam Cooke, but Bring It on Home: Black America Sings Sam Cooke takes a different approach, featuring 24 versions of Cooke
It’s a shame, isn’t it? When Motown mainstays The Spinners departed the venerable Detroit label for the greener pastures of Atlantic Records, lead singer G.C. Cameron didn’t make the switch. Cameron, the unmistakable main voice of The Spinners’ Stevie Wonder-penned No. 14 hit “It’s a Shame,” remained with Motown. Cameron suggested his cousin and close friend Philippe Wynne replace him, and soon watched Wynne and co. score the group’s first ever Top 10 pop singles. In fact, Atlantic debut
Wow! Was it just over a year ago when a rather dubious report began circulating (that, shockingly, was picked up by many otherwise-reputable publications) that proclaimed the death of the CD was secretly scheduled by the major labels for 2012? Well, 2012 has come and (almost) gone, and it might have been the most super-sized year in recent memory for reissues, deluxe and otherwise, from labels new and old. Here at the Second Disc, we consider our annual Gold Bonus Disc Awards a companion
It’s a shame the way The Spinners’ Motown catalogue has been overlooked in the CD era, and quite frankly, for all time. The group exploded in popularity under the aegis of producer/arranger/composer Thom Bell at Atlantic Records in 1972, with their first three singles all hitting No. 1 R&B and Top 20 Pop (two went Top 10 Pop). But The Spinners had been making sweet music since 1954 and recording since at least 1961, and made Motown their home since the folding of Harvey Fuqua’s Tri-Phi
If an award were given for the Best Second Act in Popular Music, it might well go to The Spinners. Signed to Motown in 1963 after early successes at Gwen Gordy’s Tri-Phi label, The Spinners – singers Henry Fambrough, Pervis Jackson, Billy Henderson, C.P. Spencer and Bobbie Smith - had difficulty ascending to premier status at the Motor City label. After some moderate hits like “Truly Yours” in 1966, the group’s biggest brush with the charts came in 1970 when Stevie Wonder gifted them the song