When A Girl’s In Love: Ace Goes “Where The Girls Are”

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Nine volumes in, and Ace’s Where the Girls Are series is still turning up hidden-gems from the girl group era!  As is often the case with this series, the names behind-the-scenes are often more familiar than those headlining the record.  Where the Girls Are Volume 9 , released earlier this year, features 25 more tracks from America in the 1960s – the golden age of girl groups and “girl pop” – in their original mono versions.

Future Philly soul architect Leon Huff penned The Sweet Three’s effervescent “That’s the Way It Is (When a Girl’s in Love)” which opens Volume 9.  The 1966 track is more pop than soul, with a sparkling Jimmy “Wiz” Wisner arrangement flecked with brass and strings, but it wasn’t long before the Jean Thomas-led trio was recording as The Mellow Moods for Gamble and Huff’s North Bay and Gamble labels.  A different Jean Thomas – this time of New York, not Philadelphia – has the lead on The Rag Dolls’ “Society Girl,” a Bob Crewe production that answers The Four Seasons’ famous song which gave the group its name.

Crewe and Huff are far from the only famed behind-the-scenes personnel represented here.  Ace has already spotlighted the songwriting/producing team of Feldman-Gottehrer-Goldstein on a compendium dedicated to the trio; they are showcased here by Diane Christian’s sassy ode to a “Little Boy.” Maverick producer Lee Hazlewood and arranger Jack Nitzsche (both subjects of multiple Ace compilations) collaborated on vocalist Ramona King’s dancer, “Ballyhoo.”  Christine Cooper’s smoky recording of “(They Call Him A) Bad Boy” originated with Jerry Kasenetz and Jeff Katz’s Super K factory in its pre-bubblegum days; on the other end of the spectrum, soul titan Van McCoy (yes, another subject of an essential Ace release!) helmed The Darlettes’ “Sweet Kind of Loneliness” which lives up to its name with lead singer Francine Hurd’s honeyed vocal.

But the most renowned girl-group name here is Ellie Greenwich.  She moonlighted as The Popsicles for both “I Don’t Want to Be Your Baby Anymore” and “Baby I Miss You,” two songs from songwriters Mark Barkan and Ben Raleigh (perhaps best known for “She’s a Fool,” “That’s the Way Boys Are” and many others) released on GNP Crescendo in 1965 and reprised here.  Another uncredited legend here is Motown’s Brenda Holloway, who supplies the impassioned lead vocal on The Wooden Nickels’ “More Than a Friend,” adding a touch of class to Chester and Gary Pipkin’s ballad

There are a few familiar names here among the artists roster, too.  Evie Sands of “I Can’t Let Go” fame appears with the characteristically rocking “Billy Sunshine” from the team of writer-producers Chip Taylor and Al Gorgoni.  Reparata and the Delrons, already chronicled on an Ace set, deliver “Mama Don’t Allow” (1965) with its frenetically honking horns.  The Murmaids’ upbeat “Don’t Forget” is reprised from their recent volume, accurately titled A Few of the Things We Love.

As with any Where the Girls Are volume, there are plenty of keepers from artists with whom one might not be familiar.  Roddie Joy’s “Something Strange is Going On” bears a sophisticated arrangement from veteran composer-conductor Artie Butler. One of the most spirited tracks on the collection comes from Los Angeles’ Francettes, the ode to a “Young Daddy.”  The Bitter Sweets’ dark and melodramatic “What a Lonely Way to Start the Summertime” was penned by Brute Force and may be the best Shangri-Las record the group never made, while The Flowers channel Phil Spector on the dramatic “On a Rainy Night.”

A trio of previously unreleased recordings premiere here. The mysterious Bluezettes’ swooning, devoted “With a Kiss” is from the “98.6” team of George Fischoff and Tony Powers.  (The song was also recorded by Kiki Dee.)  Bert Berns and (his wife) Ilene Stuart’s “I’ll Come Running Over” was popularized by Lulu, but it’s nearly as enjoyable in the loose, raw rendition by Cincinnati’s Two of Clubs.  Finally, Darlene Love and The Blossoms handle the vocal interjections on guitarist-arranger Billy Strange’s instrumental “Moon Walking.”

Consistent with other volumes in the series, Ace has lavished this release with a colorful 16-page booklet containing comprehensive track-by-track annotations from compiler Mick Patrick.  Nick Robbins has splendidly remastered all songs.  Where the Girls Are Volume 9 is available now at the links below!

Various Artists, Where the Girls Are Volume 9 (Ace CDCHD 1461, 2016) (Amazon U.S. / Amazon U.K. / Amazon Canada)

  1. That’s The Way It Is (When A Girl’s In Love) – The Sweet Three
  2. Society Girl – The Rag Dolls
  3. Little Boy – Diane Christian
  4. I Don’t Want To Be Your Baby Anymore – The Popsicles
  5. What A Lonely Way To Start The Summertime – The Bitter Sweets
  6. Something Strange Is Going On – Roddie Joy
  7. Billy Sunshine – Evie Sands
  8. Come Down – Honey Ltd
  9. With A Kiss – The Bluezettes
  10. Don’t Forget – The Murmaids
  11. Can Tell (I’m Losing Your Love) – Lena Calhoun & The Emotions
  12. You Better Stop It – The Lovelites
  13. I’ll Come Running Over – 2 Of Clubs
  14. Mama Don’t Allow – Reparata & The Delrons
  15. Ballyhoo – Ramona King
  16. Who Stole The Cookie – The Jaynetts
  17. Young Daddy – The Francettes
  18. I Need A Boy – The Penny Sisters
  19. (They Call Him A) Bad Boy – Christine Cooper
  20. What Did You Do Last Night – The Drake Sisters
  21. Baby I Miss You – The Popsicles
  22. On A Rainy Night – The Flowers
  23. Sweet Kind Of Loneliness – The Darlettes
  24. More Than A Friend – The Wooden Nickels
  25. Moon Walking – The Blossoms with Billy Strange
Joe Marchese
Joe Marchese

JOE MARCHESE (Editor) joined The Second Disc shortly after its launch in early 2010, and has since penned daily news and reviews about classic music of all genres. In 2015, Joe formed the Second Disc Records label. Celebrating the great songwriters, producers and artists who created the sound of American popular song and beyond, Second Disc Records, in conjunction with labels including Real Gone Music and Cherry Red Records, has released newly-curated collections produced and annotated by Joe from iconic artists such as Dionne Warwick, Diana Ross and The Supremes, Smokey Robinson and The Miracles, The Spinners, Johnny Mathis, Bobby Darin, Meat Loaf, Laura Nyro, Melissa Manchester, Liza Minnelli, Darlene Love, Al Stewart, Michael Nesmith, and many others.

Joe has written liner notes, produced, or contributed to over 200 reissues from a diverse array of artists, among them America, JD Souther, Nat "King" Cole, Paul Williams, Lesley Gore, Dusty Springfield, BJ Thomas, The 5th Dimension, Burt Bacharach, The Mamas and the Papas, Carpenters, Perry Como, Rod McKuen, Doris Day, Jackie DeShannon, Petula Clark, Robert Goulet, and Andy Williams.

Over the past two decades, Joe has also worked in a variety of capacities on and off Broadway as well as at some of the premier theatres in the U.S., including Lincoln Center Theater, George Street Playhouse, Paper Mill Playhouse, Long Wharf Theatre, and the York Theatre Company. He has felt privileged to work on productions alongside artists such as the late Jack Klugman, Eli Wallach, Arthur Laurents, Betty Comden and Adolph Green. In 2009, Joe began contributing theatre and music reviews to the print publication The Sondheim Review, and in 2012, he joined the staff of The Digital Bits as a regular contributor writing about film and television on DVD and Blu-ray.

Joe currently resides in the suburbs of New York City.

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