A box set from Cherry Red this fall will offer nearly everything from the first decade of The Bangles' discography.
Watching the Sky: The Bangles Box Set will join together on four CDs the band's three studio albums (All Over the Place (1984), Different Light (1986) and Everything (1988)) - most with non-LP single, B-side and remix material - plus a further bonus disc of rare material, including the group's pre-major label studio material. It's 27 bonus tracks in all, plus a liner notes essay on the group by John Earls of Classic Pop. It's due out September 26.
Perhaps unfairly considered the yin to The Go-Go's yang - both were female bands from Los Angeles - The Bangles started out as part of the cult-favorite Paisley Underground scene, blending power pop and psychedelia into their sound. Singer Susanna Hoffs and siblings Vicki Peterson (guitar) and Debbi Peterson (drums) first joined forces with bassist Annette Zilinskas in 1981 under the name The Bangs, recording a fistful of razor-sharp material on singles and EPs (one of which was distributed by Faulty Products, a label masterminded by The Police's manager Miles Copeland III; he would later co-found I.R.S. Records). After a change in name and line-up, subbing Zilinskas for former Runaways bassist Michael Steele, The Bangles signed a deal with Columbia, collaborating with 415 Records hotshot David Kahne on their debut LP All Over the Place. Featuring catchy originals like "Hero Takes a Fall," a cover of a pre-fame Katrina and The Waves' "Going Down to Liverpool," and rich lead vocals and harmonies from all four members, the album was a strong effort but only a modest success.
Things changed considerably with 1986's Different Light. The Bangles' increasingly polished sound was augmented by their willingness to accept songs submitted by other writers: power-pop hero Jules Shear offered the memorable "If She Knew What She Wants," composer Liam Sternberg (who'd go on to write the memorable theme for the series 21 Jump Street) offered a quirky novelty dance tune called "Walk Like An Egyptian," and there was even a cover of Big Star's "September Gurls." But the crown jewel was "Manic Monday," a bright pop track that a smitten Prince sent the group to record. In a rare move for a song bestowed on a band by The Artist, they arranged and played it themselves - and saw it rise to No. 2 on the Billboard Hot 100, kept out of the top spot by Prince and The Revolution's "Kiss." "Egyptian" soon rang the bell on the charts, thanks in no small part to a popular video featuring a smoky-eyed glance from Hoffs that fans would not soon forget.
The Bangles would next hit it big with another cover, taking a killer rock version of Simon & Garfunkel's "Hazy Shade of Winter" to No. 2 from the soundtrack to Less Than Zero in 1987. Everything followed a year later, produced by singer/songwriter Davitt Stigerson and featuring co-writes from every band member. The Debbi Peterson co-write "Be with You" was an effective uptempo rocker, while Steele contributed the wistful jangle-pop of "Glitter Years." Hoffs contributed to the album's biggest hits, working with songwriters Billy Steinberg and Tom Kelly ("Like a Virgin," "True Colors") on the dramatic prom ballad "Eternal Flame" and the psychedelic "In Your Room," which respectively hit Nos. 1 and 5 on the pop charts. Sensing that Columbia was trying to position Hoffs as the leader of the group, the quartet disbanded before the decade ended. They'd reunite in 1998, releasing two albums since; the latter, 2011's Matthew Sweet co-produced Sweetheart of the Sun, was done as a trio after Steele departed again in 2005. The group has lately focused on their early Paisley Underground material, releasing a compilation of pre-Columbia material through Omnivore and even reuniting with Zilinskas. (A hefty corrective meant to establish the group's place in the pop/rock firmament came in the form of an authorized biography earlier this year.)
Each of these albums has been reissued and expanded by Cherry Red before; nearly all of the tracks included on those sets are here. (The sole missing bonus cut: the dub version of "Walk Like An Egyptian" featured on the 2CD expansion of Different Light.) The set also includes way more, including rare single edits and remixes (particularly of the non-LP "Hazy Shade of Winter") as well as all the pre-Columbia studio material; it does, however, miss a few Columbia-era cuts including "I Got Nothing" (from the soundtrack to 1985's kid adventure flick The Goonies) and the Everything outtake "Everything I Wanted," released on the band's 1990 greatest hits album after the group broke up.
September 26 is the fun day - some might even say the I-don't-have-to-run day - for The Bangles' Watching the Sky
Watching the Sky: The Bangles Box Set (Cherry Pop CR4POPBX288 (U.K.), 2025) (Amazon U.S. / Amazon U.K. / Amazon Canada)
Disc 1: All Over the Place (released as Columbia BFC 39220, 1984) and bonus tracks
- Hero Takes a Fall
- Live
- James
- All About You
- Dover Beach
- Tell Me
- Restless
- Going Down to Liverpool
- He's Got a Secret
- Silent Treatment
- More Than Meets the Eye
- Going Down to Liverpool (Single Edit) (single A-side - Columbia 38-04634, 1984)
- Hero Takes a Fall (Remix) (single A-side - Columbia 38-04770, 1985)
- Where Were You When I Needed You (B-side to "Hero Takes a Fall" - Columbia 38-04479, 1984)
Disc 2: Different Light (released as Columbia BFC 40039, 1986) and bonus tracks
- Manic Monday
- In a Different Light
- Walking Down Your Street
- Walk Like An Egyptian
- Standing in the Hallway
- Return Post
- If She Knew What She Wants
- Let It Go
- September Gurls
- Angels Don't Fall in Love
- Following
- Not Like You
- Following (Single Edit) (U.K. single A-side - CBS BANGS 2, 1987)
- Walking Down Your Street (Remix) (U.K. single A-side - CBS BANGS 1, 1986)
- Manic Monday (Extended Version) (U.K. 12" A-side - CBS A 13.6796, 1986)
- Walking Down Your Street/James (Live @ Queen Margaret Union, Glasgow University, Glasgow, Scotland - 3/1/1986) (U.K. 12" B-side to "Going Down to Liverpool" - CBS TA 7255, 1986)
Disc 3: Everything (released as Columbia C 44056, 1988)
- In Your Room
- Complicated Girl
- Bell Jar
- Something to Believe In
- Eternal Flame
- Be with You
- Glitter Years
- I'll Set You Free
- Watching the Sky
- Some Dreams Come True
- Make a Play for Her Now
- Waiting for You
- Crash and Burn
Disc 4: Bonus tracks
- Getting Out of Hand
- Call on Me
- The Real World
- I'm In Line
- Want You
- Mary Street
- How is the Air Up There?
- Bangles Hit Medley Mix
- What I Meant to Say
- Hazy Shade of Winter
- In Your Room (7" Remix)
- Hazy Shade of Winter (7" Dub Mix)
- Walk Like An Egyptian (Extended Dance Mix)
- If She Knew What She Wants (Extended Remix)
- Walking Down Your Street (Extended Remix)
- Hazy Shade of Winter (Purple Haze Mix)
- In Your Room (12" Extended Version)
- Walk Like an Egyptian (A Cappella Mix)
- In Your Room (12" Instrumental)
- Hazy Shade of Winter (Shady Haze Version)
Tracks 1-2 released as Down Kiddie single DK001, 1981
Tracks 3-7 released as Bangles EP - Faulty Products FEP 1302, 1983
Track 8 released on "Following" U.K. 12" - CBS BANGS T2, 1987
Track 9 released on "Eternal Flame" single - Columbia 38-68533, 1989
Track 10 released on Less Than Zero (Original Motion Picture Soundtrack) - Def Jam/Columbia C 44042, 1987
Track 11 released on "In Your Room" single - Columbia 38-08090, 1988
Tracks 12, 16 and 20 released on "Hazy Shade of Winter" 12" - Def Jam/Columbia 44-07540, 1987
Tracks 13 and 18 released on "Walk Like An Egyptian" 12" - Columbia 44-05935, 1986
Track 14 released on "If She Knew What She Wants" U.K. 12" - Columbia TA 7062, 1986
Track 15 released on "Walking Down Your Street" 12" - Columbia 44-06760, 1987
Tracks 17 and 19 released on "In Your Room" 12" - Columbia 44-08170, 1988
Oh I want this! I wonder if there will be any signed copies.
This set is also missing the single remix of I'll Set You Free and the extended "California" version of Manic Monday. It's an almost perfect collection.
Hope this means the albums missing from streaming services get uploaded
Oh yes, this is a great set...i have the "Goonies" soundtrack & that 2CD UK Music Club Deluxe...have to see if that Single Remix of "I'll Set You Free" is on there & that "California" mix of "Manic Monday"...but ive been following their careers post-1990 solo work & reunions live & on record...love Susanna's solo records & Under The Covers series with Matthew Sweet, Vicki with the Continental Drifters, Psycho Sisters with Susan Cowsill & now her great new duo record with husband John Cowsill & sister Debbi, on the latest Minus 5 album & she was on the recent first Little Steven Underground Garage Cruise, where seeing & meeting her was a total surprise, she performed with M5 & Lenny Kaye's Nuggets show...i have to say, i love both the Bangles & GoGos, collect em both, but if i am honest, i think, despite their large amount of covers, the Bangles have the edge cuz they are a bit cooler, with their roots in the cultish Paisley Underground and garage rock & their musical taste...they all have to be record collector nerds...so yes, i came of age during their heyday, but they def transcended the 80s, avoided the dated trappings & somehow evolved into a timeless, cool, cultish, female powerpop rock & roll band & will never be stuck on "We Love The 80s" multi-1 hit wonder band shows playing their 2-3 songs most know...the Bangles did it right...
Am i the only person in the world who can't stand Eternal Flame anymore? Or are there others? Today when i heard the first note i feel sick. All Over The Place and Different Light-albums has been my favorites since the late 80's.
Eternal Flame is just OK, but Everything is still a decent album, with Be With You, I'll Set You Free & In Your Room better songs & singles...EF was more a curse than a blessing, but at least their legacy was not killed by that song getting overplayed on radio...
Trivia time! Many years ago in the early 1980's, before The Bangles, The Bangs appeared as guest DJ's for 1 night on FM 106.7 KROQ, broadcasting from Pasadena. They were offered to host a Christmas holiday show, at a prime time schedule. They were hilarious, absolutely fun and they did some really clever bits like taking Swiss New Wave band Trio's bizarre 1893 hit, Da Da Da, and using only the backing track, they chanted Ho Ho Ho, repeatedly. Their spontaneous banter was refreshing to hear. They played so many diverse records, reflecting their expansive knowledge of Pop/Rock/New Wave Music. Then, they reverently announced, the next track they're about to play is their favorite song of all: Stupid Einstein, by The Three O'Clock, from their 1983 debut album Sixteen Tambourines. I loved The Three O'Clock, and I owned that album. Now I have it on CD, along with the rest of their catalogue.
KROQ was quite possibly, the first radio station to play The Bangs records and of course, The Bangles received heavy airplay from on their at station, throughout their career in the 1980's. I'm glad I was lucky enough to listen to their entire Christmas program of musical mayhem and very knowledgeable song choices.
The Bangles are still special to me. I look forward to buying this long overdue, deluxe CD compilation!
I wonder if you may be thinking of KPPC in Pasadena. As I recall visiting the KROQ studios, they were just off the Hollywood Fwy at Metromedia Square…but as this was so long ago I can’t really count on memory….
It was definitely KROQ. The Bangs were given full reign or delightful misrule, to host their very own Christmas holiday radio show on the Pasadena based radio station. I began listening to KROQ in 1977, shortly after arriving in Los Angeles from Boston. I still live in Southern California.
I don't know if KROQ saves archival tapes of any of their special radio programs, but this one with The Bangs really was a treat. Those young ladies had sharp, spontaneous wit. Their humor was on target with direct hits.
Their music choices were enlightening, because we, the listeners got to hear many of their sources of inspiration.
When they played the backing track of Trio's song, Da Da Da, and they chanted in unison, Ho Ho Ho, Ho Ho Ho, doing only that for about 30 seconds, I thought, brilliant. After all, it was Christmas time but who would ever think of doing some so appropriately Dada as that?
KROQ really were supportive of The Bangs, which is why the station fully embraced The Bangles.
I stopped listening to the station by 1993, when they forgot everything they learned in the 1980's, and dropped it all for Grunge and anything similar to that.
A fine preview, but one correction: The Go Go's were a quintet, not a quartet.
What about early surf instrumental Bitchin’ Summer? Was that an indie or limited pressing track? Or????