Smash! Boom! Bang! The ace compilation experts at, well, Ace Records are offering up plenty of Smash, Boom and Bang (both in impact and in label name!) for your buck with their diverse slate of February releases. You'll find top-drawer pop, rock and soul for connoisseurs and beginners alike among the label's latest. Perhaps the most unexpected is the new entry in the label's long-running Songwriters and Producers series. Smash Boom Bang! The Songs and Productions of
Our Memories of Elvis: Presley Classics Expanded by Follow That Dream Label in March
Following December’s release of expanded editions of Elvis Sings The Wonderful World of Christmas, Promised Land and Elvis is Back!, the limited-edition Follow That Dream label has announced another trio of vintage Presley titles due in March. The On Stage: February, 1970 album (previously twinned with In Person by RCA and Legacy) will be a 2-disc, 7-inch digipak set with a 12-page booklet. In addition to the original album sequence, it will present all of RCA's recordings from three of the
Back Tracks: Whitney Houston
Music was in both the bloodline and the spirit of Whitney Elizabeth Houston (1963-2012). The native of Newark, New Jersey called Cissy Houston of The Sweet Inspirations her mom, while Dionne Warwick and Dee Dee Warwick were her beloved cousins. Aretha Franklin was a close family friend and honorary aunt. Following in her mother's footsteps, she began performing at Newark's New Hope Baptist Church, singing in the gospel choir as a featured soloist, and began to make inroads in the music
So Esoteric: Todd Rundgren's Lost "Disco Jets" and a Jim Capaldi Duo Coming Soon
Longtime Todd Rundgren fans are familiar with the renaissance man’s numerous genre excursions, from pop to rock and everywhere in between: psychedelia, soul, electronica, even metal. But comparatively fewer fans have heard Rundgren’s one and only full-blown excursion into disco. Shortly after completing 1976’s Faithful LP, the iconoclastic producer took the members of Utopia into the studio to create the album known as Disco Jets. Yet the album crafted by Willie Wilcox (drums), Roger Powell
Review: Frank Sinatra, "The Concert Sinatra" (2012)
There have been countless recordings of Frank Sinatra…but only one Concert Sinatra. So named for its full concert orchestra (and not for a live performance), the 1963 album remains a career triumph. It’s perhaps the pinnacle of Sinatra’s long association with conductor/arranger Nelson Riddle, a vivid display of the singer’s gifts as a dramatic actor, and the ultimate valentine to the American theatrical songbook. Make no mistake, The Concert Sinatra is serious symphonic music, and it’s back
The Man in Black Meets the Man Upstairs: New Johnny Cash "Bootleg" Album Collects Gospel Material and Rarities
Underneath the darkness of The Man in Black, there was a great light. Despite trials that would likely have tested the faith of a lesser man, Johnny Cash’s belief in a higher power was unshakeable. And Cash formidably expressed those beliefs in song over the course of his long career. Like another American icon, Elvis Presley, Cash built up a body of gospel and spiritual music with such depth that it has easily stood the test of time alongside his more famous secular works. Johnny Cash
Touch the Sky: Four Classic Carole King Albums Reissued
When Carole King left Lou Adler’s Ode Records, the label that guided her in the transition from urban Brill Building queen to singer/songwriter/earth mother, it marked the end of an era. And how would the Tapestry weaver top the two distinct periods that had come before? King signed to Hollywood’s venerable Capitol Records label, and the title of her first LP for the label said it all: Simple Things. King’s final Ode LP, 1976’s Thoroughbred, had emphasized a return to nature in its cover
Anyone Who Had a Heart: Shelby Lynne's Dusty Springfield Tribute, Reissued
When I Am Shelby Lynne appeared on the Mercury label in 2000, its eponymous singer finally hit on an approach that synthesized her varied influences (country, soul, R&B, rock-and-roll) into a relevant and contemporary whole. Lynne picked up the Best New Artist Grammy, despite having released her first album in 1989, and the album’s title indicated that, finally, the artist knew who she was, and was ready to share her music with the world. Fast-forward eight years, and a number of albums
High Anxiety: Wounded Bird Offers Blood, Sweat and Tears, Phil Everly, and...Mel Brooks?!?
No need to suffer from high anxiety (it’s always the same)! Chances are that Wounded Bird Records might make you so very happy with a trio of new releases slated for February 21. Phil Everly’s 1973 solo offering for RCA Records, Star Spangled Springer, has never before been available on CD despite contributions from Warren Zevon and Duane Eddy, and so Wounded Bird’s reissue will undoubtedly fill a gap in more than a few Everly Brothers collections. It’s joined by the 2-CD release of Blood, Sweat
Gonna Take a Miracle: Deniece Williams Trio Coming From BBR and FTG
Let's hear it for Deniece Williams. By the time of her debut album in 1976, the resilient singer with the remarkable range had already recorded a Northern Soul favorite ("I'm Walking Away" on the small Lock Records label), performed with Minnie Riperton and Roberta Flack, and been a member of Stevie Wonder's versatile backing group Wonderlove. This is Niecy, on Columbia Records, was produced by Maurice White of Earth, Wind & Fire and Charles Stepney of Chess Records fame, and their
Always on Our Mind: Willie Nelson Returns to Sony in New Legacy Deal
To all the girls and boys who have loved the music of Willie Nelson before, there’s plenty of good news ahead. The red-headed stranger, 78, has signed a new deal with Sony’s Legacy Recordings division that encompasses both new albums (with a total of five promised) and archival releases. Nelson, one of the most prolific recording artists of any genre, has maintained a release schedule that would make many a younger man envious. In 2011 alone, Nelson released one studio album and one live
When The Lovelight Starts Shining: Lost Brit Girl Pop of Beryl Marsden Returns
If you peruse enough collections of Merseybeat, chances are you'll be familiar with the name of Beryl Marsden (no relation to Gerry, of Pacemakers fame). A product of the same Liverpool club scene that birthed the career of Beatle pal Cilla Black, Marsden played a number of recognizable Fab haunts, including the Cavern Club and the Star Club, and even supported the Beatles on their 1964 U.K. tour. But Marsden had never received a career-spanning anthology...until now! Changes: The Story of
Straight Through/From The Heart: Dio Goes Deluxe From Universal, Audio Fidelity Preps Dio, Bryan Adams
It’s 1983 all over again at Audio Fidelity. The audiophile specialty label is readying two albums from that year touching on both the rock and pop ends of the musical spectrum. Bryan Adams’ Cuts Like a Knife and Dio’s Holy Diver are both due in stores on February 14 as 24K Gold CDs playable on all CD players. Cuts Like a Knife was Adams’ third effort, eschewing the stylistic presentation of his first two albums in favor of a melodic rock style that caught on with both listeners and radio
Tattoo You: Rolling Stones Digital Archive Unveils 1981 Concert
When the Rolling Stones opened the Stones Archive for business late in 2011 with the first-ever legitimate release of The Brussels Affair, it was greeted as somewhat of a mixed blessing. The Archive promised to be a place where fans of the World's Greatest Rock and Roll Band "can listen to unheard music, view unseen photographs and films, and look at rare merchandise. Fans have the opportunity to buy items such as signed lithographs, deluxe box sets, even personalised merchandise and tour gear
Review: Aretha Franklin, "Knew You Were Waiting: The Best of Aretha Franklin 1980-1998"
Aretha Franklin is serious about her royalty. Billed on her newly-activated Twitter account as "the undisputed Queen of Soul" (take that, Tina Turner!), Franklin doesn't take her title lightly. But for a brief period, the artist's credentials as reigning Queen of Pop were just as unimpeachable. When Aretha joined Arista Records in 1980, it was after five disappointing albums at Atlantic, none of which have ever seen the light of day on compact disc. On those LPs, producers as diverse as
Review: "Golden Gate Groove: The Sound of Philadelphia, Live in San Francisco 1973"
No love, no peace, no shoes on my feet…no home, just a shack where I sleep… In the fall of 1971, Philadelphia International Records launched its long-playing series with Billy Paul’s Going East, and the title opus in which the velvet-voiced crooner spins a slow-burning yarn of slavery. It was hardly Top 40 fare (Paul would have to wait till producers/songwriters/label entrepreneurs Kenneth Gamble and Leon Huff gifted him “Me and Mrs. Jones” the following year) but signaled the dramatic
The Hills of Yesterday: Henry Mancini, Charles Strouse Offer "Molly Maguires" Scores
A victim of the blacklist, director Martin Ritt (The Front, The Great White Hope and Norma Rae) felt passionately about using film to explore relevant social issues. So it would have been no surprise that he was taken with the story of the Molly Maguires, the Irish-American coal miners who formed a secret society (some might say, of terrorists) to fight their oppressive employers in 19th century Pennsylvania. Ritt enlisted an all-star cast including Sean Connery (still in his James Bond
Thank You M.C. 1969: Michael Chapman's Folk-Rock Classic "Rainmaker" Arrives From Light in the Attic
When the distinct green Harvest Records logo is remembered today, it’s often for Pink Floyd or early Electric Light Orchestra. But the label, created to stake a claim in the burgeoning rock market, boasted a deep, diverse roster, all the better to compete with other “alternative” labels like Decca’s Deram or Philips’ Vertigo. One of the artists who found early success on Harvest was Michael Chapman, a former art and photography instructor. Chapman’s greatest achievement was arguably 1970’s
Chicago Reissues Return From Friday Music, "Hot Streets" Kicks Off Campaign
On 1971’s Chicago III, one of the band's passionate anthems went, “I just want to be free…” But it took until 1978 for the band to be truly free, and that year’s Hot Streets was an album of firsts. The freedom largely came as a result of the group having severed its ties with longtime producer/manager James William Guercio; hence, Hot Streets was Chicago’s first album in many years not recorded at Guercio’s famed Caribou Ranch. It was also the first to lack a number in its title and first to
Vinyl Experience: Jimi Hendrix Comes To Sundazed
Get ready to be experienced, again, on vinyl. Sundazed Music and Experience Hendrix have announced a new series of 7-inch vinyl singles, housed in picture sleeves, featuring music not before released in the single format. The first such single will arrive in April, and both sides will be taken from Hendrix’s incendiary BBC performances of 1967 (released on CD and vinyl LP by Experience Hendrix as BBC Sessions). Hendrix’s October 17, 1967 performance of Bob Dylan’s “Can You Please Crawl Out
Short Takes: "Meet Glen Campbell" and "Matter of Time" Reissued, A Rare Earth Curio and More From Impulse!
The legendary Glen Campbell has seen a number of his classic albums reissued this year by labels including BGO, Real Gone Music and New Haven. Our friends at Rockbeat Records have lined up the next Campbell release, revisiting his 1985 LP for the Atlantic label, It’s Just a Matter of Time. Produced by Harold Shedd, the album found Campbell revisiting some of his past triumphs. Longtime collaborator and friend Jimmy Webb contributed three songs: the oft-covered “Do What You Gotta Do,”
From "Blonde" to "Blue": Bob Dylan, Miles Davis Classics Coming on SACD and LP
Any label president would have killed to have Bob Dylan or Miles Davis on his company’s roster, but Columbia Records’ legendary Goddard Lieberson had the good fortune to have had both of these groundbreaking artists making their most important music on the red label under its watchful eye logo. Since the advent of the compact disc era, there’s been no shortage of reissued music from these giants, and it’s already clear that 2012 will continue the steady flow. Mobile Fidelity Sound Lab has
Review: A Real Gone January - Bill Medley, Jody Miller and The Tymes
Among the first releases of 2012 from newbie label Real Gone Music is a two-on-one collection offering the compact disc debut of Bill Medley’s 100% and Soft and Soulful. But those titles are apt to describe the entire Real Gone line-up for January, as the young label has given 100% to make available a wide variety of music: soft and soulful, yes, but also jazzy, twangy, and folky. There’s something for everyone in this array of once-neglected titles. As 1968 began, The Righteous Brothers were
You've Got a Friend in Intrada: Randy Newman's "Toy Story 3" Arrives on CD
Toy Story 3 certainly had its fair amount of accomplishments. It was highest-grossing film of 2010 (domestic and worldwide), the all-time box office champ among animated features, and in the Top 10 highest-grossing films of all time. It reaped five Academy Award nominations, including Best Picture, and took two of the gold statues home. It became the first film to be released theatrically in 7.1 surround sound. But one thing Toy Story 3 didn't have was a proper soundtrack album on CD.
Last Train to Clarksville: Limited Quantity Remains of Monkees "Greatest Hits" on Orange Vinyl
Monkee Alert! In 1969, the band itself was coming apart at the seams, and its television program had been cancelled a year earlier. But Colgems Records had a solution to reignite interest in the zany music makers: release the first-ever Monkees hits collection! That LP was The Monkees Greatest Hits, a 14-track album that lives up to its promise: "I'm a Believer," "Last Train to Clarksville," "Pleasant Valley Sunday," "Daydream Believer," "A Little Bit Me, A Little Bit You," and so on. The
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