Features / Interviews

A SECOND DISC EXCLUSIVE! Out Of My Hands, Still In My Heart: The Story of Pamela Polland’s Lost Album

Pamela Polland may not have become a worldwide household name, but there was a point around the year 1973 where she was close to becoming one. In the prior decade, she had written songs performed by the illustrious likes of Vikki Carr, The Serendipity Singers, and Linda Ronstadt; performed in a blues duo with Ry Cooder; formed the psych-pop duo The Gentle Soul; appeared in the Leonard Bernstein-hosted Inside Pop documentary; and launched a solo career. In the years that followed, she hit the road with Joe Cocker, Leon Russell, and Mad…

Continue Reading
Categories:
Formats:
Genres:

A SECOND DISC INTERVIEW! Have No Fear, Bond Is Here: “Casino Royale: 50th Anniversary” Reissue Announced, Chris Malone Explains Restoration

Seven James Bonds at Casino Royale/They came to save the world and win the gal at Casino Royale!  Six of them went to a heavenly spot, the seventh one is going to a place where it’s terribly hot… Hal David’s lyric captures just a small fraction of the insanity of Charles K. Feldman’s 1967 Casino Royale, the big-budget comic extravaganza and cult favorite that was “too much…for one James Bond!”  And so, David Niven as James Bond was joined by 007s of all shapes and sizes (and genders!), and even by his…

Continue Reading

Extra-Terrific: Inside The Art of La-La Land’s ‘E.T.’ Soundtrack Reissue

Attendees of this past weekend’s Mondo-Con were treated to a special new print from the master pop-culture provider: a striking new poster for E.T. The Extra-Terrestrial. Eagle-eyed fans will recognize the graphic from its debut on La-La Land Records’ 35th anniversary double-disc expansion of John Williams’ Oscar-winning soundtrack. It’s a wondrous image: of the film’s protagonist Elliott, seen from behind astride his bicycle as he looks upward into the evening sky, reflecting on the incredible bond he shared with his friend from three million light years away. It was a bold choice…

Continue Reading
Categories:
Formats:
Genres:

Now We’re Getting Somewhere: An Interview with Neil Finn of Crowded House

Hey now, hey now…Here at Second Disc HQ, we’re bursting with pride to share with you this very special interview conducted by our very own Mike Duquette! Crowded House founder Neil Finn reflected at length with Mike about his band, his career, legacy, and the series of truly lavish Crowded House reissues hitting stores on November 11.  We know you’ll enjoy this one!  Take it away, Mike… There are certain songwriters who’ve mastered certain places in their compositions. Think of, say, Lou Reed, and you’ve got witty urban decay, personified. Conjure up some songs…

Continue Reading
Categories:
Genres:

For Now, For Always: A Second Disc Interview! Bruce Kimmel Announces “Unsung Sherman Brothers”

“In every job that must be done/There is an element of fun/You find the fun and snap!/The job’s a game!” For more than fifty years, the tuneful team of Richard M. Sherman and Robert B. Sherman found the fun in their own job: songwriting.  Together, “The Boys” penned memorable hits by Annette Funicello and Ringo Starr, defined the sound of Disneyland with unforgettable songs like “There’s a Great Big Beautiful Tomorrow” and “It’s a Small World,” and made timeless movie magic with Mary Poppins, Bedknobs and Broomsticks, Charlotte’s Web, Chitty Chitty Bang…

Continue Reading

Moonlight Serenades: Bruce Kimmel Talks Complete Glenn Miller Soundtracks Coming To CD!

Legendary bandleader Glenn Miller only made two film appearances as an actor.  20th Century Fox’s 1941 musical Sun Valley Serenade introduced two standards into the American Songbook – “Chattanooga Choo Choo” and “At Last” – and earned three Academy Award nominations.  Its 1942 follow-up, Orchestra Wives, moved Miller from featured status to above-the-title billing and introduced another Oscar-nominated hit, “I’ve Got a Gal in Kalamazoo.”  Yet both films, and their remarkable treasure trove of music, have remained largely unheralded.  The Kritzerland label is setting out to change that with the first-ever complete…

Continue Reading

SPECIAL FEATURE! “The Grease Megamix” Is the Word: Inside an Unlikely International Hit

In the 45 years since Jim Jacobs and Warren Casey premiered their musical Grease in a trolley barn-turned-blues club in Chicago, the show has taken on a life unlike any other theatrical production in America, or even the world. There have been 11 different major productions of the show throughout the U.S. and U.K., including a record-breaking 3,388-performance run on Broadway, five runs on London’s West End between 1979 and 2007 and three national tours; an internationally-acclaimed film adaptation that remains the highest-grossing musical film of all time; and a hotly-anticipated live…

Continue Reading

Something to Remember: How Alex Chilton (and Jeff Vargon) Generated “Electricity by Candlelight”

The recent release of Alex Chilton’s Electricity by Candlelight on Bar/None Records turns a “you had to be there” moment into a “you are there moment.” The late, great singer/songwriter and Big Star frontman took a major setback – a sudden power outage between two sets at New York City’s Knitting Factory in 1997 – and spun it into a most magical listening experience: Chilton picked up an acoustic guitar and regaled a small audience with a clutch of covers, from standards (“My Baby Just Cares for Me,” “Someone to Watch Over Me”) to country…

Continue Reading
Categories:
Formats:
Genres:

Interview: Going Full Circle with Richard Barone of The Bongos

Richard Barone, frontman for New Jersey-based power-pop act The Bongos, describes his career as centered around the theme of “full circle.” This year, Barone has revisited a lot of captivating and familiar territory from his lengthy career. The Bongos were the closing act at legendary Hoboken club Maxwell’s in July, having (as members of the band “a”) been the venue’s first act. Onstage, they announced the release of a “lost” Bongos album, Phantom Train, recorded primarily at Compass Point Studios with producer Eric “E.T.” Thorngren in 1986 but unreleased until this week. The…

Continue Reading
Categories:
Formats:
Genres:

INTERVIEW: Excavating Jem with Marty Scott

The list of American cities tied to record labels is small, but certainly notable. Memphis has Stax and Sun, Detroit is defined by Motown, Sub Pop defined the Seattle sound…and then there’s Jem Records, which made its home in the middle-class borough of South Plainfield, New Jersey. Jem, as well as its sub-labels like Passport (a joint venture with Seymour Stein of Sire Records) and PVC, became something of a cratedigger’s dream in the 1970s and 1980s, licensing content from all over the world and getting it into stores across America, effectively…

Continue Reading
Categories:
Formats:
Genres:

Put Your Hands to Heaven: An Interview with Reissue Producer Vinny Vero

Vinny Vero is everywhere. I don’t mean this in just a literal sense – as of this posting, he’s currently in Australia playing several DJ sets – but he’s also had a multifaceted career in the music business, be it as a marketer, producer, remixer or writer. “This year is my 25th anniversary in the music business,” he told The Second Disc with a laugh. “All of a sudden I feel very experienced!” Vero parlayed his passion for music into a plum gig as a research manager for prominent New York radio…

Continue Reading
Categories:
Formats:
Genres:
Tags:

The Second Disc Interview: Keeping the Beat with Gerry Galipault of Pause & Play!

He’s humbly suggested he’s doing his part to save the music business, but Gerry Galipault is doing something even more important: keeping it fun. On this date 15 years ago, Galipault started Pauseandplay, a simple-but-effective online resource for just about any music release – physical or digital; brand-new or catalogue; vinyl or DVD – that you could dream of. Coupling a tireless work ethic (the result of years of work in the journalism field) with a unique, positive voice, Pauseandplay – named one of the 100 greatest websites by Entertainment Weekly – remains both…

Continue Reading
Categories:
Formats:
Genres:

A Second Disc Interview: Talking Matt Monro, Mastering and Mixing with RICHARD MOORE

A remarkable treasure trove of Matt Monro rarities has just been released by EMI Gold, a timely reminder of the artist’s life and career. He was sometimes known as the “Cockney Como” or the “English Sinatra,” but both descriptions fail to adequately capture the essence of the beloved singer’s unique and enduring style. Fortunately, Matt Uncovered: The Rarer Monro offers that singular sound in abundance as it traces the arc of his entire career, via almost entirely unheard material. We welcomed MICHELE MONRO to The Second Disc yesterday for this interview, and…

Continue Reading
Categories:
Formats:
Genres:

A Second Disc Interview: Talking “Matt Uncovered: The Rarer Monro” with MICHELE MONRO

A remarkable treasure trove of Matt Monro rarities has just been released by EMI Gold, a timely reminder of the artist’s life and career. He was sometimes known as the “Cockney Como” or the “English Sinatra,” but both descriptions fail to adequately capture the essence of the beloved singer’s unique and enduring style. Fortunately, Matt Uncovered: The Rarer Monro offers that singular sound in abundance as it traces the arc of his entire career, via almost entirely unheard material. Click here if you missed our introduction to The Rarer Monro, or read…

Continue Reading
Categories:
Formats:
Genres:

Hey, Mr. Producer: A Second Disc Interview! Talking Remastered, Remixed Edition of Stephen Sondheim’s “Follies” with Bruce Kimmel

Hats off, here it comes: the Kritzerland label is unveiling a new edition of the Original Broadway Cast Recording of Stephen Sondheim and James Goldman’s Follies, but the Broadway babies and girls upstairs will likely have never sounded better.  Following similar releases for Promises, Promises and Sugar, Kritzerland has completely remixed and remastered Capitol Records’ 1971 Follies, affording listeners the opportunity to hear a Sondheim masterwork anew.  The label began accepting pre-orders last evening at midnight for the limited edition of 1,500, so those interested shouldn’t delay.  It’s priced at $19.98 and…

Continue Reading
Categories:
Formats:

A Star Beyond Time: Talking “Trek” with Mike Matessino, Part 2

Captain’s log, Stardate 2012.614. When last we left the crew of the starship Second Disc, they were interviewing renowned soundtrack producer Mike Matessino, whose work on La-La Land’s triple-disc expansion of Jerry Goldsmith’s score to Star Trek: The Motion Picture may be the most vivacious and definitive single soundtrack presentation in a career brimming with many projects. Our interview with Matessino was lengthy, and the two-hour interview was bound to take up more than one post. Why the delay between the installments, though? Some crew members are whispering that a chance encounter with the mysterious…

Continue Reading
Categories:
Formats:
Genres:

There is No Comparison: Talking “Star Trek: The Motion Picture” with Mike Matessino, Part 1

If you’re a catalogue soundtrack fan, you doubtlessly know the name and work of Mike Matessino. For decades, Matessino has been among film score elite, serving ably as a producer, editor, mixer and writer for some of the best soundtrack catalogue titles. The New York University graduate first rose to prominence restoring the music of The Sound of Music and The King and I for 20th Century-Fox, then assembled with Nick Redman the most definitive CD releases of John Williams’ scores to the Star Wars trilogy. Since then, his discography has come to include holy grails like Intrada’s…

Continue Reading
Categories:
Formats:
Genres:

A Fantasmagorical Second Disc Interview! Bruce Kimmel Talks New, Expanded 2-CD “Chitty Chitty Bang Bang”

When Richard M. Sherman introduces his Academy Award-nominated song “Chitty Chitty Bang Bang” in concert, he often has to remind his audience that the film of the same name wasn’t a Walt Disney production.  Producer Albert R. Broccoli, best-known for the James Bond series of films, signed Richard and his brother Robert M. Sherman for their very first film score outside of the Disney sphere.  Like the Bond films, United Artists’ Chitty was based on the writing of Ian Fleming.  For Fleming’s story of a most fantasmagorical flying car, “Cubby” Broccoli envisioned…

Continue Reading
Categories:
Formats:
Genres:

The Second Disc Interview: Talking with Ben Folds

Leave it to Todd Rundgren to spot The Difference.  Hosting a 1995 episode of the late Philadelphia-based radio program of that name, Rundgren interviewed Ben Folds, “fronting his trio, The Ben Folds Five.  Go figure,” the pop icon dryly noted.  Reflecting on the experience sixteen years later, Folds recalled with typical candor the moment when Rundgren spotted the difference in the young musician.   It was “fucking surreal…He said ‘you have a distinct voice.’  And I thought, ‘really?  I think I sound like you, I think I sound like Elton, I think I…

Continue Reading
Categories:
Formats:
Genres:

Make Me Wanna Holler: A Chat with Harry Weinger on “What’s Going On” (Part 2)

The wait is over. We continue our discussion of Marvin Gaye’s classic What’s Going On, to be released as a super-deluxe edition on June 7, with reissue producer Harry Weinger. In this portion of the discussion, Weinger touches on the always-hot topic of remastering the source material, a thought on super-deluxe box sets, and future projects to honor both Gaye’s legacy and other Motown greats. Read on after the jump!

Continue Reading
Categories:
Formats:
Genres:

“I Just Wanna Ask a Question”: Harry Weinger on the “What’s Going On” Box Set

For most music producers, there’s a kind of strangeness to working on multiple reissues of the same classic album over time. Not so for Harry Weinger, vice-president of A&R at Universal Music Enterprises and, as one of UMe’s resident Motown gurus, the producer of several deluxe editions of Marvin Gaye’s classic LPs, including What’s Going On. “You learn between anniversaries,” Weinger said. “And luckily, I was there for both of them.” When What’s Going On became one of Universal’s first in a then-new series of Deluxe Editions – now iconic for their double-sized digipacks…

Continue Reading
Categories:
Formats:
Genres:

The Second Disc Interview #4: Talking Soundtracks with MV Gerhard of La La Land Records

The wide berth of reissues, box sets and compilations across major and independent labels the world over, means some releases can fall through the cracks at times. At The Second Disc, it was always an early mission to make sure the labels handling catalogue soundtrack reissues did not suffer this fate. Intrada, Film Score Monthly, Kritzerland, Varese Sarabande – all are essentials for the catalogue music fan with a taste for soundtracks, and their work is hard to ignore. La La Land Records, however, may have been one of the brightest spots…

Continue Reading
Categories:
Formats:
Genres:
Tags:

The Second Disc Artist Interview #1: Mr. Richard Page on “Pull”

By any standards, Richard Page would have a lot to be thankful for as the frontman of Mr. Mister, the band behind chart-topping smash hits “Broken Wings” and “Kyrie.” This year, however, there’s another part of his career to celebrate: after two decades, Pull, the intended fourth album from the band, is coming out of hiding thanks to the fine folks at Legacy Recordings. Granted, Page wears more than just the face of Mr. Mister.  As a noted songwriter for Madonna (“I’ll Remember,” her 1994 hit from the film With Honors), and a…

Continue Reading
Categories:
Formats:
Genres:

The Second Disc Interview #3: What’s Happening “Now” with Steve Stanley!

The music may be then, but the place to be is undoubtedly Now. By that, of course, I mean Now Sounds. Launched in 2007 by Steve Stanley, the producer of over 50 titles for the Rev-Ola label, Now Sounds celebrates the rich and varied melodies created between 1964 and 1972, though the label isn’t limited to that period. A labor of love for its founder, Now Sounds has established itself as the go-to label for fans of this golden era of both songwriting and record production. We’ve seen a career anthology from…

Continue Reading
Categories:
Formats:
Genres:
Tags:

Coming Tomorrow: Now That’s What We Call Now Sounds!

If you’ve been enjoying Joe Marchese’s very stellar contributions to The Second Disc (and who hasn’t, really?) you’re going to want to pull up a chair tomorrow. Joe’s got what promises to be a great interview with Steve Stanley of the Now Sounds label. The Cherry Red-owned label has got a jam-packed reissue of Paul Williams’ Someday Man (1970) due out this week, and they’ve had a lot of killer product this year, including the great compilation Book a Trip: The Psych Pop Sounds of Capitol Records. Expect a great interview with…

Continue Reading
Categories:
Formats:
Genres:
Tags:
Scroll to Top