Welcome to this week's Release Round-Up, featuring a selection of the new titles out today including a very special pair from Second Disc Records and Real Gone Music! Melissa Manchester, Live '77 (Second Disc Records/Real Gone Music) (Amazon U.S. / Amazon U.K. / Amazon Canada / Real Gone Music) Second Disc Records and Real Gone Music proudly present the premiere release of Melissa Manchester's Live '77, recorded by Arista Records in October 1977 at Gainesville, Florida's Great Southern
Review: Frank Zappa, "The Mothers 1971"
Sorry, Frank! Though the title of Zappa and The Mothers' 1971 album was Just Another Band from L.A., listeners knew what the maverick bandleader was alluding to: his latest group was anything but. Vocalists Mark Volman and Howard Kaylan (a.k.a. Flo and Eddie) and bassist Jim Pons - all freshly recruited from The Turtles - were now happy together with Zappa, drummer Aynsley Dunbar, keyboardists Bob Harris and Don Preston, and multi-instrumentalist Ian Underwood in one of the most outrageous and
Vinyl Me, Please Releases Lavish "Story of Philadelphia International Records" Anthology
The legacy of Philadelphia International Records is as mighty as the famous three men most associated with the label: co-founders and songwriter-producers Kenneth Gamble and Leon Huff and songwriter-producer-conductor-arranger Thom Bell. The three men didn't do it alone, though; the PIR story involves the dozens of talented artists, musicians, songwriters, producers, and arrangers who passed through the doors of engineer Joe Tarsia's Sigma Sound Studios on North 12th Street in Philadelphia,
UPDATE - Glory of Love: Cherry Pop's Expansive Peter Cetera Box Arrives
UPDATED 3/1/22: As one of the seven members of Chicago as featured on their 1969 debut album Chicago Transit Authority, bassist-singer Peter Cetera's soaring tenor became an integral component of the band's sound on such hits as "25 or 6 to 4," "Feelin' Stronger Every Day," "Just You 'n' Me," and "(I've Been) Searching So Long." When his own composition "If You Leave Me Now" became Chicago's first-ever No. 1 on the Billboard Hot 100 - not to mention in international territories such as Canada,
Review: The Replacements, "Sorry Ma, Forgot to Take Out the Trash: Deluxe Edition"
Everything about The Replacements' debut was fast and furious. Sorry Ma, Forgot to Take Out the Trash, first released in 1981 on the Twin/Tone label, introduced eighteen rip-roaring nuggets primarily from the pen of Paul Westerberg. More than half were under two minutes long, and only two cracked the three-minute mark. While the lyrics were filled with aggression and the spirit of youthful rebellion, they weren't devoid of self-aware humor. And though the sound was primal, abrasive, and
Review: Frank Zappa, "200 Motels: Original Motion Picture Soundtrack - 50th Anniversary Edition"
Frank Zappa called 200 Motels "a surrealistic documentary." Leonard Maltin described it as a "visual, aural assault disguised as a movie; completely berserk, freeform film...some of it ingenious, some funny, but not enough to maintain [an] entire film." Roger Ebert compared the surreal musical to the work of experimental composer Harry Partch before observing that it "assaults the mind with everything on hand...a full wall of sight-and-sound input." Zappa never wrote and directed another
Review: The Band, "Cahoots: 50th Anniversary Edition"
From the first seconds of the opening "Life Is a Carnival," it was clear that Cahoots was no ordinary album by The Band. The quintet's first three albums had established them as major proponents of the rootsy genre that would later be called "Americana." But now, the sound blasting from the speakers was one of sheer funk: simultaneously dark and joyful, aggressive yet inviting. In what might have been considered a heretical move by some, the group was bolstered by three saxophones, two
Holiday Gift Guide Spotlight: Belinda Carlisle, "Live Your Life Be Free: 30th Anniversary Edition"
Following a well-received Go-Go's reunion in 1990, Belinda Carlisle returned to the studio to record her fourth studio album, Live Your Life Be Free. Likely the jaunt with her old bandmates inspired her, as the 1991 LP returned the singer to the sixties-inspired, girl-group milieu. Although Live Your Life failed to chart in the U.S., it hit the top ten in the U.K. and yielded four charting singles including the brisk and lusty "Do You Feel Like I Feel" which remains Carlisle's final U.S. hit
Holiday Gift Guide Review: The Doors, "L.A. Woman: 50th Anniversary Edition"
"Well, I've been down so goddamn long that it looks like up to me..." Jim Morrison knew of what he spoke. When The Doors entered Sunset Sound in November 1970 to record what would become their sixth studio album, L.A. Woman, the quartet was ready for a reboot. In September, Morrison had been convicted on profanity and indecent exposure charges related to a March 1969 concert in Miami. With an appeal in place, he was free on bail. But some radio stations had banned The Doors, and even concert
Holiday Gift Guide Review: Elvis Presley, "Back in Nashville"
When Elvis Presley entered RCA's famed Nashville Studio B in June 1970, expectations were high. His last major recording sessions - not counting those for the Universal film Change of Habit - had taken place at Memphis' American Sound Studio with producer Chips Moman, resulting in the acclaimed From Elvis in Memphis LP. Could he follow up that career triumph? Many would argue that he did. Rather than strictly repeat the formula, he and producer Felton Jarvis crafted the concept album Elvis
Holiday Gift Guide Review: Jimmie Vaughan, "The Jimmie Vaughan Story"
Blues guitarist par excellence Jimmie Vaughan turned 70 earlier this year, and The Last Music Company wasn't about to let the milestone go unnoticed. The label has released the appropriately-titled box set The Jimmie Vaughan Story, boasting 5 CDs and over six hours of music chronicling Vaughan's career up to the present day. The collection is available in two formats: a large-scale box which adds a 12-inch LP of Jimmie's 2001 album Do You Get the Blues?, two 45 RPM vinyl singles, a catalogue
Holiday Gift Guide Review: Joni Mitchell, "Joni Mitchell Archives Vol. 2: The Reprise Years (1968-1971)"
Last evening in Washington, DC, Joni Mitchell joined the 44th class of Kennedy Center Honorees alongside Bette Midler, Berry Gordy, Lorne Michaels, and Justino Diaz. The singer-songwriter who has blurred the lines of folk, pop, rock, and jazz was celebrated by friends and admirers including Brandi Carlile, Herbie Hancock, Ellie Goulding, Norah Jones, Brittany Howard, Dan Levy, and Cameron Crowe. President Joe Biden, also in attendance, had earlier summed up the thoughts of many when he
Holiday Gift Guide Review: Billy Joel, "The Vinyl Collection, Vol. 1"
By his own account, Billy Joel stumbled into the singing part of the singer-songwriter equation. He explained of his 1971 debut Cold Spring Harbor, "I wrote this album not as a singer-songwriter, but as a songwriter. I was thinking of other people doing the material on this album. But the advice I got from people in the music business was, 'Well, if you want people to hear your songs, make an album. And then you go out on the road and you do shows and you promote your album. I thought,
The Magic Islands: Aloha Got Soul, Vinyl Me, Please Celebrate Exotica Pioneer Arthur Lyman's "Island Vibes"
Even today, the name of Arthur Lyman is synonymous with exotica. The late vibraphonist and marimba player (1932-2002), born in Oahu, recorded dozens of albums bringing his tropical style to everything from Broadway to folk, jazz, and pop hits. Now, Hawaii's own Aloha Got Soul label has reissued Lyman's final studio album, 1980's Island Vibes, including in a limited, foil-stamped and numbered edition from the Vinyl Me, Please record club pressed on translucent purple with pink vinyl. Arthur
Feel the Earth Move: Craft Recordings Reissues Carole King and James Taylor's "Live at the Troubadour"
Blossom, smile some sunshine down my way/Lately, I've been lonesome/Blossom, it's been much too long a day/Seems my dreams have frozen/Melt my cares away... - James Taylor, "Blossom" With the Summer of Love over, social and political tensions at a boil, and the specter of the Vietnam War still hovering, the tail end of the 1960s was filled with upheaval. Carole King recognized the national trauma and responded in the only way she knew how: by turning inward and sharing her emotions in
Review: The Beatles, "Let It Be" [Various Formats]
Everybody had a hard year/Everybody had a good time... The Beatles' twelfth and final studio LP may have been titled Let It Be, but that particular admonition has been all but ignored over the years. The album - recorded before, but released after, 1969's Abbey Road - was in some respects a step backward from the band's previous, experimental LPs as they sought a "back to basics" sound that didn't involve overdubs and studio wizardry. Ultimately, though, that approach was rejected. The
A Man For All Seasons: Cherry Red, Esoteric Reissue and Expand Al Stewart's "Time Passages"
1978's Time Passages concluded British singer-songwriter Al Stewart's trilogy of albums with producer-engineer Alan Parsons which began with 1975's Modern Times and continued with the following year's Year of the Cat. During this purple patch, Stewart earned his first hit singles in the United States, transitioning from folk troubadour at home to bona fide pop star abroad. And while Year of the Cat, the album, charted higher than Time Passages, the latter's title track was a bigger hit in the
The Beatles "Get Back" In New Hardcover Book Chronicling the "Let It Be" Sessions
A book about a film about an album? The new coffee table book from Callaway Arts and Entertainment and Apple Corps, The Beatles: Get Back, is essentially that: a hardcover, 240-page tome based on the film footage shot in the buildup to The Beatles' final album, 1970's Let It Be. Get Back was, of course, the name of the first version of Let It Be. It's also the name of director Peter Jackson's upcoming three-part, six-hour documentary (the first part of which premieres November 25 on the
Review: Bob Dylan, "Springtime in New York: The Bootleg Series Vol. 16 (1980-1985)"
Señor, señor/Can you tell me where we're headin'? Only Bob Dylan knew where he was headin'. In the fall of 1980, when Springtime in New York: The Bootleg Series Vol. 16 (1980-1985) opens, Dylan was two-thirds into his so-called "Christian trilogy" comprising Slow Train Coming (1979), Saved (1980), and Shot of Love (1981). He had wrapped up a fiery tour on May 21, 1980 in which he only performed his gospel material. Audiences and critics alike were divided on Dylan's immersion into
A Million Stars: Vinyl Me, Please Teams with Aloha Got Soul for Hawaiian Classics from Mackey Feary Band, Eddie Suzuki and New Hawaii
"Grin, even when you're at your lowest, grin," implores Mackey Feary on the opening track of his 1978 solo album Mackey Feary Band. "You're Young" is all sun and breeze, making it near-impossible to suppress the requested grin. It's languid yet funky, with shimmering guitars, wending saxophone, and sweet female background voices adding to the luster. As a founding member of Kalapana, Feary had been at the vanguard of Hawaiian pop in the 1970s; alongside such artists as Cecilio and Kapono and
Love in the Key of C: Demon Reissues Belinda Carlisle's "A Woman and a Man" for 25th Anniversary
In December, The Go-Go's will launch a mini-tour of California and Nevada hot on the heels of their Rock and Roll Hall of Fame induction. Demon Music Group has recently been revisiting the catalogue of the band's breakout star Belinda Carlisle on vinyl. Following such releases as 2017's Heaven on Earth (reissued for its 30th anniversary), 2019's Runaway Horses (also a 30th anniversary), and Belinda earlier this year (marking its 35th), the label has delivered a Deluxe 25th Anniversary 3LP Box
Review: The Beach Boys, "Feel Flows: The Sunflower and Surf's Up Sessions 1969-1971"
Like a Companion for Your Lonely Soul Those placing the needle on The Beach Boys' Sunflower upon its release in 1970 might have been taken aback by the sheer drive of its opening track. The lusty "Slip on Through" - co-written, produced, and primarily sung by Dennis Wilson - rocked harder than just about anything else in the band's discography to that point. The song announced that Sunflower was not just The Beach Boys' first album on a new label but the beginning of a new chapter
Review: Aretha Franklin, "Aretha"
R-E-S-P-E-C-T. Otis Redding may have written the song, but Aretha Franklin owned it. The singer was only in her mid-20s when she left Columbia Records after five years and seven albums but she wasted no time in making music history when she signed with Atlantic Records in December 1966. By the middle of 1967, she'd had long-sought-after hits with "I Never Loved a Man (The Way I Love You)" and "Respect" and was proclaimed The Queen of Soul by a Chicago disk jockey. Some reports indicate the
Happy To Be Here: Ellen Foley Returns with "Fighting Words"
Ellen Foley is back with a vengeance. The singer-actress who shared the microphone with Meat Loaf on Bat Out of Hell's immortal "Paradise by the Dashboard Light" has one of the smallest yet choicest discographies in rock: just three albums between 1979 and 1983 on which she was joined by such collaborators as Ian Hunter, Mick Ronson, Vini Poncia, and The Clash's Mick Jones, Paul Simonon, Topper Headon, and Joe Strummer; and a 2013 "comeback" LP. But Foley was hardly ever away. She flourished
Review: Joni Mitchell, "The Reprise Albums (1968-1971)"
Joni Mitchell fiercely announced her independence with "I Had a King," the haunting soliloquy which opens her 1968 debut album, Song to a Seagull. "I can't go back there anymore," she proclaimed. "You know my keys won't fit the door/You know my thoughts don't fit the man. They never can...they never can..." The song is bold, wise, and flecked with a graceful equanimity as the singer declares her freedom both from a husband who "lives in another time" and the societal constraints of the day.
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