When Frank Sinatra met Count Basie, it was far from a clash of the titans. No, the "historic musical first" that occurred between the grooves of Reprise 1008 in 1962 was more like a perfect union. Both were Jersey boys, with Basie's formative years spent south of Hoboken, in Red Bank, New Jersey. The men were unusually simpatico, similar in their enormous respect for musicians. Though Basie titled a 1959 album Chairman of the Board, the title was later bestowed upon Sinatra. When Basie put
Ode To A Kudu: CTI Masterworks Series Continues In October With Kudu Titles
Tuesday, August 9 brought the most recent quartet of CTI jazz titles to CD from Sony's Masterworks Jazz division. For the next batch, due October 4, the label has turned its attention to CTI's offshoot label, Kudu. Named after the long-horned African mammal, Kudu was launched by CTI's Creed Taylor in 1971. Taylor described his new endeavor as "a black awareness label, more commercial oriented than CTI and indigenous to the black popular music of the United States." Even the logo's familiar
Miles Ahead: Legacy Launches "Bootleg Series" For Davis
Move over, Bob Dylan. Another legendary Columbia Records artist just a couple of spaces over on the CD shelf is receiving the Bootleg Series treatment with the September 20 release of The Miles Davis Quintet – Live in Europe 1967: The Bootleg Series Volume 1. And this release looks every inch as lavish and essential as the releases in Dylan’s similarly titled, long-running series. It’s drawn from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and
Ipanema, Again: "Getz/Gilberto" Restored To Original Mix For New SACD and Vinyl LP
Bossa nova, translated, literally means "new trend." And as 1964 began, with the British Invasion taking flight, America was also experiencing a Brazilian Invasion thanks to this new trend in popular music and jazz. Identified by gentle acoustic guitar and sometimes piano, and often adorned with subtle string or horn accents, bossa nova was based on the rhythms of the samba. It soon was adapted on stages from the concert hall to Broadway, spawned the "lounge" genre and influenced countless
Masterworks Jazz Continues "Cool Revolution" with a Quartet from CTI
Chances are, if you think of a jazz artist, it wouldn't take many degrees of separation to reach Creed Taylor. The esteemed producer began his career at Bethlehem Records overseeing a roster including Herbie Mann, Charles Mingus, Carmen McRae, J.J. Johnson and Kai Winding. In 1956, he departed Bethlehem for ABC-Paramount, where in 1960 he launched the Impulse! label with artists like Johnson, Winding, Ray Charles and John Coltrane. It was at Impulse! that Taylor came into his own, emphasizing
Review: Frank Sinatra and Antonio Carlos Jobim, "Sinatra/Jobim: The Complete Reprise Recordings"
"Tall and tan and young and handsome..." Those lyrics to Antonio Carlos Jobim's "The Boy from Ipanema" kicked off a bossa nova boom that saw virtually every noteworthy vocalist and jazz musician of the 1960s recording in the mellow Brazilian style. Frank Sinatra, though, was hardly one to follow a trend for hipness' sake. By 1967, the label he founded, Reprise, was turning its sights to Laurel Canyon and Haight-Ashbury, and the bossa craze was on the wane. Sinatra would, as always, record on his
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