Verve Label Group and UMe have announced a new collaboration with the audiophile reissue label Acoustic Sounds that finds the team offering up what's said to be "definitive audiophile grade versions of some of the most historic and best jazz records ever recorded." It's set to launch this Friday, July 31, on August 28 with two classic duets albums: Stan Getz and João Gilberto's landmark Getz/Gilberto (featuring Astrud Gilberto) and the singular Louis Armstrong Meets Oscar
The beguiling Brazilian sounds of the bossa nova have long been a part of the repertoire from Cherry Red's El Records imprint. In the second half of 2017, the label released two more slipcased double-disc collections celebrating the music that - much like that girl from Ipanema - makes you go, "Aaaaah." João Gilberto and the Stylists of Bossa Nova Sing Antonio Carlos Jobim pairs the most famous vocalist and most famous composer of the genre in one package, while The Women of Bossa Nova Volume
Resonance Records has recently tapped the archives of the fondly-remembered San Francisco jazz spot Keystone Korner for two valuable additions on compact disc and vinyl to the Stan Getz discography. The late tenor saxophone legend's appearances at the nightspot between May 11 and 16, 1976 have been culled to create two new albums. Moments in Time preserves nine performances from Getz's core sets, while its companion is even more special. Getz/Gilberto '76 is a new entry to the small but
Welcome to this week's Release Round-Up with titles from legends of pop, jazz, country and more! Stan Getz and Joao Gilberto, Getz/Gilberto '76 (Resonance) (Amazon U.S. / Amazon U.K. / Amazon Canada) In 1976, Stan Getz and Joao Gilberto reunited at San Francisco's Keystone Korner alongside pianist Joanne Brackeen, bassist Clint Houston and drummer Billy Hart. Their never-before-released set arrives in lavish fashion from Resonance Records on CD and vinyl. The deluxe CD includes a
Fewer images in music are more evocative than that of the tall and tan and young and lovely girl from Ipanema, walking like a samba and inspiring passersby to go, "Aaaah." Jazz musicians of every stripe and every instrument latched onto Brazil's bossa nova sound after it exploded to popularity in the wake of Antonio Carlos Jobim, Luis Bonfá, Vinicius de Moraes and João Gilberto's soundtrack to the 1959 film Black Orpheus. Though Black Orpheus was the breakthrough, it wasn't the birth of bossa
Bossa nova, translated, literally means "new trend." And as 1964 began, with the British Invasion taking flight, America was also experiencing a Brazilian Invasion thanks to this new trend in popular music and jazz. Identified by gentle acoustic guitar and sometimes piano, and often adorned with subtle string or horn accents, bossa nova was based on the rhythms of the samba. It soon was adapted on stages from the concert hall to Broadway, spawned the "lounge" genre and influenced countless