The beguiling Brazilian sounds of the bossa nova have long been a part of the repertoire from Cherry Red's El Records imprint. In the second half of 2017, the label released two more slipcased double-disc collections celebrating the music that - much like that girl from Ipanema - makes you go, "Aaaaah." João Gilberto and the Stylists of Bossa Nova Sing Antonio Carlos Jobim pairs the most famous vocalist and most famous composer of the genre in one package, while The Women of Bossa Nova Volume
Welcome to this week's Release Round-Up! B.J. Thomas, New Looks from an Old Lover-The Complete Columbia Singles (Real Gone Music) (Amazon U.S. / Amazon U.K. / Amazon Canada) New Looks from an Old Lover - The Complete Columbia Singles from B.J. Thomas gathers up all of the A and B sides the singer recorded for that label during his tenure there in the 1980s including the No. 3 Country hit "Two Car Garage" and two No. 1s: "Whatever Happened To Old-Fashioned Love" and "New Looks from an
Fifty years ago, Frank Sinatra released one of his finest albums - and indeed, one of the finest albums of all time. Francis Albert Sinatra and Antonio Carlos Jobim arrived in late March 1967 on the Reprise label, marking the first collaboration between America's foremost vocalist and Brazil's foremost composer. On April 7, UMe and Frank Sinatra Enterprises will reissue the original album for its 50th anniversary in a new edition featuring two previously unreleased bonus tracks. For the
Today's spotlight is on two releases from él Records from bossa nova legend Silvia Telles and easy-listening vocal group The Johnny Mann Singers! In recent years, the él label has issued bossa nova -centric reissues and anthologies from some of the genre's leading lights including Antonio Carlos Jobim, Joao Gilberto, Joao Donato, Vinicius De Moraes, and Luis Bonfá. The Cherry Red imprint has just added a new release from Silvia Telles to that list. Telles, who tragically died in a car
Fewer images in music are more evocative than that of the tall and tan and young and lovely girl from Ipanema, walking like a samba and inspiring passersby to go, "Aaaah." Jazz musicians of every stripe and every instrument latched onto Brazil's bossa nova sound after it exploded to popularity in the wake of Antonio Carlos Jobim, Luis Bonfá, Vinicius de Moraes and João Gilberto's soundtrack to the 1959 film Black Orpheus. Though Black Orpheus was the breakthrough, it wasn't the birth of bossa
“Tall and tan and young and handsome…” Those lyrics to Antonio Carlos Jobim’s “The Boy from Ipanema” kicked off a bossa nova boom that saw virtually every noteworthy vocalist and jazz musician of the 1960s recording in the mellow Brazilian style. Frank Sinatra, though, was hardly one to follow a trend for hipness’ sake. By 1967, the label he founded, Reprise, was turning its sights to Laurel Canyon and Haight-Ashbury, and the bossa craze was on the wane. Sinatra would, as always, record on his