/ Soundtracks

Few disputed the title of 1976’s The First Nudie Musical.  And if there’s been a second nudie musical, nobody’s told me about it.  But even if a second one does exist, chances are it doesn’t have a fraction of the satirical charm of the film described by the New York Post’s Judith Crist as “the Star Wars of nudie musicals!”  In fact, the Paramount Picture sat just beneath the science-fiction behemoth and the James Bond thriller The Spy Who Loved Me during its first week of wide release in 1977. 

The War for Soundtracks rages on, and La-La Land Records' latest volley is the long-awaited expanded edition of the score to 1941, the 1979 World War II comedy scored by legendary composer John Williams for longtime collaborator, director Steven Spielberg. Take some of the most talented young comedians of the '70s, put them in a picture written by two of the brightest upstarts in Hollywood and put the world's hottest young director in charge. Sounds like a formula for success, right? Maybe most

Last weekend, The Lion King sat atop the box office once more, a potent reminder not only of the 1994 film’s enduring power but of its music.  Though Elton John and Tim Rice famously composed its songs, it was Hans Zimmer who picked up an Academy Award for the orchestral score.  Zimmer made his first major splash in Hollywood with the score to Barry Levinson’s 1988 film Rain Man, following it up with high profile assignments such as Driving Miss Daisy (1989), Days of Thunder (1990) and Thelma

Even in the wake of some heartbreaking news in the soundtrack catalogue business, there's a lot of excellent goings on with some of your favorite soundtrack labels: First up, Intrada announced yesterday just one new CD release, but it's a big one: the world premiere of Alan Silvestri's score to 1990's Young Guns II. The Generation X-friendly Western series, which starred Kiefer Sutherland, Lou Diamond Phillips and Emilio Estevez as notorious outlaw Billy the Kid, had a strong pedigree for the

Here’s looking at you, kid. Film Score Monthly founder Lukas Kendall sent shockwaves through the film score collectors’ community with a blog post yesterday morning announcing the end of the Film Score Monthly reissue label. Having recently released the label’s 240th and 241st titles (the second volume of music from “Johnny” Williams’ score to 1966’s Not with My Wife, You Don’t! and a Nathan Van Cleave "double feature" of The Space Children and The Colossus of New York), Kendall confirmed

Walt Disney Records builds upon the excitement of the forthcoming Blu-Ray release (and 3-D theatrical reissue) of the studio's classic The Lion King by releasing a new compilation, available now, in honor of the timeless film. Anyone with a shred of doubt in The Walt Disney Company's ability to turn out great animated features after Disney's passing in 1966 had their fears allayed in 1989, with the release of The Little Mermaid, a high watermark of animated storytelling and musical scoring.

UPDATE (9/13): The order links and track lists for the new reissues are after the jump. Original post: Intrada's recent expanded reissue of Jerry Goldsmith's score to Explorers was just the tip of the iceberg for fans of the composer: La-La Land's release slate for this week will feature not one buttwo scores from the pen of the venerable film score maestro. The scores to Sleeping with the Enemy and Forever Young have been high on fans' wish lists for some time - the latter has been in the

When he was 35, it was a very good year. The “he” is Elmer Bernstein, the year is 1957.  The prolific composer managed to create five unique scores for five motion pictures that year – Sweet Smell of Success, Men in War, Fear Strikes Out, The Tin Star, and Drango.  The Kritzerland label has already brought the last three of those titles to CD over the past months, and now Men in War is on the docket, too!  (Not that Mr. Bernstein has been ignored elsewhere.  A film of a later vintage, 1979’s

Had Francis Lai only composed the immortal (and for a time, ubiquitous) themes to Un Homme et Une Femme (A Man and a Woman) and Love Story, his name would have gone down in the annals of both film and popular music.  Thankfully, Lai – born in 1932 in Nice, France – has offered us much, much more. Un Autre Homme, Une Autre Chance (Another Man, Another Chance) arrived from director Claude Lelouch (the director of A Man and a Woman, and the director with whom Lai has had one of the longest-lasting

You know how it goes: When you wish upon a star…your dreams come true!  Well, if that’s not always quite so cut-and-dried in the real world, it certainly happened over the past couple of days in the film score and catalogue music world!   I’m recently returned from Anaheim, California and the second-ever D23 Expo, where thousands of fans and collectors descended on the Anaheim Convention Center to spend a weekend immersed in all things Disney.   On Friday, I shared some of our personal wishes

As if Intrada's new releases weren't exciting enough (more on that in our next post!), Film Score Monthly yesterday announced two major archival releases from two of filmdom's most beloved composers. Elmer Bernstein's score to The Great Santini (1979) and John Williams' soundtrack to Not with My Wife, You Don't! (1966) both make their CD debuts from the label. At the time of The Great Santini's release, Bernstein had done some great, if slightly thankless, work on comedies like Animal House and