RPM Records is taking a bite out of the Apple. Apple Records, that is. All has been quiet on the Apple front since EMI's 2010 reissue campaign offered remastered and expanded albums from Badfinger, Mary Hopkin, James Taylor and others. But the Come and Get It compilation, released in conjunction with the album reissue program, brought to CD a number of tantalizing tracks from lesser-known lights on the Apple roster. Among those artists were Lon and Derrek Van Eaton, New Jersey natives whose
The DJ That Rocked: "Singles Collection" Compiles Best of Tony Blackburn
Richard Curtis’ 2009 film The Boat That Rocked paid affectionate homage to the pirate radio stations of the 1960s, but real-life pirate DJ Tony Blackburn said that “we didn’t have the fun that they obviously had in the film.” Rose-colored glasses or not, Curtis’ film dramatized the period when offshore radio stations challenged the rigid formatting of the BBC. Blackburn was just 21 in 1964 when he first set sail on Radio Caroline. He jumped ship two years later for Radio London, and survived
Review: Sam Phillips, "Martinis & Bikinis"
To call the career of Sam Phillips a varied one is a colossal understatement. The singer and songwriter born Leslie Ann Phillips has played a mute terrorist opposite Bruce Willis, placed several singles in the contemporary Christian Top 10, and today can be found scoring the exploits of a headstrong dancer and her imperious mother-in-law on ABC Family’s drama Bunheads. Though Phillips has hardly slowed down in the intervening years, fans still hold close the creative period she shared with
Review: The Beat, "I Just Can't Stop It," "Wha'ppen?" and "Special Beat Service" Expanded Editions
When the members of The Beat had the opportunity to create their own record label, the six-piece unit (“Ranking” Roger Charlery on vocals and toasting, Dave Wakeling on vocals and guitar, Andy Cox on guitar, Everett Morton on drums, David Steele on bass and Lionel Augustus Martin a.k.a. Saxa on – what else? – saxophone!) chose “Go Feet Records” as its moniker. Now, roughly 32 years after the band’s first album was released, it will still have your feet going in wild and unexpected directions.
Baby, It's Burt: Cherry Red's Él Label Collects Early Bacharach On "Long Ago Last Summer"
Although Burt Bacharach had been composing songs at least since 1952, when he kicked off a long career with the instrumental “Once in a Blue Moon” for Nat “King” Cole, the Burt Bacharach “sound” didn’t truly crystallize until the early 1960s. Prior to his reshaping of the sound of adult R&B, Bacharach teamed with a variety of lyricists to craft songs in virtually every genre imaginable: rock-and-roll, rockabilly, country, pop balladry, jazz, even the novelty song. Naturally, the earliest
Review: Deluxe Editions from Everything But The Girl
The band’s name is Everything But The Girl, but the reissue campaign might as well be titled Everything But the Kitchen Sink. Over the course of four 2-CD sets, the Edsel label has crafted a comprehensive, definitive retrospective of Tracey Thorn and Ben Watt’s early years as merchants of cool, sophisticated and literate pop. EBTG’s first four albums, originally released on the Blanco Y Negro label, have each been granted the deluxe treatment with an additional disc of non-LP singles, B-sides,
Review: The Supremes, "The Supremes at the Copa"
The building on New York’s East 60th Street might between 5th and Madison Avenues might not have looked like much from the outside. But within the walls of 10 E. 60th, it was a different story altogether, as that address housed the fabled Copacabana. Lyricist Fred Ebb asserted of New York City itself, “If you can make it there, you’ll make it anywhere,” but he could have been writing of The Copacabana. And Berry Gordy wanted to make it there. More accurately, the Motown Records chief wanted
It's "All in a Night's Work" For Dino, Shirley and André Previn
Scoring a major motion picture…writing a Broadway musical…recording a jazz piano album…conducting a classical symphony. Any of the above might be all in a night’s work for André Previn, a four-time Academy Award winner and ten-time Grammy recipient. And now Previn’s score for the 1962 film All in a Night’s Work is getting its first-ever soundtrack release courtesy of the Kritzerland label! The Dean Martin/Shirley MacLaine comedy followed Previn’s triumphant, Oscar-nominated score for 1960’s
Reviews: Three From Real Gone - Mick Fleetwood's Zoo, Jerry Reed and Durocs
Real Gone Music has become known for its wide-ranging and eclectic releases, and today we’re looking at three of the most recent, from the countrypolitan stylings of Jerry Reed to the rock animals of Mick Fleetwood’s Zoo and the pure pop of The Dūrocs! Dūrocs, Dūrocs (Real Gone Music RGM-0058, 2012) Are you ready to hear one of the best albums you’ve never heard? Then head straight to the pig pen for the first-ever CD release of Dūrocs. Primarily written and produced by the team of Ron
Review: Paul Simon, "Graceland: 25th Anniversary"
When Paul Simon travelled to Graceland, he was aware of the mighty contradictions: “And I may be obliged to defend every love, every ending/Or maybe there’s no obligations now…” Those days of miracle and wonder took place in 1986, and now some 25 years later, the restless artist is still defending Graceland. The path to Graceland was a circuitous one, with stops in New York, Los Angeles, London, Louisiana and most crucially, Johannesburg. Though the multi-platinum record picked up Grammy
Review: Heart, "Strange Euphoria"
You’ve gotta have Heart. For over forty years, sisters Ann and Nancy Wilson have been rocking and rolling, singing and strumming, and did I mention rocking? Often considered the female answer to Led Zeppelin, Heart has outlived that famous band, incorporating Zeppelin’s furious attack into music also influenced by pop and folk. The new 3-CD/1-DVD set Strange Euphoria (Epic/Legacy 88691 93736 2, 2012) is the first collection of Heart’s catalogue selected by the Wilsons and the band’s first
Review: Paul and Linda McCartney, "The Paul McCartney Archive Collection: Ram"
Paul McCartney might have taken the bull by the horns for his aggressively homemade solo debut McCartney in 1970, defying practically all expectations, but he literally took the ram by the horns on the cover photo of its 1971 follow-up, Ram. By the time of Ram's release, George Harrison had declared that All Things (including Beatles) Must Pass and John Lennon had exorcised many of his demons with the confessional Plastic Ono Band, wife Yoko at his side. With Linda McCartney co-billed as
Review: A Quartet From BBR - The Pointer Sisters, Buddy Miles, Pharoah Sanders, Greg Phillinganes
Among the most recent reissues from Big Break Records is a 1974 album from Electric Flag founder and Jimi Hendrix drummer Buddy Miles entitled All the Faces of Buddy Miles. But one could easily title any given batch of music from the Cherry Red-affiliated label as All the Faces of BBR, so reliably diverse is each group of the label's releases. Today's capsule reviews look at four of the latest from the Big Break team! Buddy Miles, All the Faces of Buddy Miles (Columbia KC-33089, 1974 -
Needles and Pins: Searchers Box Set Finally Back on Schedule
Back on July 26, 2010, we reported on Sweets, Spice, Sugar, Pins and Needles, a 4-CD, 120-track boxed retrospective dedicated to The Searchers, the second-most famous band to emerge from Liverpool during the British Invasion! We wrote: One of the best and most successful bands to come out of Liverpool, The Searchers may have toiled in the shadow of that other band from Liverpool, but hits like “Sugar and Spice,” “Pins and Needles” and “When You Walk in the Room” remain some of the strongest
On The Right Track: Demick and Armstrong's Lost Country-Rock Classic Reissued By RPM
Rod Demick may be best-known as a top sideman, serving with such talent as Screaming Lord Sutch, Dr. John, The Strawbs and the David Essex Band. Herbie Armstrong has had a similarly long career, playing with Van Morrison and film composer Mark Isham, co-founding the band Fox, and even entering Britain’s Got Talent as a contestant. But Demick and Armstrong have shared a long association, dating back to their days in the clubs of Belfast where they played alongside Morrison and his early band,
Review: Sam & Dave and Philip Bailey, Expanded Editions from Edsel
Mention “Hold On, I’m Comin’” and chances are you can hear that confident, swaggering horn riff that insistently opens the Sam and Dave classic. Indeed, all you really need to know is in that riff! All four albums recorded by Sam and Dave for Stax/Atlantic have been collected by Edsel on two new releases, and these expanded editions (including various single sides) add up to true cornerstones for any R&B or soul music library. But the label hasn’t stopped there. A very different kind of
The Hungry Years: Neil Sedaka's "Tra-La Days" and "Overnight Success" Arrive on CD, 10cc and Elton John Guest
From “Happy Birthday, Sweet Sixteen” to “Breaking Up is Hard to Do,” Neil Sedaka drew on a seemingly endless well of onomatopoeic hooks to enliven his early rock-and-roll records, leaving no Tra-la-la or do-be-doo untouched. The Juilliard-trained musician and native of Brooklyn, New York was one of the relatively rare few rockers of his generation equally adept at both performing and songwriting. As active members of Don Kirshner’s Aldon Music stable (alongside Carole King and Gerry Goffin as
King of Cool: Career-Spanning Dean Martin Box Set "Collected Cool" Coming in June, Uncut Dino DVDs Arriving in May
How lucky can one guy be? Although Dean Martin's exhaustive catalogue has been definitively anthologized on four massive box sets released by Germany's Bear Family label between 1997 and 2001, unheard material from the King of Cool continues to be discovered. Reporting in February 2011 about the then-recent Cool Then, Cool Now 2-CD/book box set, this writer opined: "A true career retrospective box with material from each label and era would be essential for those Martin fans looking for more
Get Down: Gilbert O'Sullivan's "I'm A Writer, Not A Fighter" Remastered and Expanded
Are you ready for another trip through Gilbertville? The fine folks at Salvo and Union Square Music have just released the latest title in their acclaimed Gilbert O’Sullivan reissue series, and though the album is called I’m a Writer, Not a Fighter, it might as well have been named Another Side of Gilbert O’Sullivan. On this 1973 set, the singer/songwriter placed less emphasis on the acoustic piano, his usual instrument of choice, and more on keyboards. These electronic textures musically
Review: Frankie Avalon, "Muscle Beach Party: The United Artists Sessions"
By the time of 1964’s Muscle Beach Party, Philadelphia-born Frankie Avalon had already racked up some 31 hits on the U.S. Billboard charts, including two at Number One, “Why” and “Venus.” On the urging of his Chancellor Records mentor Bob Marcucci, Avalon had welcomed the 1960s by diversifying his talents into film, appearing opposite John Wayne in The Alamo and Walter Pidgeon in Voyage to the Bottom of the Sea. 1963’s Beach Party, however, was something else altogether. Directed by William
Bring Back That Lovin' Feelin': Righteous Brothers' Philles Albums Arrive on CD...In Japan!
It’s time to get Righteous…at least if you’re in Japan, that is, or willing to shell out big bucks from an import retailer. Though they have eluded U.S. CD release to date, The Righteous Brothers’ three long-players from Phil Spector’s Philles label will be reissued on April 3 as limited edition SHM-CDs from Universal Music Japan. 1965’s You’ve Lost That Lovin’ Feelin’ and Just Once in My Life, as well as 1966’s Back to Back, are all anchored by key Spector-produced tracks. The remaining
Carefree Highway: Rhino Offers Rare "Moments" With Gordon Lightfoot
Gordon Lightfoot’s stands at Toronto’s Massey Hall have become a cherished tradition over the past forty years, with the Canadian troubadour having taken the stage more times than any other artist in the Hall’s 117 year history. Last May 25, 2011, Lightfoot performed his 150th concert there, and as he prepares for this year’s stand in November, Rhino Records is reminding fans of his rich legacy there with the April 17 release of Massey Hall Moments - All Live. Why not just plain Live?
A World of Laughter, A World of Tears: The Second Disc Remembers Robert B. Sherman
Sher ·man ·ism (sher'maniz'em) NOUN: The creation of music abundant in optimism and heart, written for kids of all ages. OTHER FORMS: sher man·ist (Noun), sher man·esque (Adjective) Okay, so that’s not really in the dictionary. But then again, neither is “supercalifragilisticexpialidocious,” “fortuosity,” “fantasmagorical” or “gratifaction.” But perhaps they should be. Have any other songwriters broadened the English language as much as Richard M. Sherman and Robert B. Sherman? The
Review: Mark Lindsay, "The Complete Columbia Singles"
There'll be joy and there'll be laughter/Something big is what I'm after now... As frontman, songwriter and saxophonist of Paul Revere and the Raiders, Mark Lindsay had experienced his fair share of joy and laughter, but as 1969 rolled around, the band behind such garage-pop anthems as "Kicks," "Just like Me" and "Hungry" was beginning to fracture. Jack Gold, head of A&R at Columbia Records, however, saw something big in Mark Lindsay's future. According to the singer, Gold had stumbled on
Good Lovin': Felix Cavaliere Teams with Todd Rundgren, Laura Nyro, Leslie West, Dino Danelli On Bearsville Reissue
The union of singer/songwriter Felix Cavaliere and producer Todd Rundgren might have seemed like a marriage made in heaven, with Cavaliere having specialized in blue-eyed soul with The Rascals, and the wunderkind Rundgren no slouch in that field, either. But in fact, it was more like a shotgun wedding. You can hear for yourself, as Cavaliere’s Rundgren-produced, self-titled 1974 album for Bearsville Records has just been coupled with its follow-up, Destiny (1975) on a stellar new two-for-one
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