Throughout his career, Phil Collins has always been willing to share his talents - whether at the microphone or the drum kit, as a songwriter, or in the producer's chair - with his fellow musicians. On September 28, the superstar will collect 59 of his favorite collaborations on a new 4-CD box set. Rhino/Atlantic will release Plays Well with Others just one week before Collins launches his Not Dead Yet, Live! tour on October 5 in Fort Lauderdale, Florida. Collins states in the press
Mention “Hold On, I’m Comin’” and chances are you can hear that confident, swaggering horn riff that insistently opens the Sam and Dave classic. Indeed, all you really need to know is in that riff! All four albums recorded by Sam and Dave for Stax/Atlantic have been collected by Edsel on two new releases, and these expanded editions (including various single sides) add up to true cornerstones for any R&B or soul music library. But the label hasn’t stopped there. A very different kind of
It's always a treat at The Second Disc when a title or project we imagined in a Reissue Theory post comes to fruition in some way. Today, we have one from U.K. label Edsel that almost - almost - captures the essence of a set we envisioned: a two-for-one reissue of two albums by R&B singer Philip Bailey. Known as the sweet-toned vocalist for Earth, Wind & Fire - who could forget those high notes in "September"? - Bailey didn't strike out on his own until 1983's Continuation (reissued a
Skip Scarborough (1944-2003) may not have ever gained the name-brand recognition of some of his songwriting peers. But the man born Clarence Alexander Scarborough penned some of the most instantly recognizable classics in the soul music pantheon. Anita Baker's "Giving You the Best That I Got," The Friends of Distinction's "Love or Let Me Be Lonely" and Earth Wind & Fire's "Can't Hide Love" are just three of Scarborough's most memorable compositions. The latter went on to be recorded by
Welcome to another installment of Reissue Theory, where we reflect on notable albums and the reissues they could someday see. Despite the presence of a hit single with a famous singer/songwriter/producer and a killer soul vocalist, Philip Bailey's hit sophomore record remains unexpanded on CD. What would such a project look like? This article is the only way you'll ever know-oh-ohh... What does it say about Philip Bailey that his biggest hit wasn't entirely his? It's not like Bailey only had