Prince's influence has been discussed far and wide, from fashion to music videos to the actual, Hendrixian quality of his guitar playing. But it's always unusual when the mercurial purple genius decides to directly contribute to another artist's canon, particularly since one really never knows where he's going to end up next. What follows is a chronological list of ten of Prince's most interesting "guest appearances." Half of them are actual guest appearances, the other half either songs he
Prince Week Day 4: The Reissue Conundrum
Talking about Prince on a blog devoted to back catalogue music usually results in three considerations: 1) Prince really should allow remasters/reissues of his astounding discography, 2) Prince won't ever allow remasters/reissues of said discography and 3) why the heck not? As many of his fellow contemporaries (Madonna, Michael Jackson, Rick James, etc.) and other luminaries (The Rolling Stones, Jimi Hendrix, even The Beatles) have enjoyed remastering and rediscovery on compact disc, Prince has
Prince Week Day 3: He Would Die 4 U
This particular installment of Prince Week is an unorthodox one. The Second Disc is usually a place for just catalogue type stuff, since that is the gateway to most of our feelings about classic music. But sometimes the feelings themselves are worth writing about, if they're particularly strong. It's with this in mind that The Second Disc presents a bit of an emotions-based look at Prince's music. The following (admittedly lengthy) essay is something I've worked on for a few years in college,
Prince Week Day 2: A Compilation Comparison
We continue our Prince week with a little something for the fans out there that may have never caught on to His Royal Badness enough to buy any of his music. Often times, in cases where you want to get a firm start on following an artist, a greatest-hits compilation is the way to go. But Prince, like many other rock legends, has more than one such set on the market. And money's tight for a lot of folks. So which one do you end up buying? Follow the jump for a detailed breakdown of each one.
Friday Feature: Prince on Film
The Second Disc reader Robert Altman was predicting the future when he suggested a week devoted to Prince a few days ago. Prince - one of the most polarizing and intriguing figures to ever saunter onto the pop music scene - deserves reams (or gigabytes, in this case) written about his music and its impact, and The Second Disc promises to deliver in that regard. From this Friday to next Friday - going right through Prince's 52nd birthday on Monday - TSD will present a few features on Prince's
Clouds on the Horizon
Even though The Second Disc is primarily geared toward catalogue matters, I'd be doing myself a disservice by not paying attention to music as it stands in the present day. There's a trend I've been trying to wrap my head around on the tech side of music, one which could actually have spectacular implications for catalogue works if done properly. They're calling it "the cloud" - mobile, streaming music services that keep the music on a server instead of directly downloading it to your computer.
Paul Simon to Embrace His Legacy
It may not be as big a news item as Paul McCartney shifting his solo catalog from sinking ship major EMI to rising indie Concord, but Paul Simon has told Showbiz411’s Roger Friedman of his plans to move his entire output from Warner Music Group to Sony/Columbia. Or more accurately, back to Sony/Columbia. Simon recorded his very first solo album, The Paul Simon Songbook, for Columbia’s U.K. arm in 1965, and of course, the entire Simon and Garfunkel catalog has long resided there. When Simon and
Back Tracks: WHAM!
The great thing about most reissues over the past few years is that labels seem to want to follow one rule: if they can reissue it, they will do their best. Of course there are people out there who like, say, Cutting Crew or a-ha - but who could have seriously predicted that labels would be open to the idea of reissuing those records with bonus cuts and all that? Of course, this rule makes some of the great bands without reissues - Prince, The Go-Gos, that one Buckingham Nicks album - look like
In Defense of Playlist
In today’s radically-changed music climate, it should come as no surprise that record labels are trying many different series and business models to figure out just what the heck will sell. These releases aren’t necessarily aimed at the audience reading this site, most often targeting the casual music buyer. As such, these greatest hits series – whether Sony’s The Essential…, Universal’s 20th Century Masters or EMI’s Classic Masters, just to name a few – tend to be scorned by many collectors as
Boldly Going Back
Man, it's been a good week for Star Trek music enthusiasts. First Film Score Monthly announces a brand-new deluxe reissue of James Horner's score to Star Trek III: The Search for Spock last week. And now, Varese Sarabande has jumped ahead on the Trek timeline to give fans another new deluxe set: starting June 14, the label will ship Star Trek: The Deluxe Edition, featuring the complete score to last year's fantastic reboot of the sci-fi series. As if the movie wasn't great enough on its own
The Second Disc State of the Union
Readers: we need to talk. It's nothing bad. The Second Disc isn't going away, isn't reducing its output, nothing like that. We just need to talk about a few things. Around five months ago, The Second Disc was started with a list of great reissues that were released in 2009. It was a post copied from a Facebook note written some weeks before. A modest beginning, to be sure. It's hard to have high expectations about anything you're just starting out on, particularly a blog. How many blogs must
Hip-o Loves Lofgrin
A late announcement for readers: Hip-o Select has begun taking pre-orders for another reissue from Nils Lofgren. Since 2007, the label has been remastering and reissuing the solo works of Lofgren, of course best known as one of Bruce Springsteen's E Street Band members for the past quarter-century. Thus far, his original band Grin's final LP, Gone Crazy (1973) and solo efforts Nils Lofgren (1975), Back It Up!! Live-An Authorized Bootleg (1975) and Cry Tough (1976) - all originally released on
Friday Feature: A Discful of "Dollars"
Blame the continuing heat in the Northeast. Blame the recent release of video game Red Dead Redemption. But it's just a good time for some great music from the "spaghetti Westerns," that subgenre of film where the Italian film community emulated and built upon the traditions of the American Western picture. Ask any film scholar and they'll likely tell you that few directors contributed more for the genre than Sergio Leone - and futhermore, that his best works had Ennio Morricone providing a
Back Tracks: Billy Idol
Lately, I've been unable to turn the radio dial to a rock-oriented radio station without happening on the music of Billy Idol. There's nothing wrong with that - Idol was one of the best artists of the '80s - but it's a bit jarring, if only because it's hard to think of Billy Idol as a rocker, in the truest sense. Sure, his music is dominated by some excellent guitar (usually from the axe of the fantastic Steve Stevens), and it has a bit of an edge thanks to Idol's irrepressible snarling vocals.
Paying the Price
Next week is going to be much more comfortable when it comes to posting on The Second Disc. After several months of bitterly typing and researching over a creaky, aging Dell PC (having lost a nearly-just-as-creaky Thinkpad T60 laptop), the weekend should see your humble correspondent upgrading to a Macbook. As a lifelong Windows user (barring my time writing and editing for my newspaper in college), it's an unusual but worthwhile transition, and I can't wait to regain simple pleasures like
Review: Otis Redding, "Live on the Sunset Strip"
“Are you ready for star time?” Considering that the star in question was “the one and only, Volt recording star Otis Redding," the answer was bound to be in the affirmative. That was the introduction granted Redding by emcee Al Brisko Clark at West Hollywood’s Whisky A Go Go on the evenings of April 8, 9 and 10, 1966. The Whisky was the happening nightspot on the Sunset Strip in ’66, immortalized by Johnny Rivers on a 1964 LP and frequented by a who’s who of the Los Angeles music scene. (See
The Setlist Situation
When Legacy announced a new compilation series called Setlist, featuring some of their roster's greatest hits in a live setting, some fans understandably started scratching their heads. The label's Playlist series, from which this new series obviously drew inspiration, made sense on a few levels. They were compilations priced for the budget-conscious, and sometimes had a few bones thrown to hardcore collectors in the form of single-only mixes or edits. For Setlist, however, the premise seems
From The King of the New York Streets to The Wolf King of L.A.
It seems that the Cherry Red family of labels' slogan should be "expect the unexpected." Each label is run by a different team, resulting in an extremely diverse array of offerings. Steve Stanley's Now Sounds celebrates, but isn't strictly limited to, the musical era of 1964-1972. Past reissues have encompassed such styles as harmony and sunshine pop (Roger Nichols and the Small Circle of Friends, The Association), folk (Janis Ian), light psychedelia (Colours), "Bacharock" (The Golden Gate) and
The Trend
When The Second Disc's Exile on Main St. poll was posted, I mentioned that I had noticed a rather unusual trend in the purchase of the various deluxe sets that were available. As a member of the electronics/entertainment staff at a Target store, I was able to track a few of the big sets, some of which were only available through our retailers. Target was the only place to get the bonus disc of the deluxe edition (that is, the Rarities Edition), as well as the fan pack which bundled a t-shirt
Reissue Theory: The Smiths, "Meat is Murder"
"Re-issue ! Re-package ! Re-package ! Re-evaluate the songs Double-pack with a photograph Extra track (and a tacky badge)" - "Paint a Vulgar Picture," The Smiths Sometimes one wonders why a band as listenable, influential and obsessed over as The Smiths doesn't get much in the way of back catalogue treatment. Outside of a few compilations (most recently 2008's The Sound of The Smiths) and a box set of reproduced singles, that's been more or less it; the albums haven't been repressed since
Legacy Announces Oasis' "Time Flies"
As previously reported, Oasis are releasing Time Flies...1994-2009, a lengthy compilation of their singles, on June 15. Legacy Recordings, which is handling the distribution of the set, issued a release detailing all the iterations of the set that can be purchased. The set exists in three forms. The standard double-disc set will include 26 of the band's U.K. singles plus U.S. hit "Champagne Supernova" (the U.K. edition will include all the proper singles, including "Sunday Morning Call" in
Back Tracks: The Solo Bacharach
May 12, 2012: Happy 84th birthday, Burt Bacharach! The living legend was recently the recipient, with longtime lyricist Hal David, of The Library of Congress' Gershwin Prize for Popular Song, bestowed upon the team by President Barack Obama. In celebration of the maestro's birthday and this great honor, we're republishing this special installment of Back Tracks, exploring Bacharach's solo career from 1965's Hit Maker! through 2008's Live at the Sydney Opera House! Age hasn’t slowed Burt
Friday Feature: "Psycho"
It is one of the greatest motion picture scores of all time. A suspense classic that immortalized its composer and director for all time. Arguably the most influential in its style. And, half a century later, has never been properly released on any format, ever. Psycho, Alfred Hitchcock's 1960 film, was a stunner from the get-go - not only unlike any film at the time, but unlike any in The Master of Suspense's lengthy career. The film starts out simply: a conflicted young woman steals a hefty
Jackson 5 in Fine "Forum"
The Second Disc is pleased to pass along the long-awaited track list for Hip-o Select's upcoming Live @ The Forum by The Jackson 5. This two-disc set, to be released June 22 - almost a year to the day since Michael Jackson passed away - collects two previously unreleased shows recorded at the legendary Los Angeles venue: one taken from a week before the J5 scored their third consecutive No. 1 with their third single ("The Love You Save"), and another just days before Michael turned 14. The
If You've Been Seeking P.F. Sloan...
"I have been seeking P.F. Sloan/But no one knows where he has gone..." With those lyrics, Jimmy Webb immortalized the reclusive songwriter, admonishing listeners, "Don't sing this song, it belongs to P.F. Sloan." But when Webb wrote those words in 1971, Sloan had only been away from the music scene for three or four years; in fact, he was a quite prolific writer in the years between 1964 and 1967, often in collaboration with Steve Barri. Sloan, already an established writer of pure pop songs
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