The recent release of Alex Chilton's Electricity by Candlelight on Bar/None Records turns a "you had to be there" moment into a "you are there moment." The late, great singer/songwriter and Big Star frontman took a major setback - a sudden power outage between two sets at New York City's Knitting Factory in 1997 - and spun it into a most magical listening experience: Chilton picked up an acoustic guitar and regaled a small audience with a clutch of covers, from standards ("My Baby Just Cares for
Richard Barone, frontman for New Jersey-based power-pop act The Bongos, describes his career as centered around the theme of "full circle." This year, Barone has revisited a lot of captivating and familiar territory from his lengthy career. The Bongos were the closing act at legendary Hoboken club Maxwell's in July, having (as members of the band "a") been the venue's first act. Onstage, they announced the release of a "lost" Bongos album, Phantom Train, recorded primarily at Compass Point
The list of American cities tied to record labels is small, but certainly notable. Memphis has Stax and Sun, Detroit is defined by Motown, Sub Pop defined the Seattle sound...and then there's Jem Records, which made its home in the middle-class borough of South Plainfield, New Jersey. Jem, as well as its sub-labels like Passport (a joint venture with Seymour Stein of Sire Records) and PVC, became something of a cratedigger's dream in the 1970s and 1980s, licensing content from all over the
Vinny Vero is everywhere. I don't mean this in just a literal sense - as of this posting, he's currently in Australia playing several DJ sets - but he's also had a multifaceted career in the music business, be it as a marketer, producer, remixer or writer. "This year is my 25th anniversary in the music business," he told The Second Disc with a laugh. "All of a sudden I feel very experienced!" Vero parlayed his passion for music into a plum gig as a research manager for prominent New York radio
He's humbly suggested he's doing his part to save the music business, but Gerry Galipault is doing something even more important: keeping it fun. On this date 15 years ago, Galipault started Pauseandplay, a simple-but-effective online resource for just about any music release - physical or digital; brand-new or catalogue; vinyl or DVD - that you could dream of. Coupling a tireless work ethic (the result of years of work in the journalism field) with a unique, positive voice, Pauseandplay -
A remarkable treasure trove of Matt Monro rarities has just been released by EMI Gold, a timely reminder of the artist’s life and career. He was sometimes known as the “Cockney Como” or the “English Sinatra,” but both descriptions fail to adequately capture the essence of the beloved singer’s unique and enduring style. Fortunately, Matt Uncovered: The Rarer Monro offers that singular sound in abundance as it traces the arc of his entire career, via almost entirely unheard material. We welcomed
A remarkable treasure trove of Matt Monro rarities has just been released by EMI Gold, a timely reminder of the artist’s life and career. He was sometimes known as the “Cockney Como” or the “English Sinatra,” but both descriptions fail to adequately capture the essence of the beloved singer’s unique and enduring style. Fortunately, Matt Uncovered: The Rarer Monro offers that singular sound in abundance as it traces the arc of his entire career, via almost entirely unheard material. Click here if
Hats off, here it comes: the Kritzerland label is unveiling a new edition of the Original Broadway Cast Recording of Stephen Sondheim and James Goldman’s Follies, but the Broadway babies and girls upstairs will likely have never sounded better. Following similar releases for Promises, Promises and Sugar, Kritzerland has completely remixed and remastered Capitol Records’ 1971 Follies, affording listeners the opportunity to hear a Sondheim masterwork anew. The label began accepting pre-orders
When Richard M. Sherman introduces his Academy Award-nominated song “Chitty Chitty Bang Bang” in concert, he often has to remind his audience that the film of the same name wasn’t a Walt Disney production. Producer Albert R. Broccoli, best-known for the James Bond series of films, signed Richard and his brother Robert M. Sherman for their very first film score outside of the Disney sphere. Like the Bond films, United Artists’ Chitty was based on the writing of Ian Fleming. For Fleming’s story
The wait is over. We continue our discussion of Marvin Gaye's classic What's Going On, to be released as a super-deluxe edition on June 7, with reissue producer Harry Weinger. In this portion of the discussion, Weinger touches on the always-hot topic of remastering the source material, a thought on super-deluxe box sets, and future projects to honor both Gaye's legacy and other Motown greats. Read on after the jump!
For most music producers, there's a kind of strangeness to working on multiple reissues of the same classic album over time. Not so for Harry Weinger, vice-president of A&R at Universal Music Enterprises and, as one of UMe's resident Motown gurus, the producer of several deluxe editions of Marvin Gaye's classic LPs, including What's Going On. "You learn between anniversaries," Weinger said. "And luckily, I was there for both of them." When What's Going On became one of Universal's first in
The wide berth of reissues, box sets and compilations across major and independent labels the world over, means some releases can fall through the cracks at times. At The Second Disc, it was always an early mission to make sure the labels handling catalogue soundtrack reissues did not suffer this fate. Intrada, Film Score Monthly, Kritzerland, Varese Sarabande - all are essentials for the catalogue music fan with a taste for soundtracks, and their work is hard to ignore. La La Land Records,
By any standards, Richard Page would have a lot to be thankful for as the frontman of Mr. Mister, the band behind chart-topping smash hits "Broken Wings" and "Kyrie." This year, however, there's another part of his career to celebrate: after two decades, Pull, the intended fourth album from the band, is coming out of hiding thanks to the fine folks at Legacy Recordings. Granted, Page wears more than just the face of Mr. Mister. As a noted songwriter for Madonna ("I'll Remember," her 1994 hit
The music may be then, but the place to be is undoubtedly Now. By that, of course, I mean Now Sounds. Launched in 2007 by Steve Stanley, the producer of over 50 titles for the Rev-Ola label, Now Sounds celebrates the rich and varied melodies created between 1964 and 1972, though the label isn't limited to that period. A labor of love for its founder, Now Sounds has established itself as the go-to label for fans of this golden era of both songwriting and record production. We've seen a career
If you've been enjoying Joe Marchese's very stellar contributions to The Second Disc (and who hasn't, really?) you're going to want to pull up a chair tomorrow. Joe's got what promises to be a great interview with Steve Stanley of the Now Sounds label. The Cherry Red-owned label has got a jam-packed reissue of Paul Williams' Someday Man (1970) due out this week, and they've had a lot of killer product this year, including the great compilation Book a Trip: The Psych Pop Sounds of Capitol
Producer, director, writer, actor, composer, lyricist, raconteur – any and all of those words could be used to describe Bruce Kimmel. After helping to launch the Varese Sarabande label over thirty years ago and christening its still-ongoing soundtrack series with his score to The First Nudie Musical (which he also wrote, co-directed and acted in), Kimmel founded the Bay Cities label. Between 1989 and 1993, he and his Bay Cities colleagues were among the very first to reissue classic film
A most excellent heads-up to readers of The Second Disc: at noon tomorrow we'll be posting our second interview. This one's done by our very own Joe Marchese, and will feature a dialogue with Bruce Kimmel. The longtime record producer/writer/director known in some circles for his catalogue work through the Kritzerland label (and in others for cult classics like The First Nudie Musical!) will chat with us about his work, past, present and future. It should be a good read, and it'll be here in
It is with the greatest pride that The Second Disc presents its first-ever interview, bringing you closer to the catalogue music world we all love so much. Our first interviewee is one of the most notable names from the world of reissues. Harry Weinger, vice-president of A&R for Universal Music Enterprises, has been part of the music business for more than 30 years, writing for publications like Rolling Stone, Vibe, Billboard and Cashbox before becoming a staff writer for PolyGram's