A cadre of titles from the discography of the late Quincy Jones - spanning nearly 25 years of his storied career - are coming back into print on physical formats thanks to the shared efforts of Universal' Music Group's teams in America and Japan. Coming June 6 are new SHM-CD pressings of seven of Jones' LPs: This is How I Feel About Jazz (1957), The Quintessence (1962), Big Band Bossa Nova (1962), Walking in Space (1969), Body Heat (1974), Mellow Madness (1975), Sounds...and Stuff Like
If you're a Second Disc reader, you're no doubt aware of the immense musical power film composer John Williams has over us (and people like us!). Even a casual fan surely knows his most familiar works for the screen, from Star Wars and Indiana Jones to Jurassic Park and Harry Potter; the films of Steven Spielberg (JAWS, E.T. The Extra-Terrestrial, Schindler's List); themes for everything from Superman to the Olympics. He's picked up five Oscars (53 nominations, second only to Walt Disney), 25
Welcome to The Weekend Stream, a relaxing review of notable digital-only catalogue titles. There may be no CD or vinyl, but there's plenty of great new/old music to float you into the weekend. Big things happening in this column: two big box sets from a legendary prog-turned-pop outfit, rare mixes from one of pop's most legendary performers, tons of remixes from a soulful producer/performer and 200(!) classical titles from a legendary British label. Whew! Genesis, Archive #1 (1969 - 1975) /
Almost halfway through February, three soundtracks from titans of film composing have been released by the fine folks at Intrada and La- La Land Records. On Monday, Intrada's latest archival soundtrack was announced: an expansion of James Horner's score to the hit An American Tail. Directed by Don Bluth (The Secret of NIMH, All Dogs Go To Heaven) and produced by Steven Spielberg, this movie--one of the few mainstream animated films of the '80s not produced by Disney--tells the story of Fievel